Showing results by publisher "Spoken Realms" in Poetry

The Iliad, set 9 years into the Trojan War, tells the story of the wrath of Achilles. The Odyssey tells the story of Odysseus as he wearily travels home from the war. The two epics provide the basis of Greek education and culture in the classical age. They have long remained among the most significant poems of European tradition. Produced here in full cast arrangement and narrated by Rob Goll, one can experience these age-old stories in a brand new way.

William Carlos Williams (1883-1963) was one of the most prominent members of the Imagist movement, a brief flowering of modernist poetry, in which Ezra Pound was also involved. Williams was also an accomplished painter and art critic. Imagist verse is characterized by a distinct economy of verbiage and freedom of rhythm. Sour Grapes was his fourth collection of poetry and was published in 1921. As with much of Williams' early works, critical acclaim was slow in coming. Today, the collection is considered to contain some of his most significant poems.

Harmonium was American poet Wallace Stevens's first book, published when he was 44 years old. It represents his complete poetic output up to that point in his life. It is now considered a masterpiece, one of the great contributions to literary Modernism. It is a mixture of pure, rational, philosophical thought, and imaginary nonsense-verse. It is striking in its diversity and includes some of Stevens' best known and most-loved poems.

Nearly all Michael Angelo's sonnets express personal feelings, and by far the greater number of them were composed after his 60th year. To whom they were addressed, we only know in a few instances. Nothing is more clear than that Michael Angelo worshiped Beauty in the Platonic spirit, passing beyond its personal and specific manifestations to the universal and impersonal.

This collection, first published in 1914, contains 28 short pieces in prose and verse, which present themes frequently explored in Gibran's other works. These include love, death, creation myths and spiritual realization.

The Odyssey has survived nearly three thousand years because it speaks to a simple, powerful truth: sometimes the hardest battle is not the war abroad, but the long, uncertain journey back home. In this modern prose retelling, Homer's epic is presented as a continuous story rather than as verse. The language is clear and contemporary, but the structure and major episodes of the original are faithfully preserved.

Timothy Nonn lost his sight to glaucoma over a period of ten years. He has written poetry that reflects his journey from sight to blindness. His poems are hauntingly beautiful as he learns to see the world in a new way, not with his eyes but with his heart.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

James Allen (1864 - 1912) was an evangelist for the emerging New Thought movement and wrote over twenty books that explored many aspects of his universalist philosophy. Many of James Allen's prose works contain snippets of verse, which are generally devotional and reflective. A significant number of these poetic excerpts were composed by Allen himself. This collection, which was first published in 1907, contains 37 short poems, illustrative of Allen's idiosyncratic views of the spiritual path and the personal search for truth.

T.S. Elliot was likely the best read of any of his contemporaries. In his poetry, we often find an allusion to the works of other great writers. In "The Love Song of J. Alfred Prufrock" he makes reference to Dante Shakespeare and "To His Coy Mistress" by Andrew Marvel. Prufrock, as the name implies, is an indecisive wimp, whereas Marvel in his seduction poem, has his eye on the prize, and makes no bones about it.

This collection was published posthumously in 1869 under the title of Petits Poèmes En Prose, but is also known as Le Spleen de Paris. A prime influence was Gaspard de la Nuit, the prose poem collection by Aloysius Bertrand. Baudelaire described these short pieces as experiments, and also "confessions." The poet was seeking to create "the miracle of a poetic prose, musical without rhythm and without rhyme, subtle and staccato enough to follow the lyric motions of the soul, the wavering outlines of meditation, the sudden starts of the conscience."

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

Enough Rope was Dorothy Parker's first published collection of poems, and was a best seller. The Nation described her verse as "caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity."

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.