Showing results for "Virginia Woolf" in Women's Fiction

A Room of One's Own, among Virginia Woolf's best-known works, is an extended essay, based on two lectures that she delivered in October 1928 at Newnham College and Girton College, women's constituent colleges at the University of Cambridge. First published in September 1929 as a book, this seminal feminist text makes a case for a literal and figurative space for women writers within a literary tradition dominated by men.

On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. Here, Virginia Woolf perfected the interior monologue and the novel's lyricism and accessibility have made it one of her most popular works.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

Between the Acts is Virginia Woolf’s final novel, set in a quiet English village just before World War II. The story unfolds over the course of one day, as villagers prepare for and perform an outdoor pageant that reflects the history of England. Beneath the surface of this seemingly simple event, tensions rise—between family members, within relationships, and in the looming shadow of war.

Virginia Woolf's second novel is both a love story and a subversive comedy which questions the role of women in society. Contemplating their futures, five single people in their late 20s and early 30s are immobilized by indecision. Questions like who, when, and whether to marry, the changing roles of men and women in a rapidly changing world, and matters of independence versus family obligations come to the fore.

वर्जीनिया वुल्फ़ ने केम्ब्रिज विश्वविद्यालय के दो महिला कॉलिजों में मूलत: 'स्त्रियाँ और कथा साहित्य' पर अक्टूबर 1928 में व्याख्यान दिए थे। वे व्याख्यान 'ए रूम ऑफ़ वन'स ओन' के नाम से प्रकाशित हुए और स्ट्रीवाद का एक क्लासिक पाठ बन गए। इस टाइमलेस किताब का यह बेहतरीन हिंदी अनुवाद गोपाल प्रधान ने किया है जो वर्जीनिया की भाषा के आवेग, विश्लेषण और लगाव को हिंदी में काफ़ी हद तक ले आते हैं।

Ante la enormidad de la vida, con sus largos años y su final que pareciera que nunca llegará, ¿qué nos motiva a vivirla? Cuando un viaje prometido de una madre a un hijo se ve aplazado en el tiempo, movida desde el futuro cercano a la perpetuidad, ¿Qué se siente saber que el viaje nunca llegará? La residencia Ramsay conocerá la muerte y la pérdida a medida que venga. Son aspectos inseparables de la vida, pero a la vez lo son el amor y la euforia de conocerse a sí mismo en el transcurso de los años.

Es la quinta novela de Virginia Woolf, publicada el 5 de mayo de 1927. Esta novela es un hito del alto modernismo. El texto, centrado en la familia Ramsay y sus visitas a la isla de Skye en Escocia entre 1910 y 1920, manipula hábilmente el tiempo y la exploración.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

“A Room of One’s Own” is one of Virginia Woolf’s most influential works and a cornerstone of the feminist movement. In this brilliant essay, Woolf explores the limitations faced by women in the early 20th century, using captivating prose and the poetic style characteristic of a novelist. She compellingly argues that the lack of financial independence and a private space are key barriers preventing women from fully developing their literary talents

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

A day in Clarissa Dalloway's life is explored through her thoughts, actions, and reminiscences and by the flashbacks of those about her. Virginia Woolf's writing was never better!

Virginia Woolf's 1925 novel takes place over the course of a single June day in the lives of some very different Londoners: wealthy society hostess Clarissa Dalloway, who is preparing for a party; her old friend Peter Walsh, recently returned from India, whose proposal of marriage Clarissa rejected years ago; Septimus Warren Smith, a WWI veteran suffering from shell shock; and his Italian-born wife, Rezia, who is trying to care for him as best she can. Woolf's beautiful prose captures the minds and souls of these vivid characters.

The Waves: Terence Davies's dramatisation of Virginia Woolf's story. Episode 1: Louis, Bernard, Neville, Jinny, Susan and Rhoda recall their childhood and first steps into adulthood.Episode 2: Louis, Bernard, Neville, Jinny, Susan and Rhoda struggle to come to terms with life after Percival...

Clarissa Dalloway es una mujer de la alta sociedad londinense, casada con un diputado conservador del parlamento británico. Clarissa se prepara para dar una fiesta en su casa donde se rencontrará con amigos que hace muchos años que no ve. Mientras pasea por las calles londinenses ultimando los preparativos, Clarissa se encuentra inmersa en sus propios recuerdos y examina las decisiones que ha tomado a lo largo de su vida, como su romance de infancia con Peter Walsh.

“Ho l’idea che dovrò inventare un nuovo nome per i miei libri, con cui sostituire romanzo”. È il 27 giugno 1925, la scrittrice è pronta per il suo nuovo libro. Ne conosce già il nome proprio, ma non ne conosce il genere, né il nome comune. Ne anticipa però il tono: sarà un’elegia – al Faro. Non ha dubbi riguardo a chi l’elegia sarà dedicata. Quel to è preposizione che in inglese non indica semplicemente un moto a luogo; non è solo il vettore di uno spostamento, un possibile o impossibile approdo al Faro.

Mabel, una mujer separada, es invitada a una fiesta de la señora Dalloway. Sin embargo al llegar al lugar, y tras mirarse en el espejo con su vestido amarillo, se obsesiona con su apariencia, lo que ha sido su vida, y con lo que los demás podrían estar pensando de ella.