Showing results by narrator "Orson Welles" in All Categories

The Mercury Theatre was an independent repertory company founded in New York City in 1937 by Orson Welles and producer John Houseman, who is best known for his Oscar-winning performance as Professor Charles Kingsfield in the The Paper Chase. After a series of acclaimed stage productions, Welles and his Mercury Theatre were offered theirown weekly hour-long radio program over the CBS radio network.

Here are legendary director, producer, screenwriter, author, and actor Orson Welles' historic interpretations of excerpts from classic literature. Includes selections from Oscar Wilde's "The Happy Prince', H.G. Wells' "The Red Room", Saki's "Shredni Vashtar", Joseph Conrad's "The Secret Sharer", Rudyard Kipling's "Riki-Tikii-Tavi", Nathaniel Hawthorne's "Wakefield", Edgar Allan Poe's "The Tell Tale Heart", and Robert Louis Stevenson's "Letter to the Reverend Dr. Hyde".

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Orson Welles stars as Phileas Fogg of London, who together with his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Artifacts of crime's darkest moments and souvenirs of sinister significance can be found on display in The Black Museum. Presented here are 16 stranger-than-fiction tales of depravity and detection from 1952, hosted and narrated by the incomparable Orson Welles.

He's a con man, a manipulator, and a master of every form of deception. He'll look you right in the eye and rob you blind...but you won't care, because he's one of the most fascinating men you'll ever meet! He's Harry Lime - and before he met a memorable end in The Third Man, he cut a broad swath across most of the inhabited globe!

He stood just three feet tall, but his wit was larger than life! Charlie McCarthy was made of wood, but to millions of radio listeners, he was as real as Edgar Bergen - and much, much funnier. Impudent, irreverent, and positively irrepressible, here are 16 rare and classic radio episodes featuring Charlie himself.

George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, screenwriter, and producer who is remembered for his innovative work in film, radio, and theatre. He is considered to be among the greatest and most influential filmmakers of all time, creating such classics as Citizen Kane, The Third Man and The Magnificent Ambersons.

The voice of Orson Welles - smooth and sure, but edged with danger – speaks to you from London. He’s here to tell you about a repository of death, a warehouse of homicide “in the grim stone structure on the Thames which houses Scotland Yard.” Welles will draw your attention to small artifacts from murders most foul, each of which provide a vital clue to a killer’s identity. An international cast - including Joan Lord, Harp McGuire, and Joe McCormick – breathe life into these twelve tales of death.