Showing results for "Writing Fiction" in Art & Literature

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

Cooler Than Cool has descriptive copy which is not yet available from the Publisher...

"If there is any life that is happier than the life we led on our timber ranch, it must be the sort of life which I have not read of in books or experienced in person," wrote Mark Twain, and now you can share in that experience. The beloved American humorist spent seven years on a "pleasure trip" through the untamed wilderness of Nevada. Twain intended to spend three months touring silver mines, but the lure of rough terrain and comfortable clothes proved irresistible - as will this vibrant travelogue.

Science fiction dwells mostly in the realm of possibility, where mysteries proliferate nevertheless, meaning is never static, and “time and history have convinced us that things are not as they seem”. So, too, does all language, argues Samuel Delany, in his vigorous justification for the writing life. Chronicling his struggle with dyslexia, the evolution of his gay and Black identity during the AIDS crisis, and his experiences and relationships through five decades as a writer of fiction and nonfiction, Delany is a longtime observer of language’s inner workings.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

Ludwig Bechstein, 1801 in Weimar geboren, war nicht nur herzoglicher Bibliothekar und Archivar, sondern schon zu seiner Zeit auch ein bekannter Schriftsteller. Neben Märchen, Romanen und historischen Studien schrieb er Reiseerzählungen. Oft beruhen seine Beschreibungen auf langen Wanderungen, die er mit Freunden unternahm. In seinen Wanderungen durch Thüringen, gelesen vom gebürtigen Weimarer Benjamin Kramme, ist es Bechsteins Alter Ego Otto, das seinen Freunden Lenz und Wagner eindrucksvoll seine thüringische Heimat präsentiert.

In the last years of his life, the writer Amos Oz talked regularly with Shira Hadad, who worked closely with him as the editor of his final novel, Judas. These candid, uninhibited dialogues show a side of Oz that few ever saw. What Makes an Apple? presents the most revealing of these conversations in English for the first time, painting an illuminating and disarmingly intimate portrait of a towering literary figure.

Kling's autobiographical tales are as enchanting as they are true to life: hopping freight trains, getting hit by lightning, performing his banned play in Czechoslovakia, growing up in Minnesota, and eating things before knowing what they are. In the comical yet poignant title story, Kling straddles the world of the ordinary and one rivaling Dante's inferno as he learns how to use voice-recognition software after a life-threatening motorcycle accident.