Showing results by publisher "Scribd Audio" in World Literature

An unscrupulous womanizer, as devoid of morals now as he once was full of idealistic fervor, returns to Italy, where he is wanted for a series of crimes. To earn himself the guise of respectability, he is willing to go as far as murder.

Unfairly convicted and force into indentured servitude, young Highland Scot Duncan McCallum finds himself aboard a prisoner ship bound for the New World. A series of mysterious deaths plagues the passengers and claims the life of Duncan’s dear friend Adam Munroe. Enlisted by his captors to investigate, a strange trail of clues leads Duncan into the New World and eventually thrusts him into the bloody maw of the French and Indian War.

The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

Emigrating from Mexico to San Diego, sixty-something Osvaldo Reyes intends to find his first love, Joanne Watson, a young writer he met over thirty years ago when she toured his hometown of Oaxaca City. But when Osvaldo’s employer in the United States shuts down due to protests, the clock starts ticking on his visa. He finds work at a local fish taco shop to buy more time in the US, but doesn’t know his sweet co-worker, a Mexican-American girl, is an ICE agent in disguise.

In an age of reality TV, a husband and wife cling to Victorian notions of privacy, though doing so threatens the life of the wife. Their daughter, Anna, yearns for her mother’s unguarded affection, and eventually learns there is value in restraint. But Anna, a Caribbean American immigrant, finds that lesson harder to accept when, eager to assimilate in her new country, she discovers that a gap yawns between her and American-born citizens.

A thirty-something single woman, the untried colt she inherits, a horse-crazy little girl, and their band of misfits and has-beens stick it to the establishment in the cutthroat world of horse racing.

Fara and her father’s slave, Tsito, have been close since her father bought the boy after his forest village was destroyed. Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion. But as Tsito looks forward to the bright promise of freedom and Fara, backward to a dark, long-denied family history, a rift opens between them just as British Christian missionaries and French industrialists arrive and violence erupts across the country.

Set in modern-day Montreal, Celia, Misoka, I is the story of a middle-aged Chinese man who has been living in the city for fifteen years. After the death of his wife, he begins to reflect on his past and how he has ended up alone in Canada, a solitary member of the Chinese diaspora. It is in this period of angst and uncertainty, during the most unusual of winters, that he meets two women by Beaver Lake, on Montreal’s Mount Royal. They, too, have their own stories: stories of their own personal plights, which connect present to past, and West to East.

Carlos Manuel Álvarez’s first novel is a masterful portrayal of a society in free fall. Diego, the son, is disillusioned and bitter about the limited freedoms his country offers him as he endures compulsory military service. Mariana, the mother, is unwell, prone to mysterious seizures, and forced to relinquish control over the household to her daughter, Maria, who has left school and is working as a chambermaid in a state-owned tourist hotel. The father, Armando, is a committed revolutionary, a die-hard Fidelista who is sickened by the corruption he perceives all around him.

There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: She must admit her guilt, sentence herself, and beg for her own execution, Soviet-style.

Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after 20 years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was 15, lingers over Oséias as he tries to reestablish contact with his siblings.

Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: The virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

American-born Margaret Mansour wants nothing more than to rekindle the struggling 20-year marriage to her Palestinian husband, Ahmed — but not if it means uprooting their home and children in America and moving halfway across the world. Young and ambitious Alison Mansour has a degree in Near East Studies, but her American education and Syrian background are of no use when her new marriage begins to crumble under the weight of cultural and religious differences.

A short sublime book on the three things dearest to Jean-Claude Izzo’s heart: his native Marseilles, the sea in all its splendor, and Mediterranean noir — the literary genre his books helped to found. This collection of writings shows Izzo, author of the acclaimed Marseilles trilogy, at his most contemplative and insightful. His native city, with its food, its flavors, its passionate inhabitants, and its long, long history of commerce and conviviality, constitute the lifeblood that runs through all of Izzo’s work.

Marked by a sure grasp of unusual subject matter and unfurling in gorgeous prose, the stories in You Should Pity Us Instead explore some of our toughest dilemmas: the cost of Middle East strife at its most intimate level, the likelihood of God considered in day-to-day terms, the moral stakes of family obligations, and the inescapable fact of mortality. Also, fundamentally, love in its many guises - family, romantic, friendship - each ensnared by rigorous demands and responsibilities.

An unnamed narrator writes a letter to an old college friend, Adam, with whom he has been staying since his abrupt return to the States from Israel. Now that the narrator is moving on to a new location, he finally reveals the events that led him to Adam’s door, set in motion by a chance encounter with Uzi, a spice merchant whose wares had developed a cult following. From his first meeting with Uzi, the narrator is overwhelmed by an animal attraction that will lead him to derail his life, withdraw from friends, and extend his stay in a small town north of Tel Aviv.

Lisa Pearl is an American teaching English in Japan, and the situation there - thanks mostly to her spontaneous, hard-partying ways - has become problematic. Now she’s in Seoul, South Korea, with her childhood best-friend, Mindy. The young women share a special bond: They are both Korean-born adoptees into white American families. Mindy is in Seoul to track down her birth mom, and wants Lisa to do the same. Trouble is Lisa isn’t convinced she needs to know about her past, much less meet her biological mother.

Ali Eteraz’s much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.’s life gradually fragments around him - a wife with a chronic illness; a best friend stricken with grief; a boss jeopardizing a respectable career - M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the War on Terror.

How do you grieve the death of a child? With fishtanks and jellyfish burials, Persephone’s pomegranate seeds, and affairs with the neighbors. Fish in Exile spins unimaginable loss through classical and magical tumblers, distorting our view so that we can see the contours of a parent’s grief all the more clearly.

On the outskirts of Buenos Aires in 1907, Doctor Quintana pines for head nurse Menéndez while he and his colleagues embark on a grisly series of experiments to investigate the line between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence?