Showing titles in Dark Humour

Size does matter in these delightfully tiny tales populated with narcoleptic drivers, bickering backers, suspicious spouses, and other memorable characters. Full of dark humor, intrigue, and absurdity, this collection of slightly sinister (and occasionally sweet) stories delivers a bite-size listening experience to satisfy any literary craving.

At sixty-four Mickey Sabbath is still defiantly antagonistic and exceedingly libidinous; sex is an obsession and a principle, an instrument of perpetual misrule in his daily existence. But after the death of his long-time mistress - an erotic free spirit whose great taste for the impermissible matches his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, tormented by the ghosts of those who loved and hated him, he contrives a succession of farcical disasters that take him to the brink of madness and extinction...

Nummer 1 på New York Times’ bestsellerliste og vinder af Costa First Novel Book Award 2017.

Eleanor Oliphant er en socialt kejtet kvinde, der lever et liv i ensomhed. På hverdagene passer hun sit kontorjob, og weekenderne består af dybfrost-pizza og vodka. Men hun har det helt ’fint’, og ingen har nogensinde fortalt hende, at livet kan være mere end det.

Alting forandrer sig dog, da Eleanor møder Raymond, den kluntede, usoignerede IT-fyr fra kontoret. Da hun og Raymond sammen hjælper Sammy, en ældre herre, der er faldet på fortovet, spirer et venskab gradvist frem mellem dem.

Une comédie déjantée, où l’inattendu rencontre l’humour à chaque page! Je m'appelle Damien Hachett : 34 ans, légiste, catapulté médecin chef à l'Institut Médico-Judiciaire. Tard le soir, entre deux macchabées carbonisés ou livrés coupés en morceaux dans un joli paquet cadeau, j'écris des bouquins. Jusqu'à ce qu'une nuit, mon plus vieux lecteur atterrisse sur ma table d'autopsie. Et maintenant... que les ennuis commencent !

Mi chiamo Grace Bernard e, con ogni probabilità, il mio nome non vi dice proprio niente. Nessuno mi conosce perché languisco dietro le sbarre per l’unico crimine che non ho commesso. Eppure, se devo dire la verità nient’altro che la verità, ho ucciso diverse persone, alcune in modo brutale, altre con maggior delicatezza – vale la pena specificarlo, perché fa un’enorme differenza agli occhi giudicanti della gente. Quando ripenso a ciò che ho fatto, avverto persino una punta di tristezza, giusto una fitta trascurabile, al pensiero che nessuno verrà mai a conoscenza del mio strabiliante piano.

Den snart 40-årige Bertil bor hjemme hos sine forældre i Sdr. Kvong ved Vesterhavet. Han kan ikke se nogen mening med at være i live og har købt to krysantemumbomber for at sprænge sig selv og hønsehuset i luften. Det eneste problem er, at han ikke rigtig har viljen til at begå selvmord. Da hans mor i ledtog med kommunen tvinger ham i aktivering som besøgsven hos den gamle, etbenede dame Judith, får han sin sag for. "DØDSMODEN" af Simon Holm Pedersen er en sort og absurd komedie om livsangst og dødsdrift, ensomhed og umage venskab - og om at finde en vej ud af sit eget forknudrede hoved.

Hvor langt er du klar til at gå, når du ikke længere har noget at miste? Alex Storm har mistet næsten alt. Nu risikerer han også at miste sin kone, Jessica, hvis han ikke kapper båndet til sin halvbror, Peter Bao, der er leder af en magtfuld Hongkong-triade. Da Alex rejser til Hongkong for at finde ud af mere om sit kinesiske ophav, bliver Jessica tvunget til at involvere sig med et colombiansk narkokartel. Samtidig bliver Peter udsat for et drabsforsøg. Han lugter blod og vil rydde ud blandt sine fjender – også blandt dem, der er tættest på Alex.

Eigentlich haben wir nur eine Person gesucht und am Ende drei gefunden. Doch wie soll es jetzt weitergehen? Diese neue Welt ist nicht für jeden gemacht und manche brauchen mehr Schutz als andere.

Haben uns wirklich Zombies gerettet? Abgesehen davon warten noch viele weitere Überraschungen auf mich. Unsere Retter sind nicht irgendjemand, sondern... das sage ich jetzt natürlich nicht! Dazu kommen noch schwierige Entscheidungen, ein paar Todesfälle und ein DVD Abend. Die alltägliche Apokalypse eben.

Over the Hill and Up the Wall is an affectionate, funny look at the frictions of taking a more active role in our elders' lives. It's a nod to every child who has waited three hours for a parent to fasten their seatbelt, and every parent whose child assumes they can't count to twenty. And, if your parents are just hitting middle age, it may well be a warning of things to come!

A charismatic young tech entrepreneur, Chase Stapp, played by Haley Joel Osment (Goliath, The Kominsky Method), concocts a designer cannabis brand and has high hopes of disrupting the entire budding industry.

Yang Wei wakes to find himself still a patient at the hospital. Somehow, he’s aged decades overnight and is confined to the geriatric ward on a massive Hospital ship as it floats along a bloodred sea full of unsightly things. But human remains and sea nymphs are perhaps nothing compared to the goings-on belowdecks.

One of the 21st century's most celebrated authors, Hilary Mantel won the Booker Prize twice: for 2009's Wolf Hall, the first in her phenomenally successful Thomas Cromwell trilogy, and its 2012 sequel Bring Up the Bodies. The third novel in the series, 2020's The Mirror and the Light, won the Walter Scott Prize for Historical Fiction. This collection includes three of her best works of contemporary fiction, ranging from the Gothic to the blackly comic.

When a neurotic statistics geek gets invited to his twenty-five-year high school reunion, he spends his life savings remaking his identity to wow his old classmates. Only one tiny problem: his new persona gets him mistaken for a drug kingpin and sends him running for his life with the very people who used to make it miserable.

Manche Menschen liebt man oder hasst man – auf June trifft beides gleichzeitig zu. June Mayberry ist in einer beschissenen Lage: Ihre aus einer Alkohollaune heraus gegründete Detektei kommt nicht richtig in Schwung, zu ihrem pubertierenden Sohn, den sie nur einmal die Woche sieht, fehlt ihr jeder Zugang, und mit der verschwundenen Lehrerin, mit deren Suche sie beauftragt wird, war sie wenige Wochen zuvor noch im Bett.

Als Maike und Alex vollkommen unverhofft ein etwas baufälliges Haus in Tübingen erben ahnen sie noch nicht, dass ihnen die Renovierung der »Villa Mimmi« alles abverlangen wird. Erneut stürzen sich die beiden mit Leib und Seele in ein neues Abenteuer und lassen sich weder von motorradfahrenden Biker-Omis noch von paragrafentreuen Bauamtsinspektoren von ihrem Ziel abbringen. Morsche Terrassen, irre Handwerker und tierische Untermieter sorgen auf dem Weg ins eigene Traumhaus ebenso für Überraschungen wie unfreiwillige Volksfestbesuche und Kletterpartien auf regennassen Dächern.

Bloomsbury presents The Consultant by Im Seong-sun, read by Andrew Woo. SHORTLISTED FOR THE CWA DAGGER FOR CRIME FICTION IN TRANSLATION 2024 'It's a clever book ... [Im Seong-sun] offers readers his razor-sharp observations on consumerism, capitalism and what it means to feel anonymous' M.W...

A trilogy of contemporary plays inspired by tales from The Arabian Nights: Arabian Afternoons includes The Casper Logue Affair by Sebastian Baczkiewicz, The Porter and the Three Ladies by Rachel Joyce and A Dish of Pomegranates by Peter Jukes.

Damani is tired. Every day she cares for her mom, drives ride shares to pay the bills and is angry at a world that promised her more before spitting her out. That is until the summer she meets Jolene and life opens up. Jolene seems like she could be the perfect girlfriend—attentive, attractive, liberal—and their chemistry feels genuine. So maybe Damani can look past the one thing that's holding her back: Jolene is white. But Jolene really doesn't seem like one of the bad ones—she's done the reading, she goes to every protest, she even listens.

Canciones de rock & roll, una afición antigua por los cómics, una avalancha de juguete, Bruce Springsteen y una instructora de baile son algunos de los objetos y personajes que conforman las viñetas, los relatos, y las estampas a través de los cuales Sergio Zurita se narra a sí mismo, a sus afectos y sus recuerdos. Esta compilación de textos breves, que atraviesa la frontera de la ficción y se interna en la realidad va desde la autobiografía hasta el testimonio, construye un retrato íntimo donde se reúnen los anhelos infantiles, la curiosidad adolescente y la cruda madurez de la vida.