Showing titles in Genre Fiction

Diego espera tudo de ruim dos próprios parentes, mas tudo mesmo. Que o pai tenha uma segunda família. Que a mãe comande um esquema de tráfico humano. Que o irmão lave dinheiro. Por serem versados em todos os crimes do manual da família tóxica, Diego decidiu ser gay bem longe deles. E tudo vai muitíssimo bem, obrigado.

Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love.

Un fantasma in gola esplora la femminilità e il desiderio. Doireann Ní Ghríofa racconta la maternità nella sua dimensione universale, e ne fa metafora della scrittura capace di ricucire le ferite più intime e creare echi tra universi lontani:un’opera sul suono che allontana e unisce l’ultimo sospiro di un uomo che muore e il primo vagito di una nuova vita. Dopo aver avuto tre figli in pochi anni, l’autrice ha adattato la propria vita su quella dei suoi bambini: poppate, pappe da preparare, viaggi in macchina verso scuola e ritorno, cartoni animati e sonni sempre troppo brevi.

«Quest’estate, non sapendo cosa fare, ho formato un comitato per il fiume Lambro sito Unesco. Subito ho avuto cinque adesioni.» È solo l’inizio di questa storia, un atto dovuto per rimediare a una clamorosa ingiustizia. Non è possibile infatti che Milano sia sede di un unico sito, quando per trovarne a decine basta un giro sul Lambro: dalla baia dei lavandini – il primo lavandino vecchio vi fu gettato da Giovanni il Pirla – alle colonie di mangiatori di girini, fino alle lettere d’amore infilate nelle bottiglie vuote del Vernel.

The MacInnes family is grieving. The loss of Miranda has devastated her husband, John Andrew, her eldest daughter, Tammy, and her youngest child, Dawn. Not Donnie anymore but Dawn, like sunrise, who transitioned while her mother received cancer treatment—without the rest of the family knowing. Now, when Dawn leaves Halifax for rural Nova Scotia to attend her mother's funeral, she knows she'll be meeting her sister and father for the first time as herself.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

In the summer of 2020, with a heat wave bearing down and a brood of periodical cicadas climbing into the trees, Husha mourns the recent death of her mother while quarantining with her ailing grandfather, Arthur, at his lakeside cabin in remote Ontario. They’re soon joined by Husha’s ex-lover, Nellie, who arrives without explanation to complete their trio. Also among them is a strange book, discovered by Husha while cleaning out her mother’s house.

LIKE WATER LIKE SEA is an immersive novel of self-discovery, resilience, and the unifying power of love. It follows the life of Nia, a queer, bi/pansexual naturopath in London, as her life unfolds across three pivotal moments, spanning from her 28th year to a life-altering realization at the age of 50.

Joyful, defiant and dazzling, this is the story of Rafi Aziz—a Northern boy dreaming of his name up in lights. It's 1981 in the suburbs of Blackburn and, as Rafi's mother reminds him daily, the family moved here from Pakistan to give him the best opportunities. But Rafi longs to follow his own path. Flamboyant, dramatic and musically gifted, he wants to be a Bollywood star.

Three years after Whiskey War, Dax and Rose live the high life at the Foster House, running the poshest speakeasy on the west coast. Half Moon Bay is about to claim its place as the top tourist destination in Northern California, with a second club and the remodeled Seaside Hotel under Grace Parsons's ownership and Dax's management. Repeal of Prohibition is on the horizon with the prospect of making their illegal liquor businesses legitimate. Dax's fractured friendship with Charlie Dawson is the only blowback from her battle with Frankie Wilkes

Roland Keener is an aging hairstylist who’s lived and worked in Winnipeg all his life. He’s more or less content with the quiet and predictable days he shares with his partner of twenty-five years, Tony. That is, until he hears that Birdy O’Day—washed-up music icon and Roland’s childhood best friend and first love—is playing his first concert in Winnipeg since fleeing decades earlier. Holing up with a scrapbook of news clippings about Birdy, Roland recalls his childhood in the ’60s and his friendship with Birdy until the pair became estranged when Birdy left in pursuit of stardom.

Gabriele è un ragazzo di trent’anni che ama le piante e che lavora per una ditta di disinfestazioni nonostante sia un architetto. Con sua madre non parla da dieci anni, da quando lui è uscito dai Testimoni, una setta religiosa che dopo la morte del padre, avvenuta quando Gabriele era bambino, è diventata tutta la sua vita. Gabriele ha voluto continuare gli studi, cosa non permessa ai Testimoni, e ha scoperto il suo orientamento sessuale.

Suture shares three interweaving stories of artists tearing themselves open to make art. Each artist baffles their family, or harms their loved ones, with their necessary sacrifices. Eva's wife worries about her mental health; Finn's teenager follows in her footsteps, using forearm bones for drumsticks; Grace's network constantly worries about the prolific writer's penchant for self-harm, and the over-use of her vitals for art.

When Siel unearths the bones of villagers massacred on his fiance's orders, his heart breaks. His fiance: the king. A monster and the man who saved Siel from the depth of melancholia. The man Siel loves. But some loves have to die, and Siel will kill this one. With no army, his only weapon is his secret ability to change into a fox—he's a familiar.

Pregnant at fifteen after gleefully losing her virginity to pansexual neighborhood strongman Francis Anthony Mozzarelli, she is robbed of her baby by a pack of nefarious nuns and her embittered papa has her sterilized without her consent (legal in 1935). With the help of a besotted Francis and her top-secret meatball recipe, a devastated Bella embarks on a riotous quest through Depression-era Coney Island sideshows, the tawdry world of peek-a-boo striptease routines, a queer mob marriage, and a tasty collection of wisdom-filled recipes to find her lost child, herself, and maybe even true love.

Andrew is a jock, tall and attractive with eyes you could float away in. Though, despite seeming to have the qualities that would make for a romantic love interest, he's never been in a relationship. Why? Because he's in the closet. Being gay isn't exactly suited to a guy like him. Marred with a tendency to compare himself to others—particularly to his overachieving older brother—and having witnessed a less attractive classmate score the man of his dreams, Andrew figures it may be time to start dating. And shortly after his eighteenth birthday, he resolves to do just that.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.

What happens when a Daddy's girl grows up to be crowned the first female underboss of the mafia? What an excellent question. Thank you so much for asking. No, seriously, I've been waiting twenty years to be able to answer this. Trust me, being hidden away in another country with a nanny, a groundskeeper, his son (my ex-best friend), and the wicked witch of the west—a.k.a. my stepmother. I'm dying to spill the tea.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.