Showing titles in History & Criticism

The finest book on Britain's most popular rock 'n' roll band 'Read on … It's all true' Noel Gallagher Featuring an exclusive interview with Noel Gallagher and bespoke artwork by celebrated Oasis album designer Brian Cannon Think Oasis was just Britpop and brawls? Think again. John Robb was...

For millennia, the sacred drummers of pre-Christian Mediterranean and western Asia were women. In this inspiring book, Layne Redmond, herself a renowned drummer, tells their history.

A revelatory exploration of the relationship between music and running by one of our foremost music writers Out the front door, across the street, down the hill, and into Van Cortlandt Park in the Bronx. This is how Ben Ratliffs runs started most days of the week for about a decadesometimes...

In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant-and what they continue to mean.

Many of our assumptions about empathy, sensual pleasure, and the essence of work, community, country, race, and the divine have germinated in Bob Dylan's need to know what's blowing in the wind and how it feels. Tracing his work and vision through themes that have shaped religious and cultural history for millennia, Stephen Daniel Arnoff uncovers how Bob Dylan has re-enchanted ancient questions of meaning and purpose throughout popular culture, inspiring a pantheon of prophetic musicians along the way.

In diesem Hörbuch spreche ich über die Talking Heads, The Cure, den Sex Pistols und The Police. Wie die Bands zusammen gefunden haben oder gefunden wurden, wie durch Malcom McLaren Johnny Rotten und Sid Vicious bei den Sex Pistols. Wie zusammen kommen musste, um magisches zu schaffen, wie bei The Police. Oder wie sich anfänglich Robert Smith auf den Friedhöfen in und um Crawley mit seinem Notizbuch nachts herumschlich. Wie die Bands vom "Nobody" und underground status zu den größten Acts seiner Zeit wurden und auf Jahrzehnte die Musik Szene und andere Bands prägten.

George Harrison met Muhammad Ali in 1964, when both men were on the cusp of worldwide fame. We Shook Up the World is the story of these two larger-than-life figures at a momentous time. A unique blend of biography and cultural history, this book goes to the very heart of the zeitgeist that each man inhabited and reinvented in profound and enduring ways.

L’uguaglianza, la fine delle guerre, la solidarietà, il rispetto per l’ambiente non sono soltanto i temi di cui ogni giorno, e con sempre più forza, si impara ora a discutere, ma anche ciò in cui Edoardo Bennato crede con forza e i valori che da sempre, con le sue canzoni, porta avanti. La sua discografia, infatti, può essere letta come un’antologia di spirito civico e un manuale di teoria e pratica della rivoluzione: attraverso il filtro giocoso e ironico delle sue storie, i suoi singoli più famosi.

In dieser Ausgabe Legendärer Songs geht es um 5 Songs, die auch heute noch von Millionen Hörern gehört werden. Games without Frontiers von Peter Gabriel, Blue Monday von New Order, Go your own way und Dreams von Fleetwood Mac und Breakfast in Amerika von Supertramp. Ich bin sicher, dass auch Du einiges noch nicht über die Songs wusstest. Wie zB bei wem alles New Order sich für "Blue Monday" bedient haben. Ja, klar bei Kraftwerk aber auch bei Giorgio Moroder. Mit welchem Song ? Hör mal rein.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomers during the blandly regimented '50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.

Bereit für die "Metal Gods"? Zusammen mit dem neuen Album von JUDAS PRIEST erscheint die passende Episode "ROCK SCHOOL"! Zu Gast sind Hardcore-Fan Schmier (Frontmann DESTRUCTION) und Scott Travis (Schlagzeuger JUDAS PRIEST) höchstpersönlich! Bloß keine "Panic Attack", aber diese Folge solltest Du nicht verpassen! "ROCK SCHOOL", die Hörbuch-Serie mit Andy Brings, in Kooperation mit dem ROCK CLASSICS-Magazin, veröffentlicht im Hause LAUSCH.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

Suzi Ronson was working in a Beckenham hair salon in the early seventies when Mrs Jones came in for her weekly shampoo and set. After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe.

As an A&R man at Epic Records, Tom Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Mötley Crüe, Twisted Sister, Lita Ford, Jeff Beck, Poison, and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies.

Hoje é inimaginável conceber a música brasileira sem as vozes de Cartola e Adoniran Barbosa. Mas, nos anos 1970, a situação era diferente: nenhum deles jamais gravara um LP, e a percepção do mercado era de que lançar discos dedicados aos veteranos era um desperdício de dinheiro. Foi quando entrou em cena o intrépido produtor João Carlos Botezelli, o Pelão, que tomou para si a missão de registrar alguns dos maiores compositores de nossa cultura.

Since exploding on the scene in the late 1970s, Journey has inspired generations of fans with hit after hit. But hidden under this rock 'n' roll glory is a complex story of ambition, larger-than-life personalities, and clashes. David Hamilton Golland unearths the band's true and complete biography, based on over a decade of interviews and thousands of sources.

In Revolutions in American Music, award-winning author Michael Broyles shows the surprising ways in which three key decades—the 1840s, the 1920s, and the 1950s—shaped America's musical future. Drawing connections between new styles of music like the minstrel show, jazz, and rock 'n' roll, and emerging technologies like the locomotive, the first music recordings, and the transistor radio, Broyles argues that these decades fundamentally remade our cultural landscape in enduring ways. 

Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation's culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.

In 1976, under the guidance of legendary label Stiff Records, he transformed himself into the snarling, spectacled artist who defied the musical status quo to blaze the trail for a new kind of rock star with his debut album, My Aim Is True. In Elvis Is King, Richard Crouse examines how the man, the myth, and the music of this arrestingly original album smashed the trends of the era to bridge the gap between punk and rock ’n’ roll.

If you want to understand the Black experience in the US, you must understand hip-hop, and Psalms of My People is your guide. Treating hip-hop like sacred scripture, lenny duncan traces its history—the artists, their lyrics, and the cultural context—to reveal its role as a conduit to tell the modern story of Black liberation in this country, following the bloody trail from the end of the Civil Rights Era through the day George Floyd was sacrificed on the streets of america.