Showing titles in History & Criticism

In 1992, the Screaming Trees were expected to become the next big band to come out of the Seattle music scene during the heyday of grunge. Except it never happened. It wasn't because the band didn't have great songs—indeed, the Trees were revered for their ability to write a great song that was both artistically original and commercially viable, which is no easy task. Other Seattle bands like Nirvana, Pearl Jam, and Soundgarden were fans of the Screaming Trees, playing shows with them and collaborating on albums, long before their own bands broke through into the mainstream.

Wie eng Emotionen mit Musik verbunden sind, das erleben die Moderatoren Falk und Ryll regelmäßig in ihrem beliebten Podcast „Mein Lieblingssong“. Im vorliegenden Album haben die beiden zwölf Geschichten an die 70er Jahre sorgfältig zusammengestellt. Im ersten Interview erzählt Andreas Bruhn, früheres Mitglied der Band „Sisters of Mercy“, warum „Heroes“ von David Bowie sein Lieblingssong ist und was er als Bandmitglied von „Sisters of Mercy erlebt hat. Mit dem „Song of the wind“ von 1972 hat Ferdinand Svaricek einen instrumentalen Leckerbissen von Santana ausgesucht.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

Descubre las historias que viven en las canciones de Los Bunkers "Un libro apasionante y divertido, escrito con maestría, que puede leerse como una historia de Los Bunkers, pero también como una generosa y cálida lección acerca del poder transformador de la música" (Alejandro Zambra)...

The Great Gate of Kiev resounds to the tumultuous bell rings that end Pictures an an Exhibition, one of the most magnificent and virtuosic of all piano pieces. However, to some of his contemporaries, Modest Mussorgsky was ‘insane’ and ‘a perfect idiot’. Born into a wealthy land-owning family, what drove this tormented man and why did he suffer psychological breakdowns and alcoholism? How did he achieve his command of the realist idiom in his stage works? d, of course, Pictures at an Exhibition.

Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one.

In April 1998, legendary southern jam band Widespread Panic held a free open-air record release show in downtown Athens, Georgia, its home base. No one involved could have known that the predicted crowd of twenty thousand would prove to be nearly five times that size. The show, now known as "Panic in the Streets," went on to become a cult favorite of fans and a decisive moment in Athens music history. This event holds the record for the world's largest record release party, but the story of how the it came to be has not been told until now.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

In this beautifully crafted book, Freddy Cristobal Dominguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician's historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan's work from the point of view of historiography.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. This entertaining book charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers.

Con New Wave si definisce un movimento musicale e artistico incredibilmente eterogeneo, sviluppatosi tra la seconda metà degli anni Settanta e i primi Ottanta: difficile immaginare qualcosa in comune tra i Duran Duran di Rio e i Joy Division di Love Will Tear Us Apart, eppure c’è: sfruttando l’energia, gli stimoli e il dinamismo ancora in circolazione del punk, numerose band hanno scelto di reinventare estetiche e suoni, creando così un’onda musicale nuova e multiforme.

Was ergibt Paul McCartney inkognito + Punk + 2263 Shows in 22 Jahren? RAMONES! Zu Gast begrüßt Andy Brings den Frontmann der DONOTS und Fan von RAMONES Ingo Donot sowie George Dubose, den Hoffotografen der Band. Doch den ultimativen Einblick garantiert Marky Ramone höchstpersönlich! Der Schlagzeuger bringt die ROCK`N`ROLL HALL OF FAME ins ROCK SCHOOL Studio und in Eure Wohnzimmer! "ROCK SCHOOL", die Hörbuch-Serie mit Andy Brings, in Kooperation mit dem ROCK CLASSICS- Magazin, veröffentlicht im Hause LAUSCH.

Wolfgang Kos erzählt das 20. Jahrhundert in 99 besonderen Liedern. Der historische Scheinwerfer richtet sich auf Zeitstimmungen, Lebensbedingungen und Moden ebenso wie auf kollektive Sehnsüchte, Ängste und neue Ideen, die mittels Songs unter die Leute kamen. In den Songs spiegeln sich Armut und Wohlstand, Konsum­träume und Weltschmerz, gesellschaftliche oder Generationskonflikte. Songs "wirken", weil sie emotionale Identifikation bieten und unmittelbarer als andere Kulturmedien ihre Zeit und ihre Welt auf den Punkt bringen.

Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln - und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metal-Fans, wenn sie ihre Musik hören - und welche Erfahrung treibt sie immer wieder ins Konzert.

Funk e empoderamento feminino no mesmo audiolivro? Como assim, se o funk só objetifica a mulher? É para romper com esse senso comum, que Tamiris Coutinho decidiu enfrentar os estigmas e preconceitos que envolvem o gênero musical no lançamento da editora Claraboia. Inspirada no hit do funk carioca Cai de boca, a autora analisa e demonstra como um dos movimentos culturais mais importantes do Brasil também é um potencializador da liberdade, da autonomia e do empoderamento da mulher.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.

In de westerse kunst- en cultuurgeschiedenis beslaat de Renaissance bovenal de periode tussen 1400 en 1600. De confrontatie met de denkbeelden uit de antieke wereld bracht een wedergeboorte van de kunsten teweeg en was een breekpunt met wat men lang beschouwde als de ‘donkere middeleeuwen’. Tegenwoordig zien we de voortekenen van een renaissance al vanaf de late 12e eeuw opdoemen, met de herontdekking van de klassieke oudheid en de opkomst van het humanisme.

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

Hast auch du Angst vor der Dunkelheit? Dann sei beruhigt. Denn diese Folge bringt Licht ins Dunkel und eine Menge Fakten rund um “Iron Maiden”. Als Gast begrüßt Andy Brings den Schlagzeuger Johnny Dee (Britney Fox), der sich mit den Giganten des Rocks bereits die Bühne teilen durfte und die Band maßgeblich bei der “Somewhere in time”-Tour in Osteuropa und den USA unterstützt hat. Wolfgang Rott komplementiert die Runde. Seit dreiundzwanzig Jahren promotet er “Iron Maiden” in ganz Europa und verdankt der Presse seinen Spitznamen “Mister Heavy Metal”.

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.