Showing results for "Y" in Africa

For six hundred years, the city of Carthage dominated the western Mediterranean. Founded in the ninth century BCE as a small colonial outpost, by the third, it had grown into the area's largest, richest empire. When, inevitably, it clashed with Rome for supremacy over the region, the conflict spanned over one century, three wars, and forty-three years of active fighting. After Carthage fell, the city was razed, and the tale of its defeat became a mere foundation stone in Rome's legend.

This sweeping narrative conveys the history of Indian people in South Africa. From the first indentured Indians arriving in Natal in 1860, the book weaves together seismic events–Mahatma Gandhi’s campaign of resistance, the independence of India, the coming of apartheid and the threat of mass expulsions–with the texture of everyday life.

In 1972, when Alexandra Fuller was two years old, her parents finally abandoned their English life and returned to what was then Southern Rhodesia and to the beginning of a civil war. By the time she was eight, the war was in full swing. Her parents veered from being determined farmers to being blind drunk, whilst Alexandra and her sister, the only survivors of five children, alternately take up target practice and sing Rod Stewart songs from sun bleached rocks.

This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London, they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?