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Wartime radio at its most provocative - that's "Words at War"! The Office of War Information, in cooperation with The Council on Books in Wartime, brought listeners journalistic accounts of battle, first-person narratives, and novels inspired by actual events. Each story was adapted for radio…and for maximum emotional impact.

In 1943, the United States Office of War Information (OWI), in cooperation with The Council on Books in Wartime, and the National Broadcasting Company combined to suggest a Radio program dramatisation some of the more important of these books.Words At WarThe Council on Books in Wartime was a non-profit organization founded in the Spring of 1942 by booksellers, publishers, librarians, and authors, with the purpose of channeling the use of books as “weapons in the war of ideas,” the Council’s motto. Its stated aims were “the promotion of books to influence the thinking of the American ...

Welcome to The Word At War—where we confront the fringe biblical and conspiratorial truths the Church avoids. Para bellum spirituale! Prepare for spiritual war!

In 1943, the United States Office of War Information (OWI), in cooperation with The Council on Books in Wartime, and the National Broadcasting Company combined to suggest a Radio program dramatisation some of the more important of these books.Words At WarThe Council on Books in Wartime was a non-profit organization founded in the Spring of 1942 by booksellers, publishers, librarians, and authors, with the purpose of channeling the use of books as “weapons in the war of ideas,” the Council’s motto. Its stated aims were “the promotion of books to influence the thinking of the American ...

Words at War was a 30 minute dramatic anthology series dealing with stories condensed from books written about World War II. The series started in the middle of the war and at the most crucial time of the war for the allies, somewhat heightening its debut. Not only that, it was supported by Johnson's Wax in the Fibber McGee and Molly time slot as Jim and Marian Jordan went on vacation. And if that wasn't enough, the music for the series was done by NBC's own Frank Black, a master at orchestration and the shows were often directed by Anton M. Leder of Suspense fame. Adding to all of that ...

The first Magic Tree House Super Edition—and Jack and Annie’s most dangerous mission ever in the scariest time the world has ever known—World War II. With a longer story and additional facts and photographs, this is a thrilling adventure no reader will want to miss! When the magic...

"The War of the Worlds" was a Halloween episode of the radio series The Mercury Theatre on the Air directed and narrated by Orson Welles as an adaptation of H. G. Wells's novel The War of the Worlds (1898) that was performed and broadcast live at 8 pm ET on October 30, 1938, over the CBS Radio Network. The episode is famous for inciting a panic by convincing some members of the listening audience that a Martian invasion was taking place, though the scale of panic is disputed, as the program had relatively few listeners. The episode begins with an introductory monologue based ...

Words of War was an anthology of war stories,told by the men and women who have seen them happen. Exciting stories of World War II, its origins,its affects, and its heroes.Patriotic stories of heroes.

There is perhaps no more compelling example of the power of words than Lincoln's Gettysburg Address. In merely 272 words, Lincoln gave the nation "a new birth of freedom" by tracing its history to the Declaration of Independence, as well as incorporating elements of the Greek revival and Transcendentalism. Garry Wills breathes news life into words we thought we knew and reveals much about a President so easily mythologized but often misunderstood.

Regarded by many as the greatest actor of the 20th century, Laurence Olivier enjoyed a stellar career in film, theatre and television, winning multiple awards along the way from the 1920s to the 1980s. In this absorbing collection of archive interviews he discusses his schooldays and early acting career, his drama training, his spells as actor-manager running the Old Vic and the National Theatre (which he helped create), his wartime service and his friendship and collaboration with fellow actors, including John Gielgud and Ralph Richardson.