Showing results by publisher "Spoken Realms" in Poetry

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

A beautiful selection of poems from a young man who would become a brilliant author and essayist, a thinker who was very much at the forefront of changes in the twentieth century. Here is a book that could be carried in your pocket and enjoyed quickly—a poem of innocent love or remembrance of events that make the boy become the man.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

Harmonium was American poet Wallace Stevens's first book, published when he was 44 years old. It represents his complete poetic output up to that point in his life. It is now considered a masterpiece, one of the great contributions to literary Modernism. It is a mixture of pure, rational, philosophical thought, and imaginary nonsense-verse. It is striking in its diversity and includes some of Stevens' best known and most-loved poems.

Unlike the other verse novels of C. J. Dennis, this collection of 13 poems is focused on political satire. The action is set in the society of an arboreal race, known as Glugs, and described by the author "stupid race of docile folk". Among the targets of Dennis's mocking scrutiny are free trade, social conformity, and extravagant bureaucracy.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

This poem was written by Wordsworth after a walking tour through the Welsh Borders. As usual with many of Wordsworth's poems, it opens with a description of the countryside which is then developed into a philosophical reflection about beauty and the suggestive power of recollection.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

The poems in this collection, "Fairies and Fusiliers", appeared in 1918, after Robert Graves returned from World War I in his early 20s. The fairy poems are from the carefree happy days of childhood and make-believe recalled by a man who has lived the reality and horror of war. The poems of war are written only as one who has witnessed it can tell them.

Together with Omar Khayyam and Jalāl ud-Din Mohammad Rumi, Khwaja Shams-ud-din Mohammed Hafiz-e Shirazi, more commonly known just as Háfiz, is considered one of the major figures of classical Persian literature. Gertrude Lothian Bell (1868 - 1926) was a traveler, archeologist, political advisor, and authority on Middle Eastern history and literature.

Robert Bridges, who was English Poet Laureate between 1913 and 1930, published three versions of his sonnet sequence, The Growth of Love: 1876 - 24 sonnets, 1889 - 79 sonnets, 1898 - 69 sonnets. This recording is of the 1889 edition. The poems are essentially meditations on the elusive subject of love, and display the poet's reverence for his great poetic forebears, particularly Milton and Shakespeare.

First published in 1913, more than a decade after the author's death, Charmides and Other Poems is a collection including the long narrative poem "Charmides" (1881), and a number of shorter poems, and sonnets, many written when Wilde was at the height of his powers as an author.