Showing results for "Women" in Anthologies & Short Stories

A dark and enchanting collection of tales about cunning, wicked, and magical old women. These stories reveal the power, cleverness, and sometimes terrifying influence of hags, crones, and witches, blending suspense, enchantment, and grim humor.

Whether they are undeniably heroes and heroines or bloodthirsty monsters (or something in between), the undead are a lively lot. This anthology offers some of the best short fiction ever written by the "blood sisters" who know them best: stories you can really sink your teeth into.

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.

Brought to you by Penguin. This Penguin Classic is performed by Olivia Forrest. This definitive recording includes an introduction by Laura Keanzler. Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local...

From the New York Times bestselling author of NOS4A2 and Horns comes this award-winning collection of short fiction. Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and...

From the celebrated author of You Too Can Have a Body Like Mine,a thought-provoking, often unsettling story collection that consists, broadly, of narrative diagrams of the three main stages in a human life: birth, life, and death. Alexandra Kleeman’s debut novel You Too Can Have a Body Like...

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.

A shocking accident gave Matthew Cahill the ability to see a nightmarish netherworld that nobody else does, pitting him in a fight to save us all - and his own soul - from the clutches of pure evil in these three exhilarating tales of dark humor, nonstop action, and pure horror.

Eve has a fake ID, a .38, and a violent lover receding in the rearview mirror. He’ll never find her at the isolated motel, and its kindly manager is happy to ease her fears. But if Eve is the only guest, whom does she keep hearing on the other side of the wall? Eve won’t get a good night’s rest until she finds out.

While renovating her Victorian home, Ana Clementine finds an ornate door buried under forty years of earth. Once she restores it to the attic, she starts hearing whispers, her loving husband has become a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.

Bad things have been happening since Mia began to mature. Her dad left. Boys at school can’t keep their hands to themselves. A lecherous stepfather has moved in. Her only refuge is an abandoned lot on her suburban cul-de-sac, crawling with feral felines - one of which follows Mia home. Ghostly white and affectionate, she is Mia’s new companion and - as Mia’s tormenters will soon discover - her fierce protector.

Thirty-four years ago, on October 31, poor Hannah Talbott took part in a scavenger hunt gone violently wrong. The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.

Una mujer y su marido que es médico, John, han alquilado una casa antigua para pasar el verano. Deciden en vez de usar la habitación normal de matrimonio instalase en el cuarto de los niños en la planta alta. El marido considera que eso será una forma de tratamiento médico para que su mujer pueda recuperarse de lo que él ha diagnosticado como "una depresión nerviosa temporal con una ligera tendencia histérica", diagnóstico habitual para las mujeres de esa época.