Showing titles in Women

In The Silver Women, Joan Flores-Villalobos argues that Black West Indian women made the Panama Canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans. 

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

As a girl in New York City in the 1940s, Mildred "Millie" Dresselhaus was taught that there were only three career options open to women: secretary, nurse, or teacher. In Carbon Queen, science writer Maia Weinstock describes how, with curiosity and drive, Dresselhaus defied expectations and forged a career as a pioneering scientist and engineer. Dresselhaus made highly influential discoveries about the properties of carbon and other materials and helped reshape our world in countless ways—from electronics to aviation to medicine to energy.

Fearless Women tells the story of women who dared to take destiny into their own hands. They were feminists and antifeminists, activists and homemakers, victims of abuse and pathbreaking professionals. Inspired by the nation's ideals and fueled by an unshakeable sense of right and wrong, they wouldn't take no for an answer. In time, they carried the country with them. Elizabeth Cobbs gives voice to fearless women on both sides of the aisle, most of whom considered themselves patriots.

Valerie Andre was born in Strasbourg, France, in 1922. From an early age, she wanted to fly, but as a woman, she faced challenges. While boys could receive government-funded flight lessons, Andre had to pay for hers by tutoring. During World War II, she left Strasbourg against German prohibitions in order to study medicine in Paris, where she completed her studies under threat of arrest by the Gestapo. Assigned to an army hospital in Saigon in French Indochina in the late 1940s, Andre trained as a neurosurgeon. 

On August 27, 1943, news broke in the United States that First Lady Eleanor Roosevelt was on the other side of the world. A closely guarded secret, Eleanor was traveling to South Pacific as Allied forces battled the Japanese for control of the region. She traveled 25,000 miles over five weeks, to Hawaii, New Zealand, and Australia, with numerous island stops en route to her ultimate goal: the island of Guadalcanal, the site of a major Allied victory. THE FIRST LADY OF WWII is the story of this goodwill tour, diplomatic mission, and dangerous fact-finding foray.

Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesizing, and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history. 

From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous Black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the U.S. Open. In this first full-scale biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927–2003).

Captain Thuridur, born in Iceland in 1777, lived a life that was both controversial and unconventional. Her first time fishing, on the open unprotected rowboats of her time, was at age eleven. Soon after, she audaciously began wearing trousers. She later became an acclaimed fishing captain brilliant at weather-reading and seacraft and consistently brought in the largest catches. In the Arctic seas where drownings occurred with terrifying regularity, she never lost a single crewmember. Author Margaret Willson reveals Captain Thuridur's fascinating story.

In Our Brave Foremothers, discover an intergenerational, intercultural bouquet of Black, Brown, Asian, and Indigenous women lifted into the significance that they deserve. From Etel Adnan to Mary Jones, Thelma Garcia Buchholdt to Pura Belpré to Zitkála-Šá, here are 100 women of color who left a lasting mark on United States history. Including both famous and little-known names, the thoughtful profiles and detailed portraits of these women herald their achievements and passions.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina. 

La mujer ha sido la gran relegada de los libros de historia lo que no quiere decir que no haya tenido una importancia decisiva en el devenir de la Humanidad tanto como protagonista como desde un segundo plano. Así lo demuestran una serie de anécdotas o curiosidades que revelan su ingenio, su astucia o su consejo tanto en el ámbito privado como en las grandes gestas de la humanidad. Desde emperatrices y reinas, pasando por las grandes rivalidades entre mujeres de distintas épocas, cortesanas, pensadoras, artistas y escritoras.

Le forme di violenza esercitate nel Medioevo contro le donne compongono un catalogo impressionante: percosse in nome del diritto del marito a "correggere" la moglie, del padre a costringere e punire la figlia, del padrone a battere la serva; ingiurie connesse al comportamento femminile; stupri, segregazioni, omicidi in nome dell'onore tradito; spoliazione di beni, a partire dalle eredità e dalle doti; matrimoni e monacazioni forzate; manipolazione delle coscienze e violenze inquisitoriali; maltrattamenti, prevaricazione e discriminazione nel mondo del lavoro. 

Vi kender alle historierne om kongerne – om politik og magt, om arvefølge, alliancer, rænkespil og skandaler. Men hvad med alle de kvinder, der gennem tiderne og udfordringerne stod ved deres side? Denne bog dykker ned i historien og mærker suset fra 600 års kvindelig kongehistorie med små biografier om dronninger og elskerinder – hvem var de, og hvad tænkte de egentlig? Mød alle de kvinder, der stod bag magten, hør deres historie, forstå den tid, de levede i, og lyt til deres stemme. 

In 16th-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: 30 years of friendship, competition and conflict that changed the face of Europe.

A Woman's Game explores the history of women's football from the Victorian era—with players in high-heeled boots—to the present day. It is the story of a rise, fall and rise again: from the game's first appearance in England in the late 19th century, through the incredible teams, which at their height in 1920 drew 53,000 spectators to Goodison Park, to its 50-year ban in the UK and the aftershocks when that ban was lifted. 

La herencia de las mujeres resulta tan rica, tan diversa y aún hoy día tan desconocida que desborda la manera convencional de contarla. Al igual que las mujeres han encontrado huecos para sobrevivir o imponerse, para escribir o pintar, para llegar a la educación o al poder, para que el dolor disminuyera o el trabajo resultara más liviano, es preciso que la historia que las estudia recurra a miradas y a formatos nuevos.

Da Agrippina a Sarah Bernhardt, da Trotula de Ruggiero a Jackie Kennedy, da Caterina la Grande a Rita Levi-Montalcini, da Isabella d'Este Gonzaga a Emmeline Pankhurst, da Elisabetta I Tudor ad Anna Magnani, "Le Indomabili" sono state donne rivoluzionarie, ribelli e audaci, che hanno infranto tabù, scardinato regole, sovvertito consuetudini. Indomite, impavide, inarrendevoli, hanno vissuto controvento e agito controcorrente, hanno lottato, e all'occorrenza disubbidito, per realizzare sogni, perseguire ideali, affermare la propria identità.

Les femmes ont une histoire, une histoire de luttes pour leurs droits, conquis, arrachés, défendus, une histoire de colère contre les discriminations, les inégalités, une "Rage against the machisme." L'historienne Mathilde Larrère, spécialiste des révolutions du XIXe siècle, retrace les combats féministes de la Révolution française jusqu'au mouvement #MeToo d'aujourd'hui, sur les pas de Louise Michel, de Gisèle Halimi, mais aussi de tant d'autres invisibilisées, comme Pauline Léon, Malika El Fassi, les colleuses contre les féminicides.

Contrary to popular assumption, Arab women were instrumental in shaping world history. Between Rome's intervention in the Arabian Peninsula and the Arab conquests, noblewomen ruled independently, conducting trade and making war. Their power was often celebrated as queen, priestess and goddess. With time they delegated power to the most important holy men of their age, influencing Arabian paganism, Christianity and Islam forever.