Showing results for "Urban" in Racism & Discrimination

Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s.

In Knucklehead we meet Marcus Hayes, a Black law student who struggles, sometimes unsuccessfully, with the impulse to confront everyday bad behavior with swift and antisocial action. The cause of this impulse is unknown to him. When Marcus unexpectedly becomes involved with the brilliant and kind Amalia Stewart, her love and acceptance pacify his demons. But when his demons return, he is no longer inclined to contain them.

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.

For Black Americans, the food system is broken. When it comes to nutrition, Black consumers experience an unjust and inequitable distribution of resources. Black Food Matters examines these issues through in-depth essays that analyze how Blackness is contested through food, differing ideas of what makes our sustenance "healthy", and Black individuals' own beliefs about what their cuisine should be.

Amid increasing hardship and limited employment options, poor urban youth are developing creative online strategies to make ends meet. Using such social media platforms as YouTube, Twitter, and Instagram, they're capitalizing on the public's fascination with the ghetto and gang violence. But with what consequences? Ballad of the Bullet follows the Corner Boys, a group of 30 or so young men on Chicago's South Side who have hitched their dreams of success to the creation of "drill music" (slang for "shooting music").

Multiple times a day, in cities across the US and beyond, a simple yet powerful message is repeated by the well-meaning, the ignorant, and the bigoted: “don’t go”—avoid at all costs those Black and Brown disinvested neighborhoods that have become bywords for social disorder and urban decay. This book is a collection of intimate stories that uncover the hidden influence of both subtle and overt “don’t go” messages and the segregation they perpetuate in Chicago.

With a new afterword covering the two decades since its first publication, two of Washington, D.C.'s most respected journalists expose one of America's most tragic ironies: How the nation's capital, often a gleaming symbol of peace and hope, is the setting for vicious contradictions and devastating conflicts over race, class, and power. Jaffe and Sherwood have chillingly chronicled the descent of the District of Columbia.

A birder strolling in Central Park. A college student lounging on a university quad. Two men sitting in a coffee shop. Perfectly ordinary actions in ordinary settings—and yet, they sparked jarring and inflammatory responses that involved the police and attracted national media coverage. Why? In essence, Elijah Anderson would argue, because these were Black people existing in white spaces. In this book, Anderson brings his immense knowledge and ethnography to bear in this timely study of the racial barriers that are still firmly entrenched in our society at every class level.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

In Making the Second Ghetto, Arnold Hirsch argues that in the post-depression years Chicago was a "pioneer in developing concepts and devices" for housing segregation. Hirsch shows that the legal framework for the national urban renewal effort was forged in the heat generated by the racial struggles waged on Chicago's South Side.

The crisscrossing stories of Mark, a white devout Christian who sells his suburban home to move to Baltimore’s inner city, and Nicole, a Black mother determined to leave West Baltimore for the suburbs, chronicle how the region became so deeply segregated and why these fault lines persist today.

On March 29, 1516, the city council of Venice issued a decree forcing Jews to live in il geto - a closed quarter named for the copper foundry that once occupied the area. The term stuck. In this sweeping and original interpretation, Mitchell Duneier traces the idea of the ghetto from its beginnings in the 16th century and its revival by the Nazis to the present. As Duneier shows, we cannot understand the entanglements of race, poverty, and place in America today without recalling the history of the ghetto in Europe, as well as later efforts to understand the problems of the American city.

How does it feel to receive a phone call from your 14-year-old son who is in the back of a squad car because he laughed at a police officer? How does a young person of color cope with being frisked several times a week since the age of 15? These are just some of the stories in No Place on the Corner, which draws on three years of intensive ethnographic fieldwork in the South Bronx before and after the landmark 2013 Floyd v. City of New York decision that ruled that the NYPD's controversial "stop and frisk" policing methods were a violation of rights.

The poor die sooner. Blacks die sooner. And poor urban Blacks die sooner than almost all other Americans. David Ansell has spent nearly four decades as a doctor at hospitals serving some of the poorest communities in Chicago, and has witnessed firsthand the lives behind these devastating statistics. In

The Death Gap, he gives a grim survey of these realities, drawn from observations and stories of his patients.

Race for Profit uncovers how exploitative real estate practices continued well after housing discrimination was banned. The same racist structures and individuals remained intact after redlining's end, and close relationships between regulators and the industry created incentives to ignore improprieties. Meanwhile, new policies meant to encourage low-income homeownership created new methods to exploit Black homeowners.

Childhood friends from Trinidad, Colin Warner and Carl King grew into men on opposite sides of prison bars after Colin was arrested for murder in Crown Heights, Brooklyn. With no evidence against him, Colin was wrongfully convicted and wrongfully imprisoned for more than two decades. But time and walls could not break the friends' bond. Carl's extraordinary resolve, sacrifice, and courage were Colin's last rays of hope in a harrowing struggle for freedom and justice.

When a middle-class kid from the suburbs was caught using Facebook to distribute firearms bought legally at Indiana gun shows to notorious gangsters across the border - was he a kingpin or a scapegoat? David Lewisbey received perhaps the harshest sentence ever in a gun-trafficking trial. A college student from the suburban outskirts of Chicago, he allegedly embodied the enterprising swagger of his favorite rap lyrics, moving weapons for stacks of cash. John H. Richardson tours Chicago’s gun-soaked South Side with Lewisbey’s clientele and meets with the “Big Man” himself to unpack the truth.

More than two decades after Darrell Cannon was tortured into a false confession of murder, he was finally released from prison with hardly an apology. He wasn’t the only one with a story to tell. Award-winning author Natalie Y. Moore reveals the fight for justice and reparations engineered by Chicago’s Black People Against Police Torture movement. More than one hundred African Americans were brutalized by Chicago Police Department Commander Jon Burge’s sadistic, state-sanctioned “interrogation” ring that operated within the department for decades.

It’s easy to get lost in Chicago’s Cook County Jail, the size of seventy-two football fields. For many released into the harsh elements beyond the walls, it can be impossible to find their way home. This haunting and powerful narrative reveals the intentionally disorienting tactics of the system and how the punishments meted out to prisoners, their families, and even innocent victims extend beyond the cages. Nicole Gonzalez Van Cleve, the award-winning author of Crook Country, exposes the moral, spiritual, legal, and psychological wasteland - inside and out - of the nation’s largest jail.