Showing results for "Voices" in English, Irish, Scottish & Welsh

Together with William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, and John Keats, George Gordon, Lord Byron (1788–1824) was one of the most iconic literary figures of the early Romantic movement. His verse covers a wide range of genres, including large scale narrative poems, sonnets, and satirical quips. Byron led a most adventurous life, which included many romantic affairs and he died fighting in the Greek War of Independence.

Writers shortlisted for the Guardian 4th Estate BAME Short Story Prize read their shortlisted stories Collected here are the six best stories chosen by the judging panel of the Guardian 4th Estate BAME short story prize 2017. In them you’ll encounter a range of characters: an Indian soldier...

Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America.

A merchant of Syracuse has twin sons and buys twin servants for them. His wife, with one twin and one servant, is soon separated from him by a shipwreck, and comes to live in Ephesus. When grown, the other son and his slave start out to find their brothers, and the father, some years later, starts out in turn to find them. Once in Ephesus, an amusing series of errors begins.

Butchers, bakers, brewers, businessmen, farmers, fabric workers, entertainers, comedians, gluttons, lechers, spongers and swindlers, prostitutes and parasites, the pope and his priests, the king and his courtiers, compete for attention in this lively and subversive vision of corruption in fourteenth-century England.

As he himself said, Drayton’s sonnets are the most “sportive” of the great Elizabethan love poems, “ever in motion,” by turns “wild, madding, jocund, and irregular,” yet maintaining a universality and sturdy good sense that have spoken to the hearts of hearers and readers for four centuries. This recording includes in full not only his famous final collection, Idea (1619), but also the earlier Idea’s Mirror (1594), as well as the various love sonnets that he wrote on other occasions.

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction.

The longest major poem by renowned English poet Samuel Taylor Coleridge tells of a wedding guest who is intercepted on his way to the ceremony by an old mariner. The mariner engages the guest with an incredible tale of a fateful sea journey, the story of which he is compelled to relate.

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

William Wordsworth composed hundreds of sonnets, among which are some of his best-known poems. The sonnet form particularly suited Wordsworth, enabling the poet to encapsulate the beauties of mundane life in language of appealing directness and simplicity. This recording contains 122 poems, ranging across many decades of Wordsworth’s writing career.

Have you been lately to Lake Pipple Popple? Perhaps you have spotted the Pobble who has no toes? Or maybe you have roosted in the Quangle Wangle’s hat? Certainly Mr. Edward Lear has (he’s written all about it). And now, you can listen to his tales read aloud, full of rhyme, rhythm, and words that you won’t find in the dictionary!

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

Not all the young poets whose lives were cut short during the First World War were actual casualties of the conflict. James Elroy Flecker and Rupert Brooke both died in 1915, each leaving a body of finished work which places him in the ranks of the major poets of the 20th century. Brooke seems to have had a premonition of his untimely demise for a considerable period. The subject of death is very prominent in his verse, which, even in its most playful moments, is characterized by a profoundly elegaic quality.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

This collection of 64 short poems has become a classic work of children’s literature. The poems are written from the point of view of a child. The author brilliantly recaptures the magical world of childhood innocence, in which the most mundane of experiences can become a source of wonder.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.