Showing results by narrator "Eric Messner" in All Categories

“My name is Rylee, and I am a Tracker.” When children go missing, and the humans have no leads, I’m the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. I’m on the FBI’s wanted list. I have a werewolf for a pet and a witch of a best friend and have no need for anyone else in my life. But when a hunt for a missing child starts to spin out of control, help comes from a most unexpected direction. One who is dangerously dark, brooding, and doesn’t know a thing about the supernatural. One whose kisses set me on fire.

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. The FBI wants me on their team. Bad enough that they are dangling bait they know I can't resist. The catch? It’s on the other side of the ocean. And if I want what they’re offering, I have to help them with a salvage gone terribly, terribly wrong. But this time, I have no back up. I have no Plan B. And I have no O’Shea.

When children go missing, and the Humans have no leads, I’m the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Underestimating demons is a bad idea, and it’s a mistake that may cost me not only my own life but the life of a missing child. If I can swallow my pride, and allow Agent O’Shea to help me find a way to deal with the demon, we might be able to save the child.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

As a Knight of Crystallia, I, Bastille, swore to protect the Smedry clan from the Evil Librarians. (And believe me, screwups like them constantly need protecting.) But when Alcatraz Smedry got strapped to an altar of outdated encyclopedias to be sacrificed to the dark gods, I arrived too late—and instead his father took his place. Now Alcatraz is a blubbering mess, so it’s up to me lead the charge against his father’s killer: Biblioden, founder of the Evil Librarians—I was sure he died centuries ago—who’s back to complete his goal of world domination.

Frustrated by her pathetically useless powers, Larkspur can only dream of being accepted by true elementals. And as the bastard daughter of the king, she lives under the constant wrath of his jealous wife. When she’s falsely accused of attacking the cruel woman, she must choose between military service or banishment...and both lead to certain death. Seizing her slim chance for survival, Lark embarks on training as a soldier for the unforgiving kingdom. But though she excels in her new role, it may not be enough to stay safe from a queen out for her blood.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Jughead Jones has always had an insatiable appetite...but what if his hunger came from a sinister place? When a murderous menace is on the prowl, taking the lives of some of the most well-known and esteemed inhabitants of Riverdale, Jughead and his family's dark legacy comes to light. Join writer Frank Tieri (Wolverine) and artists Michael Walsh (Secret Avengers) and Pat & Tim Kennedy (Death of Archie) for this horrifying audiobook series.

Emmy always knew that the woods surrounding her home crawled with ghosts and monsters. But on the eve of her eighteenth birthday, she learns that she is connected to these creatures—and to the land itself—in a way she never imagined.

In 1766, an insatiable vampire sails from London to the Malabar Coast, aboard an East India Company ship. But along the shores of the Indus lurk darker and more ancient powers, and a war is brewing in the night. Two centuries after the first European ship sailed to the Malabar Coast and made landfall at Calicut, The East India Company seeks to secure its future along the lucrative Silk Route, in the year 1766. An old evil now sails aboard a company ship, hoping to make a home in this new found land.

Once she was Adrienne Satti. An orphan of Davillon, she had somehow escaped destitution and climbed to the ranks of the city's aristocracy in a rags-to-riches story straight from an ancient fairy tale. Until one horrid night, when a conspiracy of forces - human and other - stole it all away in a flurry of blood and murder. Today she is Widdershins, a thief making her way through Davillon's underbelly with a sharp blade, a sharper wit, and the mystical aid of Olgun, a foreign god with no other worshippers but Widdershins herself.

They call him Jig Dragonslayer - and who is he to deny a legend. After all, common sense - something in very short supply among goblins - has a lot to do with Jig's continued existence. Though he's been captured by adventures and dragged unwillingly along on their foolish quest, he's survived both the Necromancer and the Dragon. If people want to insist he's a hero, he isn't going to fight about it. But the trouble with being labeled a hero is that everyone expects you to keep doing heroic things.

I did a bad, bad thing. Thanks to a blank in my memory, I'm not sure what that thing was, but it was horrible enough to get me locked up in the mental ward for seven years. Horrible enough that my little sister won't even speak to me. But when I'm released back into a town determined to rub my unknown sins in my face, the past isn't the only thing that's haunting me. The four "imaginary" friends who made my childhood bearable barge into my life in a very real way.

A Russian S-400 surface-to-air missile system takes down a passenger jetliner in the skies over Belarus, showering the fields below in burning scrap. As the world begins to mourn the horrific accident, one man–new CIA director, George Lawrence–knows it is anything but. Three hundred innocents were sacrificed in order to snuff out the life of one man: Professor Alexey Sokolov, a senior adviser to the Russian government. As well as a CIA asset recruited by a ghost known as the Hangman... Trapp doesn't know any of this.

Sometimes it's easier to ask for forgiveness than permission. Siberia in April isn't in any tourist guidebook. But that is where Trapp finds himself. It's cold, dark, and the vodka tastes like gasoline. After brawling with half a dozen corrupt Russian cops, he's taken to the infamous penal colony marked on maps as IK-29, but known to inmates as the Black Eagle. The guards are brutes, their prisoners little better than animals. It's hell on earth.

Everyone has something to get off their chest: Frenchie confronts the Female about her work with the Mafia, Mother's Milk goes to see his mom, Annie wants a word with God himself, and Butcher enjoys yet another ghastly tryst with CIA Director Rayner. The Legend, meanwhile, offers to tell Hughie everything he wants to know about The Boys - all Hughie has to do is take a walk with the dead.

Everything feels off—especially me. I’ve returned to Katmere Academy, but I’m haunted by fragments of days I have no recollection of living and struggling to understand who, or what, I really am. Just when I start to feel safe again, Hudson is back with a vengeance. He insists there are secrets I don’t know about, threatening to drive a wedge between Jaxon and me forever. But far worse enemies are at our doorstep.

Everything feels off—especially me. I’ve returned to Katmere Academy, but I’m haunted by fragments of days I have no recollection of living and struggling to understand who, or what, I really am. Just when I start to feel safe again, Hudson is back with a vengeance. He insists there are secrets I don’t know about, threatening to drive a wedge between Jaxon and me forever. But far worse enemies are at our doorstep.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!