Showing results for "WEIRD" in Anthologies & Short Stories

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.

This issue of Weird Tales presents a variety of stories, essays, and poems about cryptids and urban legends. Not to dispel, but to reveal.

This issue of Weird Tales presents a batch of entirely new short stories, flash fiction, poems, and an essay dealing with monsters who defy death, including zombies, vampires, mummies, and various and assorted revenants. There are some real heavy hitters here—bestsellers and names listeners might not yet know … but should. And will.

You can’t have a good tale of monster hunting without monsters. And sometimes the monsters don’t need to be hunted. Sometimes it’s fun sitting back at minimum safe distance and watching the mayhem.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th Century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others) with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot. The Weird Circle was produced in New York by NBC and offered in syndication.

First appearing in 1882, this collection by Mrs. J.H. Riddell established her as a leading Victorian author of supernatural fiction. She achieved her effect by using commonplace settings into which the horrors crept.

Dracula's Guest and Other Weird Stories is a collection of short stories by Bram Stoker, first published in 1914, two years after Stoker's death. Content: Dracula's Guest / The Judge's House / The Squaw / The Secret of the Growing Gold / The Gipsy Prophecy / The Coming of Abel Behenna / The Burial of the Rats / A Dream of Red Hands / Crooken Sands.

Evil space plants, lecherous dragons, and the mysteries of the vampire haunt the stories of Weird Tales #364. Features: “Too Late Now” by Seanan McGuire, “Ellende” by Gregory Frost, “Hats” by Joe R. Lansdale, “Lightning Lizzie” by Marie Whittaker, “Last Days” by Dacre Stoker and Leverett Butts, “The Beguiled Grave” by Marguerite Reed, and much more.

Filled with haunting rats, inexplicable tension, and an appearance from Dracula himself, Stoker's short stories uphold his reputation from his previous works and allows new audiences to rediscover the master of horror. This collection includes "Dracula's Guest", "The Judge's House", "The Gipsy Prophecy", "The Coming of Abel Behenna", "The Burial of the Rats", "A Dream of Red Hands", "Crooken Sands", and "The Secret of the Growing Gold".

Der Ort, an dem alles endet. Ein Meer, in dem nichts lebt. Eine Wüste, in der alles stirbt. Eine Stadt, in der jeder schläft. An diesem Ort ist es nicht kalt. An diesem Ort ist es nicht dunkel. Es ist ein fremder Ort. Da ist ein mechanisches Herz mit dem Wunsch zu leben. Ein Toter, der zurückkehrt, um eine Schüssel Müsli zu essen. Ein zensiertes Gesicht, das sich davor fürchtet, erkannt zu werden. Und das ist nur ein Bruchteil von dem, was an diesem Ort wartet. Acht Geschichten vom Endpunkt.

Sam has retreated to her late father’s rental house, a safe place to commune with the animals in the greenbelt out back, tend to her garden, and keep her secrets. Her sense of security slowly returns - until an aggressive neighbor from the other side of the ravine fells a tree on her property. How little he regards nature. Or understands its darkness. How little he knows Sam.