Showing results by publisher "Sceptre" in Dark Humour

A BOOK OF THE YEAR IN TIME, VOX, AND VULTURE 'Batty and brilliant' THE TIMES 'Truly original . . . deeply weird, deeply funny and deeply felt' DAILY TELEGRAPH 'Very strange and very funny' GUARDIAN 'Audaciously imagined. Slyly executed. Surprisingly tender. Deliciously weird' RACHEL YODER...

AN OBSERVER BEST DEBUT NOVEL 2025 SHORTLISTED FOR NOVEL OF THE YEAR AT THE AN POST IRISH BOOK AWARDS LONGLISTED FOR THE GORDON BURN PRIZE 'What a joy it is to read' Michael Magee, author of Close to Home 'I couldn't put this book down' Sheena Patel, author of I'm A Fan 'Powerful, moving...

'Gabriel Flynn's work, rich with insight and wit, makes the world newly vivid' Claire Messud, author of This Strange Eventful History 'A clear-eyed, deadpan-funny novel about the present' Lauren Oyler, author of Fake Accounts 'Place, belonging, failure, ambition: this beguilingly readable novel...

Recently dumped and stuck with the mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi's husband Bryce, trace the Duncan's twenty-five-year marriage. As Esther binges true-crime podcasts and works through the near-two hundred-boxes of Duncan detritus, she finds herself infatuated with the gilded family - until, mid-project, Naomi dies suspiciously.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

The new novel from bestselling author Graham Norton In his tense and darkly comic new novel Norton casts a light on the relationship between mothers and daughters, and truth and self-preservation with unnerving effect. Carol is a divorced teacher living in a small town in Ireland, her only son...

Angus Mooney is not happy—he's been murdered, cut off in the prime of his life. He feels humiliated—he's never even believed in an afterlife. (How wrong he'd been). He's confused—death has provided more questions than answers. And he desperately misses his audacious and fiery wife, Gracie, who's expecting their first child. The only upside is that Angus has found a way to see what his murderer is up to and how Gracie is faring. The downside: Gracie and his murderer are getting uncomfortably close, and a worldwide pandemic means the afterlife is about to get very crowded.

One ordinary morning, Laurie's husband, Mark, vanishes, leaving behind his phone and wallet. For weeks, she tells no one, carrying on her job as a cleaner at the local university, visiting her tricky, dementia-suffering father and holing up in her tower-block flat with a bottle to hand. When she finally reports Mark as missing, the police are suspicious. Why did she take so long? Wasn't she worried? It turns out there are many more mysteries in Laurie's account of events, though not just because she glosses over the facts.