Showing results for "World Music" in Politics & Government

The New York Times bestseller “A clear and concise account of the history, diplomacy, economics, and societal forces that have molded the modern global system.” —Foreign Affairs An invaluable primer from Richard Haass, president of the Council on Foreign Relations, that will help anyone...

Step up to the microphone and listen to the greatest and latest country music hits - past and present - and discover brand new artists in the genre.

We are now "made in the UK" after an short episode at Boulogne sur Mer, France. But they didn't like the concept !We are presenting popular music from around the world by our Popmundial Association. Join showing you the variety of music ! Popmundial follows an All Music plan, described by „Joe, the producer“ as “a place where all sorts of music can be played in close juxtaposition, and where listeners who want to know more about the kind of music they don´t know about – can learn about it.” An All Music Centre ! We show you the Variety of Music !Popmundial Radio was produced ...

“The Neoborn Caveman Show” is a long-running, underground, independently-produced podcast that blends comedy, philosophy, cultural critique, and socio-political satire. It’s hosted by Neoborn Caveman, a highly articulate, often abrasive commentator who uses humor to dissect what he views as the degeneracy, hypocrisy, and delusion of modern society. The show has carved out its own intellectual niche: raw, unscripted dialogue that moves fluidly between absurdism and profound insight.The structure is typically conversational, occasionally chaotic, freely oscillating between satire, social ...

Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I'd Fight the World, Peter La Chapelle traces the deep bonds between country music and politics. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

WKIM 61.1 RADIO. Los Angeles Radio! Catch us on the Red Carpet.Teen Choice Awards, Peoples Choice Awards, Movie Premiers, Oscars, Gifting Suites, Luxe Lounges, MTV< BET ect!!Featuring: Celebrity Interviews, Entreprneurs and more!

Music Business Worldwide (MBW) is the leading information and jobs service for the global music industry. It publishes two podcasts: The weekly series, Talking Trends – which dives behind the biggest headlines in the music industry – as well as The MBW Podcast, which sees us interview some of the leading figures in the global business.

The best classic and new hit dollar-bin country music! Also discover breaking news and sports coverage and old time radio favorites.

Harmonizing Voices: Global Perspectives on Equality & Diversity in the Music and Entertainment Industries with Saskhia Menendez & Special GuestsHosted by Saskhia Menendez, award-winning advocate and music industry leader, Music Industry Insights Worldwide dives deep into the evolving world of equality and diversity in the music and entertainment industries. Through candid conversations with special guests, including trailblazing artists, producers, and industry experts, this podcast explores the stories, struggles, and successes of those dedicated to creating a more inclusive and equitable ...

The Twin Cities' Online Home for Classic & New Country Music.

World Radio Day 2025: Milano celebra la Giornata Mondiale della Radio con i protagonisti del settore.Il 20 febbraio 2025 torna il World Radio Day, la Giornata Mondiale della Radio istituita dall’UNESCO. L’evento gratuito, organizzato da Radio Speaker, celebra il mezzo radiofonico in tutte le sue forme ed espressioni. Un appuntamento imperdibile per la radiofonia italiana. Il tema scelto dall’UNESCO per il World Radio Day 2025 è “Radio e Cambiamento Climatico”. Considerata il mezzo di comunicazione più affidabile, la radio giocherà un ruolo chiave nell’affrontare e divulgare ...

The World is yours podcast is a weekly podcast highlighting the opinions and stories of friends, social media, sports and more. Hosted by Dj Wurld Prem-Heir, King Raymond and the rest of the crew.

An anonymous person with a microphone, speaking about everything going on in the world, with or without offense to friend or foe.

Willkommen in Frankfurt, willkommen zum WINTER WORLD CLUB DOME 2024! Gemeinsam mit unserem Host - Michael “Krogi” Krogmann - haben wir Artists, Promis und Influencer direkt vor Ort zum Soundcheck eingeladen. Hosted on Acast. See acast.com/privacy for more information.

WorldWide Entertainment TV podcast contains interviews, entertainment news, and artists from around the world from major labels and the underground scene, bloggers, vloggers, and more. WWETV is the former media outlet for Tupac Shakur Center For The Arts. Visit WWETVN.COM

The O.G. of Oilersnation is starting his own podcast! Join Wanye every week as he talks about the Oilers, hip-hop, pop culture and anything else that pops into his mind. He'll be interviewing people from around Edmonton and just giving his thoughts on life in this unique podcast that die-hard Nation Citizens will appreciate. Hosted on Acast. See acast.com/privacy for more information.

Essays and ideas about my world and the things I love.

"Where Music Lovers Should Go in 2016" is from the Travel section of The New York Times. It was written by Rachel Lee Harris and narrated by Kristi Burns.

"Adele Shatters Music Industry Truisms by Going Against the Grain" is from the Business section of The New York Times. It was written by Ben Sisario and narrated by Kristi Burns.