Showing results by narrator "Simon Brett" in All Categories

It wasn't the rain that upset Carole Seddon during her walk on the West Sussex Downs. It wasn't the dilapidated barn in which she was forced to seek shelter. No, what upset her most was the human skeleton she discovered there.... So begins the second investigation for straitlaced Carole and her more laid-back neighbour Jude. This time their enquiries take them away from Fethering to the small download hamlet of Weldsham, where gossips quickly identify the corpse as Tamsin Lutteridge, a young woman who had disappeared from the village months before....

The affluent seaside resort of Smalting is unaccustomed to crime. So when human remains are found beneath the floorboards of a beach hut, the community is awash with suspicion. Amateur sleuths Carole Seddon and best friend Jude are drawn into the mystery, and their suspicion quickly falls on attractive Philly Rose, a young Londoner newly arrived in the area, whose boyfriend has recently vanished.

Jude has never been averse to a bit of a flutter; her friend Carole, on the other hand, thinks that the local betting shop is a den of iniquity. But when Jude stumbles upon the body of a Polish immigrant, Tadeusz Jankowski, the race is on to find his killer. The odds aren’t looking good. No one seems to know anything about the mysterious Tadeusz - even his sister can’t shed any light on what he was doing in Fethering.

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....

When Andrea Gower’s body is discovered in an editing suite, with gashes in her wrists and two razor blades nearby, the cause of death seems obvious, with the words she spoke only hours before taking on a completely different meaning... Working as a radio actor for the BBC was all new to Charles Paris: a new kind of work, a new jargon, and a lot of new faces - some of them quite pretty.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

Landing a minor part in the Empire Theatre Eastbourne’s Christmas production of Cinderella, Charles Paris soon discovers that his main role is to gently introduce the show’s baffled American star, Kenny Polizzi, to the bizarre customs of English pantomime. During their sessions in the local pub, Charles finds himself increasingly caught up in Polizzi’s tangled affairs. But Charles is about to be far more involved than he might wish when he stumbles across a body beneath Eastbourne Pier.

Having been booked to give a talk at Fethering Library, successful author Burton St Clair invites his old friend Jude to come along. Although they haven't met for 20 years, Jude is not surprised to find that St Clair hasn't changed, with his towering ego and somewhat shaky relationship with the truth. What Jude hadn't been suspecting, however, was that the evening would end in sudden, violent death. More worrying, from Jude's point of view, is the fact that the investigating police officers seem to be convinced that she herself was responsible for the crime. With the evidence stacking up against her, Jude enlists the help of her neighbour Carole.

A rising young stage comedian, who is about to receive his profession's award as ‘Most Promising Newcomer’, dies sensationally on stage at the start of his act; as he picks up the mike, he is electrocuted. Faulty wiring seems to be the cause; no one person is to blame; a verdict of death by misadventure is returned at the inquest.

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Christopher Milton is one of TV’s brightest stars and the natural choice to play the lead in Lumpkin!, the musical version of She Stoops to Conquer. His is a ruthless, egomaniacal talent, guaranteed to turn his co-cast’s rehearsals into nail-biting hell. Charles Paris suspects him of harbouring at least one dark secret from years past. And then the ‘accidents’ begin. Soon it is plain that someone will stop at nothing in order to sabotage the show for their own ends.

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Jude's life has been turned upside-down thanks her new man, Piers Targett, who's keen to get her involved in his hobby – or obsession – of Real Tennis. But when one of Piers' friends dies on the court in suspicious circumstances, Jude finds herself caught up in the police investigation. Meanwhile, Jude's neighbour Carole is trying to identify the human remains known locally as the “Lady in the Lake”.

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.

When Jude agrees to lend her vintage chaise longue for the local Amateur Dramatic Society’s production of George Bernard Shaw’s The Devil’s Disciple, little does she realise she’ll end up in a starring role. It’s an ambitious play, culminating in a dramatic execution scene: a scene that’s played for real when one of the leading actors is found hanging from the specially constructed stage gallows during rehearsals. A tragic accident - or something more sinister?

The Dowager Duchess has decided to sell off the less important family possessions. Blotto and Twinks are dispatched to help the valuer. He spies some Egyptian artifacts and in some excitement rushes back to London, leaving Blotto and Twinks alone in the attic, where they are drawn to a sarchophagus decorated with hieroglyphs. Twinks starts to translate: "Anyone who desecrates this shrine will be visited by the Pharoah's curse..." - just as Blotto prises the lid off.

Due to financial hardships at Tawcester Towers, the Dowager Duchess has decreed that the only way the family fortunes can be restored is to marry Blotto off...to an American! Reluctantly, Blotto, together with Twinks and his trusty chauffeur Corky Froggett set sail.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

After a long period of "resting", life is looking up for Charles Paris, who has been cast as the Ghost of Hamlet's Father and First Gravedigger in a new production of Hamlet. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root - and the two young stars have rather different views than the more experienced members of the cast. But when the company reach the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead....