Showing titles in Colonialism & Post-Colonialism

In 1789, the people of France decided to overtake the monarchy of their country in favor of a republic. The French Revolution played out like an echo of the American Revolution of the decade prior, with people rising against their governing bodies. Like the American Revolution, the French Revolution had its dissidents and supporters. Thomas Paine was one such supporter, and Rights of Man was his manifesto in support of people fighting for liberty.

El nuevo libro de Amitav Ghosh, una poderosa obra de historia, ensayo, testimonio y polémica, remonta nuestra crisis planetaria contemporánea al descubrimiento del Nuevo Mundo y la ruta marítima hacia el Océano Índico. ‘La maldición de la nuez moscada’ sostiene que la dinámica del cambio climático actual hunde sus raíces en un orden geopolítico secular construido por el colonialismo occidental.

This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London, they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?

George Macartney's disastrous 1793 mission to China plays a central role in the prevailing narrative of modern Sino-European relations. Summarily dismissed by the Qing court, Macartney failed in nearly all of his objectives, perhaps setting the stage for the Opium Wars of the 19th century and the mistrust that still marks the relationship today. The Last Embassy tells the story of the Dutch mission of 1795, bringing to light a dramatic but little-known episode that transforms our understanding of the history of China and the West.

Drawing on encounters between the Creeks of the Southeast and the Mi’kmaq of Nova Scotia in the eighteenth century, Savage Systers reveals a world in which Native women wielded power through means that shocked European observers: ritualized torture, scalp dances, brutal initiation rites, even infanticide and cannibalism. Far from aberrations, these acts embodied forms of feminine authority rooted deep in tribal culture. In deciding whether a captive lived or died, whether a stranger was rejected or absorbed, Native women determined the fate of peoples and nations.

“A must-read for anyone in philanthropy, particularly those who question whether and how philanthropic resources can address the current, complex challenges our world faces.” —Nick Tedesco, president and chief executive officer of the National Center for Family Philanthropy A blueprint for...

In 1898, on the eve of the Spanish-American War, the US Army seemed minuscule and ill-equipped for global conflict. Yet over the next fifteen years, its soldiers defeated Spain and pacified nationalist insurgencies in both Cuba and the Philippines. Despite their lack of experience in colonial administration, American troops also ruled and transformed the daily lives of the 8 million people who inhabited these tropical islands.

Cedric J. Robinson is one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson, Missouri, to the West Bank. For the first time, Robinson's essays come together, spanning over four decades and reflective of his interests in the interconnections between culture and politics, radical social theory, and classic and modern political philosophy.

The Western museum is a battleground—a terrain of ideological, political, and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself? In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre's history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe's self-appointed claim to be the guardian of global heritage.

Hard Neighbors follows the people who came to be known as Scotch-Irish and traces their relations with Native Americans, examines their experiences as marginalized people, and demonstrates their roles as protective and disruptive forces on the edge of colonialism. The Scotch-Irish fought Indian wars and shaped the frontier, and their experiences living near and fighting against Indians shaped their identity and their attitudes towards government. They influenced national attitudes and policies, and they transformed Indian people into racial others as they transformed themselves into Americans.

Ha ancora senso oggi parlare di Palestina e Israele usando espressioni come "processo di pace", "soluzione a due Stati", "partizione"? Ha senso continuare con un vuoto dibattito politico, facendo il gioco dei sionisti e mantenendo lo stato quo? Le tesi di Noam Chomsky e Ilan Pappe raccolte in questo volume ruotano attorno all'idea che i tempi siano maturi per un cambio di rotta.

The Psychic Lives of Statues explores both the toppling of colonial statues and the erection of postcolonial ones, illuminating how statues remain powerful and compelling forms of memorialization. Engaging with artists, scholars, and activists, Rao offers a fresh and exciting perspective on how we understand our past and present through iconography.

In The Time beneath the Concrete, Nasser Abourahme argues that settler colonialism is always as much an attempt to conquer time as it is to conquer land. Taking as his primary object Palestinian refugee camps, created in the fallout of the eliminatory violence of Israel's founding, Abourahme shows how these camps become the primary place where settler colonial attempts to dominate space and time encounter Indigenous refusal. Seen from the camps, Israel becomes a settler colonial project defined by its inability to move past the past—a project stuck at its foundational moment of conquest.

In Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities.

Young countercultural back-to-the-land settlers flocked to northwestern California beginning in the 1960s, and by the 1970s, unregulated cannabis production proliferated on Indigenous lands. As of 2021, the California cannabis economy was valued at $3.5 billion. In Settler Cannabis, Kaitlin Reed demonstrates how this "green rush" is only the most recent example of settler colonial resource extraction and wealth accumulation. Reed shares this history to inform the path toward an alternative future.

In The First Fleets, Benjamin C. Schaffer reveals how, contrary to widespread beliefs, the American colonies had a long tradition of independent naval defense decades before the Revolution. He demonstrates that Anglo-American governments established and maintained significant provincial naval forces and that the history of provincial navies illuminates broader aspects of colonial history and the colonies' ultimate break with the British Crown. Based on meticulous research, Schaffer recounts the sea-borne threats that American colonies faced from the French, Spanish, pirates, and others.

It was during a trip to the Ashmolean Museum in 2012 that Daisy first recalls being incorrectly labelled as a tourist – a trend that has continued since she settled in the UK, regardless of the documents she has gathered. From answering her daughters’ questions over whether they were ‘yellow’ or ‘Black’, to hearing the continued use of racist and culturally insensitive terms, such as ‘oriental’ and ‘Chinese whispers’, she has consistently felt othered, despite being a commonwealth citizen and having only once visited Hong Kong.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

The New York Times bestselling author of Krakatoa and The Professor and the Madman takes readers on a quirky and charming tour of the last outpost of the British empire Outposts is Simon Winchester’s journey to find the vanishing empire, “on which the sun never sets.” In the course of a...