Showing titles in Death, Grief & Loss

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The New York Times Book Review Editors' Choice In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New...

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Beautifully and gently read by the author, Airea D. Matthews. 'Formally ambidextrous, teethed with wit and uncompromising dignity.' – Ocean Vuong 'Airea D. Matthews, winner of the 2016 Yale Younger Poets Prize, is a fine poet with a command of poetic and speaking voices that serves her well in...

Sem poesia, a vida seria a morte. Imersa no cotidiano que escolheu, marcado por morte e sofrimento, a médica paliativista Ana Claudia Quintana Arantes fez da poesia a sua estratégia para não sucumbir.

Alter Schulstoff spannend interpretiert. Würden Sie von einer Klippe springen, um einen goldenen Becher aus den Tiefen des tobenden Meeres zu bergen? Schillers "Taucher" wagte es um der Gunst einer schönen Prinzessin Willen. Doch wird der Wagemut ihn strafen? Mathieu Carrière berichtet, was Schiller einst gedichtet.

Eine der Klassiker aus der Feder von Friedrich Schiller. "Sieh da! Sieh da, Timotheus, die Kraniche des Ibykus!" Schillers Rache-Ballade in der Interpretation von Mathieu Carrière. Ein Erlebnis.

Bühne Fry für die großartigste Geschichte der Welt! Es ist die größte Geschichte von Heldentum und Hass, Liebe und Leiden, Rache und Reue, Verlangen und Verzweiflung, die sich die Menschheit je erzählt hat: Der Kampf um das legendäre Troja, das für Götter und Menschen gleichermaßen Segen und Fluch war und zum Schauplatz alter Fehden, sagenhafter Herausforderungen und verwickelter Intrigen wurde. Es sind jene menschlichen Leidenschaften, blutig in den Sand einer fernen Küste geschrieben, die heute noch zu uns sprechen.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

After the bestselling I Wish I Knew, Donna Ashworth has now produced an extraordinary three-volume collection of poems that will touch and inspire every listener in the ups and downs we all face in love, in life and in loss. These brilliantly accessible poems bring delight, comfort and strength in the height of romance, the darkness of grief and the endlessly unpredictable moments in between.

Osyp Vasyl'ovych Turyans'kyy—vydatnyy ukrayins'kyy pys'mennyk i literaturnyy krytyk. Tyazhkyy i zhorstokyy zhyttyevyy shlyakh pys'mennyka znayshov svoye vidobrazhennya u yoho tvorchosti, zokrema, u povisti-poemi Poza mezhamy bolyu. Tsey antyvoyennyy psykholohichnyy tvir, napysanyy u 1917 rotsi, opysuye vtechu avstiys'kykh soldativ z viys'koho polonu v period Pershoyi svitovoyi viyny. Povist'-poema Poza mezhamy bolyu vrazhaye realistychnym vidobrazhennyam zhorstokykh umov, v yakykh opynyvsya holovnyy heroy.

A veces uno se topa con la muerte, a pesar de no haberla presentido, y no solo no se extraña sino que la acepta con la misma naturaleza con la que se acepta la vida.

Wenn die erfolgreichen Kämpfe und schmerzhaften Niederlagen des Lebens (im Alter so um die 50 - drei links, drei rechts, drei fallen lassen) auf einander treffen, Scheidungen abgeschlossen wurden, große und kleine Kinder aus frühen oder mittleren Beziehungen ihre eigenen Wege gehen, mehrere Karrieren bereits weggearbeitet worden sind, und es eigentlich nichts mehr zu beweisen gibt, und dann ein ordentlicher Schluck Hormone dazu kommt.

El libro del Génesis habla de una escalera "apoyada en la tierra" cuyo "extremo toca el cielo" y de la cual suben y descienden los ángeles. Este subir de la tierra y bajar del cielo se le presenta al autor, tras la muerte repentina de su hijo, como una vía doble y simultánea para poder aliviar su dolor y acceder a la sabiduría. Paralelamente esta imagen le sugiere diferentes formas de pensar, una clara y sencilla, que poco a poco se va haciendo poesía, y otra, emocional, compleja e incierta, que se va convirtiendo en filosofía.

Gottfried Benn im Originalton Gottfried Benns lyrisches Werk gehört zum Sprachgewaltigsten, was die deutsche Literatur des 20. Jahrhunderts hervorgebracht hat. Diese Auswahl setzt nicht einseitig auf Bekanntes, sondern lädt zu neuen Entdeckungen ein. Der melancholische Klang von Gottfried Benns Stimme und die leise Musikalität seines Vortrags verleihen den Texten eine ganz eigene Intensität.

Dette er Rupi Kaurs anden digtsamling efter debuten mælk og honning, som tog verden med storm og stadig ligger på New York Times bestsellerliste to år efter udgivelsen. solen og hendes blomster handler om sorg, om at føle sig fortabt, om at genfinde styrken, om at ære sine rødder, om kærlighed. Den er delt op i fem kapitler (visne, falde, slå rødder, vokse, blomstre) og er illustreret af Rupi Kaur selv.

"Ex Oblivione" is a prose poem by American horror fiction writer H. P. Lovecraft, written in late 1920 or early 1921 and first published in The United Amateur in March 1921, under the pseudonym Ward Phillips. It is written in first person and tells of the dreams of a presumably dying man. In his dreams, the man is walking through a valley and encounters a vine-covered wall with a locked bronze gate therein. He longs to know what lies beyond the gate.