Showing results for "Todd" in History & Criticism

Long before Mary Poppins danced across the rooftops and into the hearts of millions, Robert and Richard Sherman were struggling songwriters in Los Angeles, trying to find their voices—and their futures. In this vivid and deeply researched narrative, author and Disney historian Todd James Pierce traces the unlikely path that brought the Sherman brothers to Walt Disney's attention, and how their personal history, musical genius, and emotional lives shaped the film's unforgettable songs and surprising storyline.

In 1993, Fox debuted a strange new television show called The X-Files. Little did anyone suspect that the series would become one of the network's biggest hits - and change the landscape of television in the process. Now, on the occasion of the show's 25th anniversary, TV critics Zack Handlen and Todd VanDerWerff unpack exactly what made this haunting show so groundbreaking. Witty and insightful reviews of every episode of the series, revised and updated from the authors' popular A.V. Club recaps, leave no mystery unsolved and no monster unexplained.

From the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before. In Bogie & Bacall, William Mann offers a...

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre.

Walt Disney left behind big dreams when he died in 1966. Perhaps none was greater than the hope that his son-in-law, Ron Miller, would someday run his studio. Under Miller’s leadership, Disney expanded into new frontiers: global theme parks, computer animation, cable television, home video, and video games. Despite these innovations, Ron struggled to expand the Disney brand beyond its midcentury image of wholesome family entertainment, even as times and tastes evolved.

Much has been written about the work of David Lynch and existential fear in relation to Americana and the American Dream-as-American Nightmare in terms that are circular and artistically self-referential—or Lynchian. With reference to the 1983 television phenomenon The Day After, Lynch's work is newly situated in a resurgence of works reassessing the legacy of Trinity. With David Lynch's Part 8, a cultural circuit is completed, from the idiosyncratic and personal—or Lynchian—to the shared space of what theorist Paul Virilio describes as "cosmic fear"—or an emergency of social media.