Showing titles in Themes & Styles

Useful Junk includes a series of poem-letters that began as a digital correspondence between the author (a Gen-X English professor in rural Virginia with two kids) and a young writer (a Millennial former tech industry worker in New York coming to terms with her queer identity after a recent miscarriage). These poems explore the unique dynamic of online cross-generational friendships and the life lessons both women learned from each other.

Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work—with the care and wisdom of one who knows these roads.

How have women poets approached the question of eros throughout history? This collection explores the poetry of both physical and spiritual longing and fulfillment from ancient Greece to New York's East Village. In 50 poems, more than a dozen women poets express all the facets of desire. Included in this collection are Sappho, Mirabai, Hilda Dolittle [H.D.], Emily Dickinson, Anne Waldman, Olga Broumas, Brenda Coultas, Julie Patton, Eleni Sikélianòs, and Marina Tsvetayeva, as well as Pulitzer Prize-winners Jorie Graham, Mary Oliver, and Anne Sexton.

The much-anticipated debut poetry collection, written and read by acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime. ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a...

Written during the profound global upheaval between 2019 and 2023, In Water Not Blood braids ancient traditions of nature-based spirituality, dreaming, song and prayer with the realities and anxieties of modern life. These poems are as much soft and spiritual as they are rage-filled and disillusioned. A powerful account of the author's journey to reclaim her connection to her ancestors and to the Earth. In Water Not Blood is a celebration of the healing power of nature and art and is an urgent cry for collective transformation.

Out of the Silence not only offers a rare insight into one man's experience in the throes of a bitter conflict of the past; it also bears witness to the enduring power of forgiveness, truth and reconciliation in the face of adverse forces still at work in the world today.

High-Rise Boulevard is another concept free-verse poetry book, in the "Timeless Adventures" series by Adrian Tanase, a Romanian writer. The book's concept revolves around a city with no name, where impressions of the city are described in their many aspects and facets, covering the life of the citizens experienced from an atemporal view. If you like the works of William Carlos Williams, Robert Hayden, Langston Hughes, T. S. Eliot, Sylvia Plath, E.E. Cummings, or Walt Whitman, then this audiobook is for you. Enjoy!

Life in Yellow is a collection of free-verse poetry that tries to capture the life of a writer, who lives in a world where trends, colors, fashion, and technology are changing very fast, and where the meaning of life changes from one year to the next. He lives on Earth in an alternate future and is a well-known author of fiction prose and free-verse poetry living in the United States of All Colors. Contacted by a literary agent that lived more than a hundred light-years from him, he agrees to write a poem book that describes the society in which he lives, for substantial compensation.

"Di stanze vuote" è una silloge di venticinque componimenti e aforismi dell'autore. Il titolo "Di stanze vuote" sembra un voluto gioco di parole: leggendo a voce alta può infatti diventare "Distanze vuote". Sono spazi vuoti lasciati dai momenti difficili nei percorsi umani, là dove non c'è una fede a sostenerli. Sarebbero eterne stanze vuote tutte le vicende della vita e tutti gli stati d'animo delle persone se non ci fosse qualcosa a dare un senso a tutto quello che ci circonda. È una metafora ampia e ricca di sfumature, che a sua volta il lettore può riempire con la propria visione delle cose.

Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labor, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in?

“Reflections in Autumn – Collection of Poems: Windows into Small Worlds” is about places and people, wonders of nature, complexity of emotions, and scientific discoveries. Like parables, these poems inspire contemplation about life. They are grouped into four chapters: Travel, Memories with Family and Friends, On Walks, and Musings on Science.

"Lotta a Satana" è una raccolta di poesie e musiche originali, dei 'tappeti sonori' che arricchiscono e contestualizzano le parole recitate. Le letture sono a cura dell'autore e di Viviana Piccolo, attrice e regista teatrale. L'opera è divisa in tre parti di undici poesie ciascuna, per un totale di 33 poesie. "Lotta a Satana" raccoglie poesie scritte tra il 1992 e il 2022: trent'anni di poesie e pensieri che celebrano la natura, l'amore divino e la ricerca di quella spiritualità di cui l'umanità ha sempre più bisogno, in un mondo materialista ed incurante del male che da solo si sta auto infliggendo.

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

“You were supposed to find God here / the signs said.” In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

If you think often about the past or battle with overthinking and self-esteem, girl made of glass is for you. This collection is about finding yourself, forgiving yourself, and loving yourself. It explores the many ways our past haunts us but will leave you feeling hopeful about your future. girl made of glass is a poetry collection about how our past-past mistakes, relationships, and regrets—can linger into our future. Broken into four parts, this book is about finding, forgiving, and loving ourselves.