Showing titles in Death & Dying

Lorsque mon père est décédé j'ai placé des objets dans son cercueil. Je n'en ai parlé à personne. Puis j'ai interrogé des médiums qui disent communiquer avec les morts. Découvriront-ils de quels objets il s'agit ? C'est le test. Peut-on parler avec les morts ? Des femmes et des hommes le prétendent et en font même profession. Des milliers de gens les consultent. Ces capacités sont-elles réelles ou sont-elles une illusion ? Pour répondre à ces interrogations, Stéphane Allix a interrogé six médiums.

Three men, Kevin, Dermot and Joe, stand and tell their stories on a bare stage. They never meet. Or do they? From this simplest of dramatic devices emerges a rounded tale of Irish life across the generations, accurate and poignant and therefore unforgettable: The poetry of ordinary life.

The Third Man Factor is an extraordinary account of how people at the very edge of death often sense an unseen presence beside them who encourages them to make one final effort to survive. This incorporeal being offers a feeling of hope, protection, and guidance, and leaves the person convinced he or she is not alone. There is a name for this phenomenon: It’s called the Third Man Factor.

In partnership with Texas Monthly, Skip Hollandsworth's "Still Life" is now available as an audio download, where the length and timeliness of a podcast meets the high-quality production of a full-length audio program. Thirty-five years ago, Dallas--and the country--was gripped by the tragic...

When Kristin Meekhof lost her husband to cancer, she discovered what all widows learn: the moment you lose your partner, you must make crucial decisions that will impact the rest of your life. But where do you begin? This inspiring audiobook shows grieving widows what to expect and how to deal with the challenges of losing a life partner.

In his most ambitious work yet, Shermer sets out to discover what drives humans' belief in life after death, focusing on recent scientific attempts to achieve immortality by radical life extentionists, extropians, transhumanists, cryonicists, and mind uploaders, along with utopians who have attempted to create heaven on earth.

After a near fatal stroke in 1995, Robert McCrum has gained an intimate understanding of his own mortality. Twenty-two years on, his friends have joined him in experiencing Prospero's 'every third thought' of death as a dominating theme of life. McCrum asks: can we make peace with what Freud calls 'the necessity of dying'? Searching for answers leads him to brain surgeons, psychologists, cancer patients and writers for advice and wisdom.

The night before her father dies, 18-year-old Jeannie Vanasco promises she will write a book for him. But this isn't the book she imagined. The Glass Eye is Jeannie's struggle to honor her father, her larger-than-life hero but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as Jeannie hunts for clues into the mysterious circumstances of her death.

A moving reflection on a subject that touches us all, by the best-selling author of Claire of the Sea Light. Edwidge Danticat's The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. A moving tribute and a work of astute criticism, The Art of Death is an audiobook that will profoundly alter all who encounter it.

Before he runs out of time, Irish bon vivant Malachy McCourt shares his views on death - sometimes hilarious and often poignant - and on what will or won't happen after his last breath is drawn. During the course of his life, Malachy McCourt practically invented the single's bar; was a pioneer...

In Coming Home Again, celebrated novelist Chang-rae Lee, author of On Such a Full Sea and Native Speaker, recalls the year he spent living at home, learning to cook the Korean dishes of his childhood, before his mother died of stomach cancer. An achingly personal story about love, grief, and regret, Coming Home Again confronts the decisions we can't take back and the moments we can't let go with astounding grace and poignancy.

If you caught a glimpse of heaven, would you choose to comeback to life?

Investigative journalist Judy Bachrach has collected accounts of those who died and then returned to life with lucid, vivid memories of what occurred while they were dead, and the conclusions are astonishing. Clinical death - the moment when the heart stops beating and brain stem activity ceases - is not necessarily the end of consciousness, as a number of doctors are now beginning to concede.

Sieht man ein weißes Licht, wenn man stirbt? Kann mein Körper noch sprechen, wenn ich tot bin? Kann ich zusammen mit meinem Hamster bestattet werden? Kinder fragen klar, offen und ehrlich nach dem Tod. Und genauso muss man ihnen auch antworten. Das ist zumindest die Überzeugung von Caitlin Doughty. Die berühmteste Bestatterin der Welt beantwortet ganz ungeschminkt Fragen von Kindern, die Erwachsene nicht zu stellen wagen. In lustigem, aber immer respektvollem Ton gewährt die Bestatterin so nicht nur Kindern einen Blick hinter den schwarzen Vorhang aus Tabus rund um den Tod.

Was passiert mit deinem Körper, wenn du stirbst? Was fühlst du - Trauer, Schmerz? Und dann, wenn dein Herzschlag verstummt ist? Was geschieht mit deinem Leichnam, bis du bestattet wirst? Wie wird man um dich trauern? Sterben, Tod und Trauer sind unumgänglich, für jeden von uns. Und doch wissen wir kaum etwas darüber. Wer diese Frage stellt, nähert sich einem Tabu - aber auch einer Wissenslücke. Minutiös und eindringlich beschreibt Roland Schulz, was wir während unserer letzten Tage und Stunden erleben.

How to Die is both an absorbing excursion through some of Western literature’s most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we’ll know more about what it means to live a meaningful life.

After two years at the Russian front, Ernst Graeber finally receives three weeks' leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes. Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend.

Explaining the important difference between grief and mourning, this book explores every mourner's need to acknowledge death and embrace the pain of loss. Also explored are the many factors that make each person's grief unique and the many normal thoughts and feelings mourners might have. Questions of spirituality and religion are addressed as well.

Mortality is often on Joan Bakewell's mind. She's in her 80s, many of her friends have died and older relatives went long ago - and yet death is a topic we rarely discuss. It's become clear: we need to talk about death. In this groundbreaking series, Baroness Bakewell and expert guests discuss death and dying, exploring the choices open to us and confronting the questions we fear the most. 

There are plenty of self-help books for mourners, but nothing in the way of a modern, approachable and above all useful field guide for the living. And all of us - young, old, sick and well - could use the help. After all, pregnant couples have ample resources available to them as they prepare to bring a new life into the world: Lamaze courses, elaborate birth plans, tons of manuals. Why don't we have a What to Expect When You're Expecting to Die book? 

Like most of us, Mark Wakely had always put death in the too-hard basket. Around death he was painfully awkward, strangely self-conscious: death-shy. He was curiously distanced from his own parents' deaths. Thirty years later, he went on a journey to confront one of the most intensely personal yet universal experiences: our own mortality. With Mark as our guide, we are introduced to morticians and embalmers, rabbis and doctors, coffin makers and gravediggers.