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The author of more than 25 plays, 10 nonfiction books, seven novels, five children's books, and four books of poetry, A. A. Milne was notable for more than just his creation of the Hundred Acre Wood. This collection illustrates just how Milne's mind worked and offers witty, creative, and entertaining insight into his everyday life.

Brought to you by Penguin. What Lila wants to be more than anything else in the world is . . . a Firework-Maker! But firework-making is not just about being able to make Crackle-Dragons and Golden Sneezes. There is also one special secret: every Firework-Maker must make a perilous journey to...

Master builder Halvard Solness is a self-made man. With no professional qualifications, he has built himself up through ruthless ambition and achieved a position of power and domination in his home town. But his success has come at a cost. His marriage is empty, destroyed by a personal tragedy that has left him wracked with guilt and pain, and he is increasingly frightened of failure and being displaced by the next generation. Then a mysterious young woman, Hilde Wangel, appears from the mountains, claiming to have met Solness 10 years earlier, when she was only 13. 

Maurice Riordan's keenly anticipated new collection continues his agile exploration of time, both in its depredations and rewards, while also bringing a sceptical, enquiring intelligence to bear on the anxieties and vanities of our age. Here we have disquieting songs of a mutable self; a projected online deathbed confession; the soul haranguing the body; while encounters with ghostly feet and tongues of fire consort with riffs on Baudelaire, Rilke and Old English. These poems pulse with mischief and macabre humour, making for a pungent and haunting listen.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

The Waste Land and Other Poems by T. S. Eliot, read by Edoardo Ballerini. To mark the centenary of the publication of The Waste Land, by T. S. Eliot, Faber & Faber, in association with the T. S. Eliot Foundation, commissioned this new recording of T. S. Eliot's major poems, narrated by Edoardo Ballerini. Ballerini is widely regarded as the brightest star of the audiobook era, one of the finest narrators of literature today.

It is hard to overstate the role that John Milton played in the historical, political, and literary controversies of 17th-century England; his writings and very life challenged the status quo. This fascinating new biography is divided into two parts. The first separates the man from the myth, and elucidates the complicated details of Milton's life from his early years as a literary artist uncertain of his destiny, through his work as a propagandist for the Cromwellian republic, to his rewriting of the Old Testament story of the Fall.

Dickens' "Weihnachtslied" wird gern betitelt als "sein Geschenk an die Menschheit". Was er uns damit alles "geschenkt" hat, beleuchtet Petra Fluhr in ihrer Übersetzung ins Pfälzische von allen Seiten. Historische Fakten, Sozialkritik, Auswirkungen auf die Gegenwart und viel Humor sorgen für fast fünf Stunden Unterhaltung. Petra Fluhr wurde in Ludwigshafen am Rhein geboren und lebte dreißig Jahre lang in Mannheim. Ihr Dialekt ist demzufolge das Vorderpfälzische. Verstehen kann ihn aber jeder südlich des Mains.

"The Love Song of J. Alfred Prufrock" is an analysis of a beleaguered, multilayered, and conflicted suitor, trying to reconcile his dichotomy of having a foray of overwhelming ideas juxtaposed with underwhelming execution, in the arena of life and love. It was the poetic debut of the American-born British poet T.S Eliot. The poem was originally published in 1915.

An irresistible comedy ensues when a group of bohemian protagonists wreak emotional havoc on their houseguests.

This meditation on artistic creativity was written during the latter months of 1815, during a sojourn on the border of Windsor Forest. Critics have concurred in the opinion that the anonymous hero of the poem is Shelley himself, who feared that he too would become an "inheritor of unfulfilled renown". Today, the poem is considered to be the first major work of Shelley's maturity.

Have you been lately to Lake Pipple Popple? Perhaps you have spotted the Pobble who has no toes? Or maybe you have roosted in the Quangle Wangle’s hat? Certainly Mr. Edward Lear has (he’s written all about it). And now, you can listen to his tales read aloud, full of rhyme, rhythm, and words that you won’t find in the dictionary!

AVA : 22 ans, mal dans sa peau, récemment installée à Hong Kong. Enseigne la grammaire anglaise à de riches écoliers pour un salaire de misère, a un fort accent irlandais et déteste ses colocataires. JULIAN : Banquier. Anglais. Cynique. Aime plutôt bien Ava, la couvre de cadeaux et lui propose très vite de s'installer dans la chambre d'amis de son luxueux appartement de fonction. EDITH : Ambitieuse et brillante. Avocate. Rencontre Ava alors que Julian est à l'étranger. Et c'est là que tout devient plus excitant.

Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life, Anne was involved in several Court cases that dragged on for years. These involved both a share of her parent’s estate for her education and later her and her husband’s share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, and later King James II) at St James’ Palace. Anne's interest in poetry began at the palace, and she started writing her own verse.

Jack Underwood's debut collection, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting...weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and current riots; the limits of masculinity and complexities of fatherhood; as well as uncanny, often amusing scenarios, such as serving drinks to a gathering of 15 babies or group kissing in Empathy Class.

Parisina was first published in 1816. The tragic narrative poem is the sixth, and shortest, in the series of Byron's "Oriental Romances" or "Heroic Tales". Prince Azo, overhearing his wife, Parisina, muttering in her sleep, discovers that she is having an affair with his illegitimate son, Hugo. Parisina and Hugo were engaged to be married before Azo claimed her for his own bride. Hugo is sentenced to death, and Parisina is forced to watch the execution as her punishment.

Slowbridge's customs have been set in stone by Lady Theobald, who has decreed that young ladies should always wear white muslin to social events and that their only decoration should be fresh flowers - which invariably wilt by the end of the evening. Enter Octavia, bedecked in yards of lace and ribbons and with a profusion of diamond jewelry. She is soon informed that only married ladies wear diamonds in England. She makes other mistakes: Young ladies do not ask men to join them on terraces; they do not invite men to play croquet on their lawns.

"The Siege of Corinth" is a tragic narrative poem first published in 1816. It was inspired by the Ottoman siege of the Venetian-held Acrocorinth in 1715.

Although Rupert Brooke is known today as a "war poet", he was never actually engaged in combat: His death was the result of an infection from an insect bite that occurred while he was in transit to commence duty in Turkey. Unlike Wilfred Owen, who had a bitter experience of life in the trenches, Brooke's vision was of the glory rather than the horror of war. Only the first section focuses on issues stemming from the war. Poems in the other sections are generally wistful evocations of places that the poet had visited in his travels and reflections on youthful love.

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.