Showing results by author "Virginia Woolf" in All Categories

Championing the everyday, ‘common’ reader, Woolf emphasises the importance of reading for curiosity and interest, as opposed to academic analysis. In a delightfully conversational tone and with personal flair, Woolf explores the works of classical and contemporary authors alike; from Chaucer and Austen to Defoe and Montaigne. Effortlessly blending biography, criticism and philosophy, these brilliantly written essays showcase Woolf’s passion for literature, and particularly its ability to shape life as we know it.

An extended essay initially written in response to a letter pondering how to end war, Three Guineas eloquently relates women’s equal opportunity to the end of the power structures which contribute to conflict. Using the metaphor of three guineas, Woolf highlights three worthy causes to donate to in order to end violence: rebuilding education for women, supporting professional opportunities for women and the promotion of pacifism.

Published in 1919, Woolf's early novel unfolds in Edwardian London, where Katherine Hilbery, the granddaughter of a celebrated poet, navigates questions of marriage, independence and intellectual freedom. Her forthright acquaintance, Mary Datchet, a suffragist committed to political change, carries a contrasting vision of life and love, and her opinions throw Katherine's choices into sharp relief. While more traditional in form than Woolf's later works, Night and Day reveals her emerging mastery of psychological depth and subtle irony.

Published in 1937 to commercial success, The Years is a powerful narrative that traces the fortunes of the Pargiter family from the 1880s through to the 1930s, capturing the shifting tides of English society as old traditions give way to modernity. Through Woolf's characteristically lyrical prose and sharp psychological insight, the ordinary rhythms of domestic life – births, deaths, reunions, quiet moments of longing – become heavy with meaning.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia. 

Mrs Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach. But there was something solemn in the deliberate swing of the repeated strokes; something stirring in the murmur of wheels and the shuffle of footsteps. No doubt they were not all bound on errands of happiness. There is much more to be said about us than that we walk the streets of Westminster. Big Ben too is nothing but steel rods consumed by rust were it not for the care of H.M.'s Office of Works.

A small, dark speck becomes the starting point for a cascade of thought—quiet, precise, wandering. In a room with a fire, a cigarette, and silence thick as dust, a mind drifts from memory to philosophy, from loss to structure, from trees to snails. Virginia Woolf's voice here is both still and restless, charting the motion of consciousness as it moves without hurry or warning.

Una habitación propia no es solo un ensayo sobre literatura, es una guía de liberación interior para cualquier mujer que busque independencia, voz propia y un espacio mental donde florecer. Con una lucidez adelantada a su tiempo, Virginia Woolf plantea una verdad esencial que sigue vigente: para que una mujer pueda crear, necesita libertad económica, estabilidad emocional y un lugar propio —físico y simbólico— donde no tenga que pedir permiso para ser.

“I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the...

Experience Virginia Woolfs audacious satire that explores the nuances of British culture, customs, literature, philosophy, and politics from the Elizabethan era to 1928, all through the eyes of her famously long-lived and genderfluid protagonist. Dive into a journey that challenges conventions and celebrates the fluidity of identity. - Summary by Nicole J. LeBoeufThis show includes AI-generated content.

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

Between the Acts is Virginia Woolf’s final novel, set in a quiet English village just before World War II. The story unfolds over the course of one day, as villagers prepare for and perform an outdoor pageant that reflects the history of England. Beneath the surface of this seemingly simple event, tensions rise—between family members, within relationships, and in the looming shadow of war.