Showing results by publisher "Faber & Faber" in World Literature

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father's death, he's medicating himself to sleep and struggling to manage his relationships with two very different women. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother.

In a sprawling villa on the outskirts of Bremen, Tara Selter is starting to settle into a new kind of eighteenth of November. Her days with Henry, Ralf and Olga revolve around the daily routines of practical chores: gathering provisions, splitting firewood. But one morning, there are five new arrivals at their wrought-iron gate. As more people continue to arrive, their home fills with movement, voices fill the air; a flurry of people asking questions, sharing their eighteenths of November.

'The Waste Land' is a landmark in 20th-century poetry. Here it is read by the late Poet Laureate Ted Hughes. Published in 1922, it is a brilliant exploration of a faithless, immoral society trying to rebuild itself after the devastation of the Great War. Rich in literary references and steeped in allusive and evocative imagery, 'The Waste Land' is widely considered to be the pinnacle of modernist poetry.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

Tara Selter has lived the eighteenth of November 1,143 times when she notices a break in the pattern; a man has changed his shirt. The man is Henry Dale and he remembers all the days that have come before. He knows that time has fallen out of joint. Now they are two of a kind: trapped in the eighteenth of November, but no longer alone. Together they learn to share their present; their voices grow hoarse recounting their small battles against it and their bewilderment at the disintegrating world.

When Kalu drops Aima at Lagos Airport, it marks the end of their four-year relationship. Shattered and broken open, he thinks that's the last he will see of his girlfriend. But Aima is drawn back into the city - to the scandalous, decadent nightlife of her best friend. As Kalu grieves, his friend offers him an exclusive invitation to one of his sordid, global parties - a way for Kalu to escape, if only for a night. Kalu knows it will offer every possible indulgence and something even more precious: time with the man he loves, but whose actions will plunge them all into a whirling descent.

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.... This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it.

When My Brother Was an Aztec is a work of courage and invention - one that foregrounds the particularities of family dynamics and individual passion against the backdrop of Western mythologies and a deeply rooted cultural history. Natalie Diaz's arresting debut explores a brother's addiction and its devastating effects on a household, while offering a political critique of our nations and their pasts. It acknowledges absences and uncomfortable silences, as well as conjuring vivid voices and presences, from Antigone and Houdini to Huitzilopochtli and Jesus.

In the tempestuous summer of 2005, on a day that is as hot as the inside of a bovine, a 14-year-old farmer's daughter makes friends with the local veterinarian who looks after her father's cows. He has reached 'the biblical age of seven times seven' and is trying to escape trauma, while she is trying to escape into a world of fantasy. Their obsessive reliance on each other's stories builds into a terrifying trap, with a confession at the heart of it that threatens to rip their small Dutch community apart.

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

Catching a sudden look of defiance from his granddaughter inspires Hugo Williams to take up his pen and write this deeply moving new collection of poetry - the first since I Knew the Bride (2014), short-listed for the Forward and T. S. Eliot prizes. He navigates assuredly from thoughtful reminiscences of childhood and accounts of the war, through various climes and sensitively drawn relationships, to grim humour in the hospital ward and growing older with its attendant doubts and disappearances.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes' masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe as well as many others.

As Zimbabwe emerges into independence, Tambudzai Sigauke embarks on her second year at the Young Ladies' College of the Sacred Heart. Determined to excel, Tambu exhausts herself with her efforts to climb to the top of the school's honour rolls. The further she pushes herself, however, the further she feels from any reward; and the roots of colonialism threaten to trip her at every step. The sequel to Nervous Conditions is as moving, darkly witty and riveting as its predecessor.

The Built Moment is divided into two sections. The first, 'The Sea Is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a meditation on the metaphysics of memory loss. What does it mean only to exist in the present, for your sense of self to come loose and for the past to float free? The second half of the book is called 'The Bluebell Horizontal'.

A delightful new recording of T. S. Eliot's beloved cat poems. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr. Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925, T. S. Eliot became codirector of Faber & Faber, who remain his publishers to this day.

Fila's mother Magdalena caused chaos every time she appeared in her daughter's life. Fila hasn't seen her in years, not since she disgraced their family by advertising her brothel in the newspaper. Now, news comes from Italy: Magdalena is dead. It's time for Fila to finally face her family history. Fila collects her mother's ashes and sets out, urn in tow, to retrace the whirlwind life of the woman last known as Favorita.

The poems gathered here: elegies for the poet's musician father; tales of the love lives of gods and the childhoods of psychopaths; troubled encounters between men and women; odes to movies and the male anatomy; studies of art and ambition, politics and parenthood. Other voices enter the fray. And in the fourth part of Paterson's ongoing poem 'The Alexandrian Library', the poet-as-amateur scientist - from a weather station at the top of Ben Nevis to the cellar of The Arctic - bears witness to the imminence of man-made extinction.

Morocco, 1968. As she stands at the window, Mathilde reflects on the opportunities before her. Looking out at her garden, the roses - brought in from Marrakech - have bloomed and their sweet, fresh scent pervades the garden. Anything feels possible, and she is determined to celebrate it. Don't they have the right to enjoy life, after dedicating their best years to the war and then to this farm?

Widely regarded as Venturini's masterpiece, Cousins is the story of four women from an impoverished, dysfunctional family in La Plata, Argentina, who are forced to suffer a series of ordeals including disfigurement, illegal abortions, miscarriages, sexual abuse and murder, narrated by a daughter whose success as a painter offers her a chance to achieve economic independence and help her family as best she can.