Showing results by publisher "Deadtree Publishing" in Literary Fiction

Our fear of the Devil, whatever his temptations and rewards, is amplified by the thought of eternal damnation in his hell house service. In this volume our authors are all from Europe and see the Devil in ways that we recognise and yet are culturally distinct to the European mainland.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.

The German peoples spent centuries as tribes and regions without being a whole. Otto von Bismarck was instrumental in unifying these central European states into one country albeit based on the militaristic doctrine of Prussia. In the 20th Century its history was blighted by its capacity to resort to war to fulfill its ambitions, or right its perceived historical wrongs. In this volume the short stories by its greatest authors readily attest that their talents are equal to the greatest in World literature.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

In this volume our authors, including Ambrose Bierce, Nathaniel Hawthorne, Winifred Holtby, Bernard Capes and many others bring forth creations and contraptions that are both amazing and abstract as well as diabolical and delightful.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. His poems, predominantly short and abstract, display another facet of his talent which questions, advises and presents his audience with much to contemplate. Some are difficult to engage with but with the effort comes the reward.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Stefan Zweig was born on the 28th November 1881 in Vienna, then part of the Austro-Hungarian Empire, and into a wealthy Jewish family with interests in banking and textiles. Zweig first published in 1900 and two decades later was a popular and highly regarded author in many parts of the world, although not in England. He was also the librettist with Richard Strauss of two operas and a keen collector of autographed musical manuscripts. His collection of over two hundred pieces was later donated to the British Library.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London. There he struggled with constraints and boundaries and by night he took to a bohemian lifestyle. Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew.