Showing results for "Us" in Short Stories

is a stunning fiction debut by one of the most promising new writers in Canada. The novella and stories in these pages startle and engage the reader with their humour, warmth and grace. The novella traces one week in the life of a young, unmarried Irish woman about to give birth. The heroine is a hip, independent woman who muses on memory, love, loss and inheritance in a clever, wry and moving way.

Sins, Tragedies, and Other Things That Make Us Human is a collection of five thought-provoking short stories that blend historical fiction, dark humor, and contemporary drama.

A Manual for How to Love Us has descriptive copy which is not yet available from the Publisher...

The stories in The Two of Us focus on pairs: intense one-on-one relationships and encounters. Characters undergo genetic testing, garden, overeat, starve themselves, consider suicide, travel, have their hair cut, fall pregnant, all while simultaneously driving each other towards moments where they - sometimes unwillingly - glimpse the meaning and shape of their lives and who they might become.

>In this beautifully imaginative collection, young people attempt to negotiate the often surreal terrain of childhood and adolescence where family, friends, clergy, and teachers often pose a threat instead of providing safe harbor. At the heart of the collection is the relationship between the meek narrator, his best friend alpha-male Clip, and the near-feral Roger - but there are also agoraphobic mothers, gorgeous babysitters from New Zealand, paranoid stoned veterans, and deeply sad older sisters.

Each of the ten stories in Have Mercy on Us is an illuminating window into a human life. In the way of all the best fiction, these stories enlarge our understanding of what it means to be alive, with characters who leap out of the book. In this award-winning collection, the people are varied in age, race, and origin. Spare, romantic without being sentimental, these powerful stories are, above all, about love, and the impossible and remarkable ways we yearn for connection. Cupolo’s writing is rich with vision, insight and grace—cause for celebration.

Marked by a sure grasp of unusual subject matter and unfurling in gorgeous prose, the stories in You Should Pity Us Instead explore some of our toughest dilemmas: the cost of Middle East strife at its most intimate level, the likelihood of God considered in day-to-day terms, the moral stakes of family obligations, and the inescapable fact of mortality. Also, fundamentally, love in its many guises - family, romantic, friendship - each ensnared by rigorous demands and responsibilities.

A failed actress takes a job as a Bigfoot impersonator. A botanist seeking a rare flower crosses path with a group of men hunting the Loch Ness Monster. A disillusioned missionary in Africa grapples with grief and a growing obsession with a creature rumored to live in the forest of the Congo. And in the title story, a young woman traveling with her scientist mother in Madagascar confronts her burgeoning sexuality and her dream of becoming a long-distance swimmer.

Even before zombies annihilated three-quarters of the population, Gaz and Andy were the best of friends. Now they're all each other has. But since Andy lost his girlfriend, he's become so numb he's stopped trying to protect himself from the ever-present threat of the walking dead. Good thing Gaz is there with his cricket bat, ready to protect him from the rogue zombies that breach the inner London barriers at night.

Spanning Mary Kathleen's heroic struggles to save her husband and sons from Ireland's 19th century potato famine to young Delaney's own parents' lives in modern Alabama, the characters are vivid and extraordinarily familiar, resonating with listeners long after the final chapter ends. It's an intricate story told through a unique, intimate medium in which each family member becomes as real as your own, narrating in his or her own voice. At the heart of this book lies the truth: each of us tell our version of history a little bit differently.