Showing titles in Customs & Traditions

Wycie w ciemności. Wilki i wilkołaki Europy” stanowi kontynuację tzw. „czarnej trylogii” zapoczątkowanej przez „W górach przeklętych. Wampiry Alp, Rudaw, Sudetów, Karpat i Bałkanów”. Bartłomiej Grzegorz Sala, historyk, etnolog i krajoznawca, opierając się na mitach, legendach i podaniach, sagach, romansach i dziełach hagiograficznych, autentycznych wydarzeniach, a w końcu klasyce literatury i kina grozy, nakreślił portret prawie sześćdziesięciu najciekawszych postaci przynależnych do wilczego i wilkołaczego rodu, jakie przemierzać miały przez epoki różne zakamarki Europy.

Wenn dunkler Rauch aus steinernen Tempeln aufsteigt, sich die Anhängerinnen des Dionysos-Kults den tiefroten Wein einschenken, alte Philosophen passioniert auf der Athener Agora diskutieren und aus weiter Ferne jubelnde Siegesrufe aus Olympia erklingen – dann befinden Sie sich, liebe Leser*innen, nirgendwo anders als in der facettenreichen Welt der griechischen Antike.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share.

The Holy Grail, the head of Christ, the elixir of life, vast treasure and powerful political conspiracies. All of these and more are part of the tale of that enigmatic warrior brotherhood we know as the Knights Templar. It is said they discovered a great secret buried deep beneath the Temple of Solomon and gathered together in-order to protect it from generation to generation. Over time they were feared by all their enemies, not least of which was eventually the Catholic Church itself.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side.

A görög mitológia történeteinek folytatása sem kevésbé szórakoztató, mint az első rész. Megtudhatjuk többek között, hogy miért kellett Sziszüphosznak bűnhődnie, vagy hogy milyen átok sújtotta Midász királyt. A szerző a maga humoros módján rávilágít, a görög istenek olyanok, mint mi. Erősebbek és bölcsebbek ugyan, de közben ugyanolyan esendőek, és ballépéseikkel, felfokozott szerelmi életükkel, veszekedéseikkel bármikor képesek felforgatni az isteni és az emberi világot.

Wise women, apothecaries, witches, herbalists: whatever you like to call them, those who cultivate plants for their apparent mystical properties have existed for thousands of years. The Witch's Garden tells the story of our folkloric fascination with these magical specimens, documenting the beliefs and rituals surrounding the natural world. This book beautifully evokes the bewitching nature of mysterious plants.

Icelanders believe in elves. Why does that make you laugh?, asks Nancy Marie Brown, in this wonderfully quirky exploration of our interaction with nature. Looking for answers in history, science, religion, and art—from ancient times to today—Brown finds that each discipline defines what is real and unreal, natural and supernatural, demonstrated and theoretical, alive and inert. Each has its own way of perceiving and valuing the world around us. And each discipline defines what an Icelander might call an elf.

Streghe che cavalcano lupi e iene, cortei notturni di morti senza riposo, uomini trasformati in animali, formule magiche in grado di controllare spiriti e divinità: ogni popolo e ogni cultura del mondo, dall'alba dei tempi fino a oggi, ha creduto nell'esistenza di individui capaci di nuocere agli altri attraverso poteri magici; personaggi che incutono paura o provocano repulsione, dai quali è necessario difendersi, le cui caratteristiche vanno a formare la sfaccettata figura della strega.

Este libro le mostrará los pasos bíblicos necesarios para reconocer, prevenir y quebrantar todo tipo de maldición.

Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

As summer falls into autumn, Hollie Starling is hit by the heart-stopping news that her father has died by suicide. Thrust into a state of 'grief on hard mode', Hollie feels underserved by current attitudes toward grief and so seeks another way through the dark. Following her first year without her father, Hollie embraces her lifelong interest in folklore and turns to the healing power of nature, the changing seasons and the rituals of ancient communities.

It’s not true that dead men tell no tales. You can hear their haunting stories on the fog-shrouded banks of Newfoundland, in the aging brick manses of Upper and Lower Canada, on the wind-beaten flatlands of the prairies and among the misty mountains of the far west. This entertaining collection features tales of ghosts and other unexplained phenomena that have found their way into Canadian folklore.

Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence.

This collection investigates the origins of our most intriguing old-fashioned superstitions, many of which we still find ourselves abiding by today. Hundreds of the beliefs passed down through the generations have their foundations in our ancestors' efforts to ward off evil, which they blamed for hardship, illness, and injustice in times when life was, as often as not, "nasty, brutish and short." 

The Pilgrims' celebration of the first Thanksgiving is a keystone of America's national and spiritual identity. But is what we've been taught about them or their harvest feast what actually happened? And if not, what difference does it make? Through the captivating story of the birth of this quintessentially American holiday, veteran historian Tracy McKenzie helps us to better understand the tale of America's origins—and for Christians, to grasp the significance of this story and those like it. 

In the last 50 years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s.

They told you the suburbs were a great place to live. They said nothing bad could ever happen here. But they were wrong. This collection of terrifying true stories exposes the dark side of life in the 'burbs—from corpses buried in backyards and ghosts lurking in fast food restaurants to UFOs, vanishing persons, bizarre apparitions, and worse.

Born in Shen Village in Southeast China, Shen Fuyu grew up in a family of farmers. Years later, Shen, now a writer, returned to his hometown to capture the village's rich history in the face of industrialization. Through his own childhood memories and those of his ancestors, Shen resurrects the working life of Shen Village through interlinked stories of 15 artisans as their lives intersect over the course of a century.

The wolf is so often depicted as the male predator, preying on the vulnerable girl/woman who strays from the path; the she-wolf meanwhile depicts women who sit outside the accepted boundaries of feminine behaviour. Berry openly recounts her own uncomfortable and sometimes frightening experiences as a woman to try to understand how we navigate our fears when threat can seem constant.