Showing results for "Tragedy" in Anthologies & Short Stories

In Agatha Christie’s classic, Three Act Tragedy, the normally unflappable Hercule Poirot faces his most baffling investigation: the seemingly motiveless murder of the thirteenth guest at dinner party, who choked to death on a cocktail containing not a trace of poison. Sir Charles Cartwright...

Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

Sins, Tragedies, and Other Things That Make Us Human is a collection of five thought-provoking short stories that blend historical fiction, dark humor, and contemporary drama.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

An aging, heavily-insured country squire whose estate is in financial ruin is thought to have committed suicide. Hercule Poirot investigates, in the guise of a representative of the victim's insurance company, to uncover the identity of the real murderer...

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

The Tragedy of Errors is the lengthy and detailed plot outline for the final but never published Ellery Queen novel, containing all the hallmarks of the greatest Queen mysteries - the dying message, the succession of false solutions before the astonishing truth is revealed, and scrupulous fair play to the listener. And the theme is one that Queen had been developing for many years: the manipulation of events in a world going mad by people who aspire to the power of gods.

Tara is carrying a baby she can barely afford with her fiancé in London, where she escaped her over attached mother years ago. When she learns she's having a girl and starts hallucinating, she fears her mother may have tracked her down—and that her own traumatic birth is back to haunt her...

William Sydney Porter was born on 11th September 1862 in Greensboro, North Carolina. At age 3 his mother died from tuberculosis. From an early age it was clear Porter had a large appetite for reading as he absorbed the world around him. He was a member of several singing and dramatic groups when he met 17 year old Athol Estes, daughter of a wealthy Austin family. Despite her mother’s objection owing to Athol’s tuberculosis, they began courting and in July 1887, they eloped and soon married.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.