Showing titles in Media Studies

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen.

Owned is the story of the underreported and growing collusion between new wealth and new journalism. In recent years, right-wing billionaires like Elon Musk, Peter Thiel, Marc Andreessen, and David Sacks have turned to media as their next investment and source of influence. Their cronies are Glenn Greenwald and Matt Taibbi—once known as idealistic and left-leaning voices, now beneficiaries of Silicon Valley largesse. Together, this new alliance aims to exploit the failings of traditional journalism and undermine the very idea of an independent and fact-based fourth estate.

Reportage: Essays on the New World Order examines the roots, culture, mindset and insatiable and ruthless lust for power of globalist institutions and interests. James offers not only clarity on the Who, What, How and Why of hidden and suppressed histories, but also presents alternatives, and-yes-even hope for the free and sovereign individual in a world seemingly locked down by The Powers that Be.

Atlantis and Other Lost Worlds is the most up-to-date and comprehensive investigation of history's infamous sunken city. Nowhere else will you find a more dramatic and convincing presentation of the evidence for its archaeological reality.

This book unravels the personal intrigues, hidden tensions, power plays, and cultural twists behind the media empire now known as Univision, and reveals how its programming —including telenovelas, soccer, news, and music—defined an identity and won over an audience that grew at the same pace as the network.

Dans ce nouvel ouvrage, après « Discours de la servitude intellectuelle » et « Complosophisme », Alexis Haupt met en lumière l’importance de l’aveuglement face aux médias. En baignant dans leur monde virtuel–TV, la radio, smartphone, ordinateur, publicités urbaines…–l’homme d’aujourd’hui se noie dans ce que l’auteur nomme le « médiavers » (univers-média).

En los años 70 y 80, mientras ABC, NBC y CBS se disputaban cada pantalla, una familia mexicana, junto a un astuto operador estadounidense, construía en silencio las bases de un imperio. Frente a magnates televisivos como Ted Turner y Rupert Murdoch lograron lo impensable: abrirse paso en el cerrado mundo de la televisión estadounidense. Más tarde, tras ser expulsados del mercado por intereses políticos y corporativos, regresaron gracias a una alianza tan improbable como estratégica con el exrepresentante artístico de Ronald Reagan, Elizabeth Taylor y Marlon Brando.

His final confession. The one he wasn’t supposed to write. The one they’ll brand as “misinformation” while sliding it under the table. Call it a tell-all, call it damage control, call it his victory lap. He calls it . . . pandemic preparedness, uncut.

Sophie Gilbert identifica un punto de inflexión a finales de los 90 y principios de los 2000, cuando la energía del feminismo de tercera ola se desplomó y entramos en un periodo regresivo de hiperobjetivación, sexualización e infantilización de la mujer. En este audiolibro explora el lado más oscuro de la nostalgia, centrando su aguda mirada analítica en los objetos culturales más reveladores del siglo XXI, en la música, el cine, la televisión, la moda, el periodismo sensacionalista y más.

Writer Stan Lee and artist Jack Kirby co-created the all-star group of six superheroes in September 1963. From there, just three main writers chronicled Earth's Mightiest Heroes in that most turbulent of decades: Roy Thomas, Steve Englehart, and Jim Shooter, each with differing approaches. The Avengers quickly became the pivot around which the Marvel Universe turned. To look back through its issues is to get a crash course in '70s pop culture.

Doctor Strange, one of Marvel's most fascinating early characters, began at the hands of co-creators Stan Lee and Steve Ditko, and his ethereal voyages through other dimensions made him an important figure in 1960s culture. Over his first ten years, a succession of writers and artists—including Roy Thomas, Gene Colan, Gardner F. Fox, P. Craig Russell, Marie Severin, and notably Steve Englehart and Frank Brunner—expanded on Ditko's original mind-bending concepts.

In a house designed for manipulation, paranoia, and power plays, sixteen strangers are cut off from the outside world—watched every second by cameras, judged by millions. Welcome to Big Brother. A show ahead of its time, it was once dismissed as fluff television. Now this voyeuristic reality show has quietly become a cultural juggernaut. But what are the costs of turning human lives into entertainment? What kind of psychological toll does it take to be put in isolation, under constant surveillance, in a perpetual state of suspicion?

Carolin Kebekus nimmt sich selbst, die Gesellschaft und alle Mütter und Väter aufs Korn, denn beim Kinderkriegen und Kinderhaben haben offenbar alle ungefragt ein Wörtchen mitzureden. Warum Schwangerschaft und Geburt immer noch mit vielen Tabus und falschen Annahmen behaftet sind, was einem als Schwangere und Mutter so alles passieren und entgegengeschleudert werden kann, was man so hört und liest und ungefragt gesagt bekommt, weil es tatsächlich alle besser wissen – das beschreibt dieses Hörbuch mit einer gehörigen Portion Selbstironie und dennoch unbeirrbarem Blick.

An entertaining and eye-opening look at the history of the crossword, who constructs them, and why crosswords matter as both a reflection of and influence on our culture From Wordle to Spelling Bee, we live in a time of word game mania. Crosswords in particular gained renewed popularity during...

Zieht sich eine liberale Gesellschaft gerade den Boden weg, auf dem sie fest stehen sollte? Ein Essay darüber, was die digitale Massenkommunikation zwischenmenschlich anrichtet. Nichts hat das Zusammenleben so umfassend verändert wie die Digitalisierung – wir denken, fühlen und streiten anders, seit wir dauervernetzt und überinformiert sind. Demokratiepolitisch bedeutsam wird dies bei der vielbeschworenen Debattenkultur. Denn die Umgangsformen der sogenannten Sozialen Medien haben längst auf die anderen Arenen übergegriffen, Politik und Journalismus spielen schon nach den neuen, erbarmungsloseren Regeln.

Marty Baron took charge of The Washington Post newsroom in 2013, after nearly a dozen years leading The Boston Globe. Just seven months into his new job, Baron received explosive news: Jeff Bezos, the founder of Amazon, would buy the Post, marking a sudden end to control by the venerated family that had presided over the paper for 80 years. Just over two years later, Donald Trump won the presidency.

Journalists hate the term fake news, but there's a troubling reality: spin doctors routinely try to dupe them into reporting misleading and distorted stories. Award-winning journalist Cecil Rosner insists there is something we can do about this. We can pressure news organizations to stop blindly regurgitating the firehose of press releases and focus instead on determining what is actually true. Rosner empowers listeners by sharing his techniques for detecting misinformation and disinformation.

Drawing on original survey and experimental data, Berinsky shows that a tendency toward conspiratorial thinking and vehement partisan attachment fuel belief in rumors. Berinsky argues that in fighting misinformation, it is as important to target the undecided and the uncertain as it is the true believers.

Working with New York Times bestselling author Kent Heckenlively, Alex Jones masterfully gives you the deeper discussion about such hot button topics as the truth behind the globalists plans for artificial intelligence (AI), the central bank digital currency, social credit scores, Big Tech tyranny, censorship, fifteen-minute cities, the unholy alliance between big business and big government, the military-intelligence-industrial complex—which is hell-bent on eternal war—and the all-out assault on free speech and the Second Amendment.

It’s hard today to remember how recently cancer was a silent killer, a dreaded disease about which people rarely spoke in public. In hospitals and doctors’ offices, conversations about malignancy were hushed and hope was limited. In this deeply researched book, Elaine Schattner reveals a sea change—from before 1900 to the present day—in how ordinary people talk about cancer. From Whispers to Shouts examines public perception of cancer through stories in newspapers and magazines, social media, and popular culture.