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Avani's favourite thing to do is bury her nose in romance novels, but, honestly, life can't be trusted to make the stories real, right? But in the bookstore where she works, a man walks in, straight out of the pages of her favourite love stories. Aman is hot, successful, seems to know what she's going to say before she's said it, and just cannot get enough of her. In short, he's perfect. Then why is Avani losing her mind, ignoring the advice of her BFFs and trying to convince herself that he's just too good to be true?

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Skye Starling is overjoyed when her boyfriend, Burke Michaels, proposes after a whirlwind courtship. Though Skye seems to have the world at her fingertips - she’s smart, beautiful, and from a well-off family - she’s also battled crippling OCD ever since her mother’s death when she was 11, and her romantic relationships have suffered as a result.

Heiress Daphne Ryan is uncertain about spending a week at the sprawling country estate of the family of her sister’s boyfriend. For starters, she doesn’t get along with her sister. Then there’s the fact his family is old, wealthy aristocracy, and Daphne’s from brash, new American money. Mostly, it’s that everyone knows Duncroft House is haunted by the ghost of a 1920s film star who died there. Deemed an accident, for nearly a century, people are sure it was murder.