Showing results for "World of War" in Media Studies

In 2009, three US professors with access to Adolf Hitler’s alleged remains startled the world with scientific DNA proof that the skull and bones that Russia had claimed since the end of World War II were Hitler’s actually belonged to a middle-aged woman whose identity remains unknown.

The role of social media in the events of the Arab Spring and its aftermath in the Muslim world has stimulated much debate, yet little in the way of useful insight. Now Haroon Ullah, a scholar and diplomat with deep knowledge of politics and societies in the Middle East, South Asia, and Southeast Asia, draws the first clear picture of the unprecedented impact of Twitter, Facebook, and other means of online communication on the recent revolutions that blazed across Muslim nations.

Many Americans believe that their own government is guilty of shocking crimes. Although paranoia has been a feature of the American scene since the birth of the Republic, in Real Enemies, Kathryn Olmsted tells us that it was only in the 20th century that strange and unlikely conspiracy theories became central to American politics, In particular, she posits World War I as a critical turning point and shows that as the federal bureaucracy expanded, Americans grew more fearful of the government itself.

World War II was a media war. President Franklin D. Roosevelt used the press to a great extent, of course, but as the war progressed, the media also came to influence commanders' decisions on the battlefield. The Media Offensive offers a new way to understand military-media relations during World War II. The press and public opinion shaped not only how the conflict was seen but also how it was fought. In what could be called "the new history of war reporting," the focus is switched from how the military controlled reporters to how military decisions were shaped by the press.

Now in its second edition, The Virtues of Captain America is updated to include all the new developments in Captain America's saga. This edition also offers new material on Sam Wilson—formerly Captain America's partner the Falcon who recently became Captain America himself—and how his interpretation of the role compares to Steve Rogers's.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

A stirring true story of the journalists who dared to oppose Hitler - and the campaign waged against them. After serving in the First World War, Adolf Hitler encountered a serious obstacle to his plotting for power when the Munich Post, drawing on sources within the Nazi Party, began tracking the corruption and dark dreams of his inner circle. With leaked documents from Hitler's political rivals, who were shocked by his violent rhetoric and fearing the worst, the Post battled Hitler for ownership of the truth.