Showing titles in Renaissance

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. 

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. 

A BBC RADIO 4 BOOK OF THE WEEK 'A great, thrusting codpiece of a book. It is big, bombastic and richly brocaded ... A jewel in its own right' The Times 'Evokes the painter and his world as vividly as a Holbein masterpiece. Beautifully written and illustrated, this book is a must for lovers of...

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood. 

The Norman Conquest in English History, Volume 1: A Broken Chain? pursues a central theme in English historical thinking over seven centuries. Covering more than half a millennium, this first volume explains how and why the experience of the Norman Conquest prompted both an unprecedented campaign in the early 12th century to write (or create) the history of England, and to excavate (and fabricate) pre-Conquest English law.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

'A compelling and wry narrative of one of the most intellectually thrilling eras of British history' The Guardian England, 1651. Oliver Cromwell has defeated his royalist opponents in two civil wars, executed the Stuart king Charles I, laid waste to Ireland, and crushed the late king's son and...

In this Very Short Introduction audiobook, Jeroen Duindam connects the earliest history of kings and queens to contemporary examples of family-based leadership. His sweeping overview of five millennia of dynastic rule brings to light recurring predicaments of families on the throne. 

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. Machiavelli wrote The Prince in 1513, after he was forced to leave Florence as a political exile. Dedicated to Lorenzo de’ Medici, the work is Machiavelli’s advice to the ruler of Florence on how to stay in power.

This is Wellington’s official dispatch to Earl Bathurst, Principal Secretary of State for the War Department in London. He describes the skirmish at Quatre Bras on June 16, followed by the main engagement at Waterloo two days later, where the French Army was defeated.

Some ladies who served at the Tudor court are only faceless silhouettes lost to the sands of time, but there are those who dedicated their lives to please their royal mistresses and left documentation, allowing us to piece their life stories together and link them to the stories of Tudor queens. These female attendants saw their queens and princesses up close and often used their intimate bonds to their own benefit. Some were beloved, others hated. This is the story of the ladies of the Tudor court like you've never heard it before.

Rom befindet sich auf dem Gipfel der Hochrenaissance, als am 6. Mai 1527 ein Heer Kaiser Karls V. die Mauern der Ewigen Stadt erstürmt und in der Folgezeit ein regelrechtes Terrorregiment am Tiber errichtet - Sacco di Roma. Vorangegangen war eine Diplomatie der Illusionen und der Selbstüberschätzung Papst Clemens' VII, der nach der Einnahme Roms monatelang in der Engelsburg als Gefangener in seiner eigenen Hauptstadt ausharren muss.

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.

Mary Boleyn, ‘the infamous other Boleyn girl’, began her court career as the mistress of the king of France. François I of France would later call her ‘The Great Prostitute’ and the slur stuck. Mary would emerge the sole survivor of a family torn apart by lust and ambition, and it is in Mary and her progeny that the Boleyn legacy rests.

In 1612, Shakespeare gave evidence at the Court of Requests in Westminster - providing us with the only surviving record of his spoken words. The case seems routine - a dispute over an unpaid marriage-dowry - but it opens up an unexpected window into the dramatist's famously obscure life-story. Charles Nicholl applies a powerful biographical magnifying glass to this fascinating but neglected episode in Shakespeare's life.

Anne Boleyn is perhaps the most engaging of Henry VIII’s Queens. For her he would divorce his wife of some 20 years standing, he would take on the might of the Roman Church and the Holy Roman Empire; he would even alienate his own people in order to win her favour and, eventually, her hand.

Voyages of discovery, inventions, the revival of classical learning, and the advent of science contributed to the intellectual upheavals of this creative period, and are reflected in its literature and art. Hudson focuses on the one thread of continuity that he sees as both the seed and the fruit of this exciting era: the awakening of secular humanism and the emergence of the individual. This history gives the listener a lucid, perceptive analysis of the splendid Renaissance.

It is 1535, and Agnes Peppin, daughter of a West Country butcher, is banished from her family home. Forced to abandon her newborn child, she is meant to live out her days cloistered behind the walls of Shaftesbury Abbey. But King Henry VIII has proclaimed himself the new head of the church. Religious houses are being suppressed, and the great Abbey is no exception to the purge. Free to be the master of her own fate, Agnes descends into a world she knows little about, using her wits and testing her moral convictions against her need to survive by any means necessary....