Showing results by narrator "Jennifer Vuletic" in All Categories

When Emily Oliphant married John Stratten, she thought it was the beginning of an exciting new adventure - standing shoulder to shoulder with the most eligible farmer in the district and pitching in to build a thriving agricultural business. Three years later, however, Emily sees her marriage for what it is - a loveless tie to a callous man. When John's cruelty reaches new heights, Emily is forced to move out, braving both her husband's wrath and her mother's glaring disapproval.

Poets had always lived there, the locals claimed. When Sadie inherits Poet’s Cottage in the Tasmanian fishing town of Pencubitt, she sets out to discover all she can about her notorious grandmother, Pearl Tatlow. Pearl was a children’s writer who scandalised 1930s Tasmania with her behaviour. She was also violently murdered in the cellar of Poet’s Cottage and her murderer never found. Sadie grew up with a loving version of Pearl through her mother, but her aunt Thomasina tells a different story, one of a self-obsessed, abusive and licentious woman. And Pearl’s biographer, Birdie Pinkerton, has more than enough reason to discredit her.

Jo returns to South Africa after ten years in the UK to cover the riots sweeping the Jo’burg township of Alex. Nico, her estranged Afrikaner father, reappears and asks her to help prove his innocence in the murder of a black man, abducted by the security forces decades earlier. As they set off on a road trip through South Africa’s now-unfamiliar landscape, it becomes clear that Nico knows more about the murder than he is letting on, and Jo begins to wonder whether she is his accomplice, or his captive.

After a troubled childhood and two failed marriages, Rena has achieved success as a photographer. She specializes in infrared techniques that expose her pictures’ otherwise hidden landscapes and capture the raw essence of deeply private moments in the lives of her subjects. Away from her lover, and stuck in Florence, Italy, with her infuriating stepmother and her aging, unwell father, Rena confronts not only the masterpieces of the Renaissance but the banal inconveniences of a family holiday.

Desperate to enjoy their empty nest, Jen and Andeep downsize to the countryside, to forage, upcycle and fall in love again, only to be joined by their two 20-something daughters, Asha and Camille. Living on top of each other in a tiny house, with no way to make money, tensions simmer, and as Jen and Andeep focus increasingly on themselves, the girls become isolated, argumentative and violent.

In the autumn of 1992, two young women students at Melbourne University went to the police claiming that they had been indecently assaulted at a party. The man they accused was the head of their co-ed residential college. The controversial book that Helen Garner wrote about the resulting Ormond College sexual harassment case caused a social media storm. Prominent feminists were outraged at Garner's perceived support for the man involved, but many saw her approach a necessary and much welcome nuance towards the power dynamic between men and women.

Ever since Sophia Saunders was murdered, her husband, Peter, and daughter Lauren have been trying to rebuild their lives. Desperate to fill the emotional void, Peter becomes involved with a woman from his grief support group. But as his relationship with Alice progresses, Lauren becomes unsettled. Why can’t she find any trace of Alice online? Who is she, really, and what does she want? Lauren is right to be suspicious. But the deeper her investigation of Alice goes, the greater the danger grows.

Jane is a contact tracer. She has to call a lot of people and some of them don’t want to talk. Various reasons – tax or immigration issues, infidelity. Domestic abuse. Jane knows all about that. She and her daughter Tara have spent years in hiding from Tara’s manipulative and terrifying ex. Now, as Jane talks to a close contact, she realises the woman on the phone is scared of the same man – and he’s close. Too close.