Showing results by narrator "Frederick Davidson" in All Categories

All effective debaters, whether they know it or not, employ Aristotle's 3 basic principles of effective argument that form the spine of Rhetoric. In Poetics, Aristotle draws a dramatic distinction between poetry and history. This collection also includes Aristotle's body of work that has come to be identified as Logic.

In this largely autobiographical coming-of-age story, James Joyce describes the awakening young mind of a middle-class Irish Catholic boy named Stephen Dedalus. The story follows Stephen’s development from his early troubled boyhood through an adolescent crisis of faith—partially inspired by the famous “hellfire sermon” preached by Father Arnall, and partly by the guilt of his own precocious sexual adventures—to his discovery of his ultimate destiny as a poet.

This magnificent volume by veteran European correspondent Don Cook is the first major biography of de Gaulle written by an American from an American perspective. Rich with new anecdotal material, it offers fresh evaluations and sheds new light on Europe's most controversial and enigmatic general, politician, and statesman.

After his final trip up the river Thames with his three companions - - Harris, George, and Montmorency the dog - - Jerome K. Jerome sat down to write his proposed book, The Story of the Thames. But before he could tackle the work in the serious manner intended, his humor took over and gave birth to a masterpiece of unquenchable comedy. This is a classic of English humor, justifiably loved around the world.

Webster's Dictionary gives the meaning of the word "miasma" as "an infection floating in the air; a deadly exhalation". And in the opinion of Mr. Robert Ferguson, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day, Master Bean had served Mr. Ferguson in the capacity of office-boy. But there was that about Master Bean which made it practically impossible for anyone to employ him for long.

Since the Renaissance, Julius Caesar has been idolized as a superman. There is no doubt that Caesar was an extraordinary man. But as General Fuller points out, Caesar was more extraordinary for his reckless ambition, matchless daring, and ruthless tyranny than for his skills as a military commander. Caesar continually had to extricate himself from the results of mistaken judgments. His unpremeditated Gallic conquest was just one of Fuller's many examples.

Who but P.G. Wodehouse could have extracted high comedy from the most noble and ancient game of golf? And who else could have combined this comedy with a real appreciation of the game, drawn from personal experience? Wodehouse's brilliant but human brand of humor is perfectly suited to these stories of love, rivalry, revenge, and fulfillment on the links.

G. K. Chesterton’s Father Brown is perhaps the most lovable amateur detective ever created. This short, shabby priest with his cherubic, round face attracts situations that baffle everyone - except Father Brown and his rather naïve wisdom. The twelve enthralling stories in this book take Father Brown from London to Cornwall, from Italy to France, as he gets involved with bandits, treason, murder, curses, and an American crime-detection machine.

Francis Cornish was always good at keeping secrets. From the well-hidden family secret of his childhood to his mysterious encounters with a small-town embalmer, an expert art restorer, a Bavarian countess, and various masters of espionage, the events in Francis' life were not always what they seemed. This wonderfully ingenious portrait of an art expert and collector of international renown is told in stylish, elegant prose and endowed with lavish portions of Davies' wit and wisdom.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

William Wordsworth (1770 -1850) is one of the most popular and enduring of the English poets. His poetry is beloved for its deep feeling, its use of ordinary speech, and its celebration of nature and of the beauty and poetry in the commonplace. Together with his friend, the poet and political activist Samuel Taylor Coleridge, Wordsworth helped launch the romantic age in English literature. These poems demonstrate the astonishing range and beauty of Wordsworth’s work and his sustained, coherent vision.

There is an important decision to be made. The Cornish Foundation must choose a worthy undertaking upon which to expend a portion of its considerable funds. As the Foundation's chairman, Arthur Cornish believes they should select a project worthy of the risk taker whose name the Foundation bears. And so it is decided: the Foundation will fund the doctoral work of one Hulda Schnakenburg, a grumpy, grimy, thoroughly difficult, and extraordinarily talented music student. Her task is to complete the score of an unfinished opera by the Romantic composer, writer, and music critic E. T. A. Hoffmann. In addition to this, the Foundation, against all common sense, will undertake to stage the opera. As the production takes shape, Hoffmann's restless spirit hovers rather too close for comfort, and his dictum "The lyre of Orpheus opens the door of the underworld" proves prophetic for many a participant.

This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature.

Whether viewed as subjugator or protector, Oliver Cromwell was a titan of 17th century England. French theologian Merle D'Aubigné wrote this 1847 biography for one purpose: "rectification of the common opinion with regard to Cromwell's religious character." And rectify he does.

One rainy morning in the winter of 1909, a man with an altogether average look about him quit his job at the London Morning Leader, kissed his wife and children goodbye, and took a train to Swansea in Wales, where he talked his way aboard a freighter bound for somewhere in the upper reaches of the Amazon. Three years later, Tomlinson published a book about his adventures. This book made him famous.

'The right good book,' says Mr. Tomlinson, 'is always a book of travel: it is about a life's journey.'

This terse and startling novel is the story of a struggle for possession and of its devastating consequences. Three women seek to secure the affections of one man, while he, in turn, tries to satisfy them all. But in the middle of this contest of wills stands his unwitting and vulnerable young daughter. The conclusion of The Other House makes it one of the most disturbing and memorable of Henry James' depictions of the uncontrollable passions that lie beneath the polished veneer of civilized life.

Julio Desnoyers, a wealthy young Spanish American, tries to escape the dirt, blood, and horror of World War I. Why should he fight on foreign soil for a country that is his father's land and not his own? But everywhere he turns, war and its ravages follow Julio, changing everything. His lover Marguerite no longer desires their old life of abandoned intimacy, and his father has no use for his cowardly, profligate son. When Julio finally decides to fight, the world and his family know him for a different man.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

From the coral reefs of Barbados to the jungles and fabled cities of the Orinoco and on to the great sea battle with the Spanish Armada, this vibrant novel captures the daring spirit of Elizabethan adventurers who sailed with Sir Francis Drake.

Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.