Showing results for "blackstone" in LGBTQ+

On a remote, gas-wreathed outpost of a human colony on Jupiter, a man goes missing. The enigmatic Investigator Mossa follows his trail to Valdegeld, home to the colony’s erudite university―and Mossa’s former girlfriend, a scholar of Earth’s pre-collapse ecosystems. Pleiti has dedicated her research and her career to aiding the larger effort towards a possible return to Earth. When Mossa unexpectedly arrives and requests Pleiti’s assistance in her latest investigation, the two of them embark on a twisting path in which the future of life on Earth is at stake.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

Running from strife in her homeland, Maribella Waters becomes the new owner of the fabled Cozy Quill. After finding squatters on her property, she employs Asteria Helsdottir, a giant, barbarian warrior woman more accustomed to swinging an axe than opening a book. Together, the odd couple must make a success out of the bookshop—and survive a dizzying procession of seasonal festivals. But the local evil noblewoman has other plans in mind.

In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.

Charlie has built a highly respected private investigations firm through hard work, smart choices, and relentless ambition. Her team of investigators are highly skilled and trustworthy—but she secretly struggles with her sexual orientation and a mother with early-onset Alzheimer’s. When Charlie and her crack team head to Birmingham, Alabama, following the trail of a missing person, what should be a routine case turns into a complex chase for answers. Shady locals and a southern patriarch with dark secrets dating back forty years obscure their path.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Trans sailor Darragh Thorn has made a comfortable life for himself among people who love and accept him. Ten years after his exile from home, though, his sister asks him to reconcile with their ailing father. Determined to resolve his feelings rather than just survive them, Darragh sets off on a quest to find the one person who can heal a half-dead man: the mysterious enchanter who once gave him the magic he needed to become his true self.

An embittered dog walker obsessed with a social media influencer inadvertently puts a curse on a young man - and must adventure into a mysterious dimension in order to save him - in this wildly inventive, delightfully subversive, genre-nonconforming debut novel about illusion, magic, technology, kinship, and the emergent future.

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries? Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

In a near-future New York City ravaged by climate change and economic inequality, a superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Among those who remain are 24-year-old Makayla, and Jesse, an 18-year-old, genderqueer anarchist. In the aftermath of the storm, Jesse joins Makayla's group of remainders in an abandoned luxury condo building, carving out a small sanctuary in the midst of a destroyed city. Meanwhile, mysterious, colorful murals begin to appear throughout NYC, bringing hope to the forsaken and left-behind.

Most people called it a cult. But for 20 years, Josh and Caleb called it home. In Paradise, there is no television. No fast food. Just long hours of farmwork and prayer on a dusty Wyoming ranch and nights in a crowded bunkhouse. The boys of the Compound are kept far from the sinners' world. But Joshua doesn't need temptation to sin. His whole life he's wanted his best friend, Caleb. By day they work side by side. Only when Josh closes his eyes at night can they be together the way he craves. It can never be.

To the kingdom, Keera is the king’s Blade, his most feared and trusted spy and assassin. But in the shadows, she works with Prince Killian and his Shadow—the dark, brooding Fae, Riven, who sets her blood on fire. Together, they plot to kill a tyrant king. In Myrelinth, the lush, secret city of trees, Fae, Elves, and Halflings like Keera live in harmony. But Keera cannot escape her past: her crimes against her own people have followed her all the way to the Faeland. There is a traitor in their midst, and Keera is the top suspect.

Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems—and neither is the Shadow. Keera is shocked by what she learns and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace.

Adam Binder has lost what matters most to him. Having finally learned the true identity of the warlock preying on his family, what was supposed to be a final confrontation with the fiend instead became a trap that sent Adam’s beloved Vicente into the realm of the dead, where none living are meant to be. Bound by debt, oath, and love, Adam blazes his own trail into the underworld to get Vicente back, and to end the threat of the warlock once and for all. But the road to hell is paved with far more than good intentions.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital. Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion.

The Royal We is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

Gerrold, a science fiction writer from California, adopts a son who has a slight behavioral problem. He believes himself to be a Martian. Gerrold begins the long, involving work of trying to earn the acceptance of Dennis, a hyperactive eight-year-old who desperately wants a father's love, but is so insecure he feels he must be an alien. Gerrold's semi-autobiographical memoir of the first two years with Dennis is a funny, endearing, heartbreaking, and beautifully written testament to fatherhood.

In Nebula Award-winning author Sam J. Miller’s devastating debut short-fiction collection—featuring an introduction by Amal El-Mohtar—queer infatuation, inevitable heartbreak, and brutal revenge seamlessly intertwine. Whether innocent, guilty, or not even human, the boys, beasts, and men roaming through Miller’s gorgeously crafted worlds can destroy listeners, yet leave them wanting more.