Showing titles in Shakespeare

The secret of their identities has fueled debate for hundreds of years: Who are the nameless nobleman and the dark-haired mistress? And what did they do to inspire the creation of more than 150 deeply intimate poems? Whether William Shakespeare's sonnets are pure fiction or the lingering echo of an autobiographical account, this exquisitely written collection defied traditional love poem conventions to explore the many layers of romance, the dangers of lust, and the nuances of beauty.

The Online Stage presents Shakespeare’s most famous and most quoted play, a revenge drama which explores the inevitable conflict between conscience and justice, between morality and obligation. The tragedy arises, not from an obvious weakness in the character of Hamlet, but rather from his inability to deal with an apparently insoluble moral dilemma.

The Life and Death of King John was probably written in the 1590s but not published until the First Folio in 1623. Of Shakespeare's 11 history plays, King John is the one which deals with the story of a monarch most removed from Shakespeare's time. The historical remoteness of this ruler, and also the fact that he had no genealogical links with the Tudor dynasty, enabled Shakespeare to present him in a warts and allà fashion.

This play, which bears an alternate title of What You Will, was written in about 1602. Twelfth Night has always been one of Shakespeare's most popular comedies, and many adaptations have been made for film and musical theatre.

Tragedy and drama are deeply woven into this tale of Italian romance. Two lovers from feuding families fall in love and struggle to be together, but with dire consequences. This classic has been carefully abridged and adapted into 10 short, easy-to-understand chapters. This format enables listeners of all ages and English-language abilities to understand and enjoy the story.

The predominant theme in this Shakespearean tragedy, believed to have been written in about 1603, is jealousy and the destruction it causes when allowed to run rampant. It features one of Shakespeare's most compelling villains, Iago, who skillfully manipulates his commander, Othello, into believing that he has been betrayed by his wife, Desdemona, and his closest friend, Cassio.

Richard II is dangerously out of touch with his kingdom. He wastes money, raises taxes to support his lavish lifestyle, plays favorites, and cares more about his vanity than the common good. When Henry Bolingbroke - father of the future Henry V - challenges Richard for the throne, it's a fight the king can't win. But in losing his crown he gains far greater things: his humanity and his soul.

Twin brothers and their twin manservants, separated as infants by a shipwreck and unaware of each other, cross paths in Epheus when they are adults. What could possibly go wrong?

King Leontes of Sicilia is seized by sudden and terrible jealousy of his wife Hermione, whom he accuses of adultery. He believes the child Hermione is bearing was fathered by his friend Polixenes, and when the baby girl is born he orders her to be taken to some wild place and left to die. Though Hermione's child escapes death, Leontes' cruelty has terrible consequences. Loss paves the way for reunion, and life and hope are born out of desolation and despair.

At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.

Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

Young King Henry VI has married the beautiful Margaret of Anjou but the new queen is ruthless and ambitious. Supported by the powerful Duke of Suffolk, Margaret plots the overthrow of her enemies, chief among them the Duke of Gloucester. But the Duke of York also aspires to the crown, and the common people, led by Jack Cade, are in rebellion. To the despair of the mild young king, England descends into civil war.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

The dissolute Falstaff plans to seduce Mistress Ford and Mistress Page, two "Merry Wives of Windsor," there by gaining access to their husbands' wealth. The two women have the old rogue's measure, however, and Falstaff's plots lead only to his own humiliation. But the merry wives themselves fall prey to plotting as their plans to prevent Mistress Page's daughter Anne from marrying the young man she loves are frustrated in their turn.

Othello, a Moorish general in the service of Venice, has married Desdemona, beautiful daughter of a Venetian senator. But Iago, Othello's malignant ensign, is determined to destroy their happiness. Cunningly bending Othello to his own purposes, Iago persuades the Moor that Desdemona is unfaithful to him. Tormented in a hell of jealousy, Othello moves inexorably toward the destruction of his innocent wife and himself.

At the center of each of the four great Shakespearean tragedies - Hamlet, Macbeth, King Lear, and Othello - is a powerful figure who is led to destruction by a fatal character flaw. In the case of Macbeth it is ambition. Initially a valiant warrior, and staunch servant of his regal overlord Duncan, Macbeth succumbs to the lure of absolute political domination, which leads to murder, revolt, and comprehensive defeat.

In the world's most celebrated and lyrical love story, the sublime devotion of two young lovers transcends their earthly fate. The noble Veronese houses of Montague and Capulet are locked in a bitter feud. When Romeo (a Montague) and Juliet (a Capulet) fall in love, they are swept up in a series of violent events and cruel twists of fortune. Despite the passion and innocence of their love, they fall victim to the enmity between their families, and their story ends in tragedy.

Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.