Showing results for "comedy" in Poetry

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

Purgatory is the second part of Dante's The Divine Comedy. The listener finds the Poet, with his guide Virgil, ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud - forced to circle their terrace for eons bent double in humility; the slothful running around crying out examples of zeal and sloth; while the lustful are purged by fire.

Dante Alighieri is indisputably one of the world's greatest poets. His epic masterpiece, the Divine Comedy, has been frequently referred to as the supreme work of Italian literature and a staple in the Western Christian tradition. Now, you can explore Dante's life and masterwork with a truly gifted Catholic professor as your guide. In this 12-lecture series, Dante's Divine Comedy, Sr. Mary Clemente Davlin will take you through this timeless narrative that has so profoundly influenced Western history, literature, and the Christian faith.

Durante degli Alighieri, usually referred to simply as Dante, was born in Italy, and lived from c. 1265 to c. 1321. He was a major poet during the Middle Ages. He wrote the famous Divine Comedy, which was originally called Comedìa (modern Italian: Commedia). The work was later christened Divina by Boccaccio. It is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In the late Middle Ages, the overwhelming majority of poetry was written in Latin, and therefore accessible only to affluent and educated audiences.

Dante's Inferno by Dante Alighieri. The first part of Dante's Divine Comedy , the "Inferno" (or "Hell"), begins on the night before Good Friday in the year 1300, "halfway along our life's path". Dante is thirty-five years old, half of the biblical life expectancy of 70, lost in a dark wood, assailed by beasts he cannot evade, and unable to find the straight way to salvation. Conscious that he is ruining himself and that he is falling into a deep place where the sun is silent, Dante is at last rescued by Virgil, and the two of them begin their journey to the underworld.

Purgatory is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide.

AMA Audiolibros presenta la Narración del Audiolibro en Español (acento Castellano) de "La Divina Comedia" de Dante Alighieri en la voz de nuestro narrador Artur Mas a partir de la traducción en verso de Bartolomé Mitre. La Divina Comedia está considerada como una de las obras maestras de la literatura italiana y mundial. Está compuesta por más de 14.000 versos distribuídos en 100 cantos. Relata el viaje de Dante por el Infierno, el Purgatorio y el Paraíso, guiado por el poeta Virgilio.

One of the great works of medieval Europe, Dante Alighieri's The Divine Comedy translates the thought of the Middle Ages into a thrilling narrative. Seven centuries later it remains the most successful merger of theology and philosophy in epic poetry. In in this audio course, you'll gain a philosophical and literary understanding of Dante's masterpiece.

En este poema alegórico Dante Alighieri muestra un proceso de perfección para alcanzar la felicidad humana y divina. La obra consta de tres partes: Infierno, Purgatorio y Paraíso. Para llegar a éste último es preciso seguir un camino que obliga a pasar por un rechazo del pecado (infierno) y purificación del arrepentimiento (purgatorio) que permitan llegar a la felicidad humana y religiosa (paraíso).

Seule comédie au milieu de la série des onze tragédies raciniennes, cette œuvre a toujours été considérée comme une pièce à part, une réussite isolée difficile à classer. Certains manuels d'histoire littéraire n'en font même pas mention : comment l'insérer dans un chapitre bien ordonné sur la "vocation tragique de Racine" ? Comme chez Aristophane qui l'inspira, caractères et faits sont poussés au-delà du vraisemblable.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio 

Bérénice, reine de Palestine, et Titus, fils de l'empereur romain Vespasien, sont épris l'un de l'autre. Lorsque Vespasien meurt, plus rien ne s'oppose à l'union tant espérée du nouvel empereur et de sa maîtresse.

Le notaire procéda solennellement à la lecture du contrat. Quand tous eurent signé, on déboucha les bouteilles et on but, abondamment, à la gloire de Madeleine et à la prospérité de la nouvelle troupe. "Nous la nommons l'Illustre Théâtre", dit Beys, lyrique. "À l'heureux destin de l'Illustre Théâtre !", reprit-on en trinquant une fois de plus. Madeleine et Jean-Baptiste choquaient leur verre avec une secrète solennité : ce contrat, c'était un peu leurs épousailles.

Les sonnets parus en 1609 mais rédigés au fil des décennies précédentes résonnent encore aujourd'hui de part les thèmes intemporels qu'ils abordent, le désir, l'amour, la jalousie, le doute, la vieillesse, la mort. Ces 154 poèmes nous offrent à voir un concentré de l'univers shakespearien passionné, touchant, universel.