Showing results by publisher "Faber & Faber" in European

'The Waste Land' is a landmark in 20th-century poetry. Here it is read by the late Poet Laureate Ted Hughes. Published in 1922, it is a brilliant exploration of a faithless, immoral society trying to rebuild itself after the devastation of the Great War. Rich in literary references and steeped in allusive and evocative imagery, 'The Waste Land' is widely considered to be the pinnacle of modernist poetry.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.... This story, first told in the 1400s, is one of the most enthralling, dramatic and beloved poems in the English tradition. Now, in Simon Armitage, the poem has found its perfect modern translator. Armitage's retelling of Sir Gawain and the Green Knight captures all of the magic and wonderful storytelling of the original while also revitalising it.

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

Catching a sudden look of defiance from his granddaughter inspires Hugo Williams to take up his pen and write this deeply moving new collection of poetry - the first since I Knew the Bride (2014), short-listed for the Forward and T. S. Eliot prizes. He navigates assuredly from thoughtful reminiscences of childhood and accounts of the war, through various climes and sensitively drawn relationships, to grim humour in the hospital ward and growing older with its attendant doubts and disappearances.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes' masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe as well as many others.

The Built Moment is divided into two sections. The first, 'The Sea Is an Edge and an Ending', is a sequence of poems about her father's disappearance into Alzheimer's. It is not a narrative of illness so much as a meditation on the metaphysics of memory loss. What does it mean only to exist in the present, for your sense of self to come loose and for the past to float free? The second half of the book is called 'The Bluebell Horizontal'.

A delightful new recording of T. S. Eliot's beloved cat poems. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr. Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925, T. S. Eliot became codirector of Faber & Faber, who remain his publishers to this day.

The poems gathered here: elegies for the poet's musician father; tales of the love lives of gods and the childhoods of psychopaths; troubled encounters between men and women; odes to movies and the male anatomy; studies of art and ambition, politics and parenthood. Other voices enter the fray. And in the fourth part of Paterson's ongoing poem 'The Alexandrian Library', the poet-as-amateur scientist - from a weather station at the top of Ben Nevis to the cellar of The Arctic - bears witness to the imminence of man-made extinction.

Maurice Riordan's keenly anticipated new collection continues his agile exploration of time, both in its depredations and rewards, while also bringing a sceptical, enquiring intelligence to bear on the anxieties and vanities of our age. Here we have disquieting songs of a mutable self; a projected online deathbed confession; the soul haranguing the body; while encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Old English. These poems pulse with mischief and macabre humour, making for a pungent and haunting listen.

The Waste Land and Other Poems by T. S. Eliot, read by Edoardo Ballerini. To mark the centenary of the publication of The Waste Land, by T. S. Eliot, Faber & Faber, in association with the T. S. Eliot Foundation, commissioned this new recording of T. S. Eliot's major poems, narrated by Edoardo Ballerini. Ballerini is widely regarded as the brightest star of the audiobook era, one of the finest narrators of literature today.

A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste.

Jack Underwood's debut collection, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting...weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and current riots; the limits of masculinity and complexities of fatherhood; as well as uncanny, often amusing scenarios, such as serving drinks to a gathering of 15 babies or group kissing in Empathy Class.

Don Paterson's new collection starts from the premise that the crisis of midlife may be a permanent state of mind. Zonal is an experiment in science-fictional and fantastic autobiography, with all of its poems taking their imaginative cue from the first season of The Twilight Zone (1959-1960), playing fast and loose with both their source material and their author's own life. Narrative and dramatic in approach, these poems change voices constantly in an attempt to get at the truth by alternate means.

Matthew Francis' latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations.

In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another.

Over the course of three years, Alice Oswald recorded conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates in Dart a narrative of the river, tracking its life from source to sea.

This frank and sometimes controversial diary details one hectic year in the eye of the showbiz storm, cut with a heavy mix of the day-to-day goings-on in Bexhill, where Harry lives at home with his mother, occasional Filipina fiancée Lay Dee and a dog who has a job at the airport. Follow Harry's attempts to become a judge on X Factor and his efforts to meet the Welsh chanteuse Duffy at Warwick Avenue.

In summer 2010 Simon Armitage decided to walk the Pennine Way. The challenging 256 mile route is usually approached from south to north, from Edale in the Peak District to Kirk Yetholm, the other side of the Scottish border. He resolved to tackle it the other way round: through beautiful and bleak terrain, across lonely fells and into the howling wind, he would be walking home, towards the Yorkshire village where he was born.

The landmark selection of poems from the greatest poet of our age, read on audio by Seamus Heaney himself. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.(John Banville )More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. (John Carey)