Showing results by narrator "Mark Ellis" in All Categories

This Audiobook contains the following works. The Great Gatsby By F. Scott Fitzgerald Start at Chapters 1, A Christmas Carol By Charles Dickens Start at Chapters 10, Anne of Green Gables By Lucy Maud Montgomery Start at Chapters 16, Emma By Jane Austen Start at Chapters 54, The Adventures of Tom Sawyer By Mark Twain Start at Chapters 108, The Raven By Edgar Allan Poe Start at Chapters 144, The Prophet copie By Khalil Gibran Start at Chapters 145, Think and grow rich By Napoleon Hill Start at Chapters 173, The Iliad By Homer Start at Chapters 191.

This Audiobook contains the following works: "The Art of Money Getting: Golden Rules for Making Money" [P.T. Barnum] Starts at Chapter 19, "As a Man Thinketh" [James Allen] Starts at Chapter 40, "The Science of Getting Rich" [Wallace D. Wattles] Starts at Chapter 49, "Morning and Evening Thoughts" [James Allen] Starts at Chapter 67, "The prophet" [Khalil Gibran] Starts at Chapter 131, "Dollars Want Me: The New Road To Opulence" [Henry Harrison Brown] Starts at Chapter 159, "The Art Of War" [Sun Tzu] Starts at Chapter 166.

Angela Arden wants to be free of her suffocating marriage to film producer Sol Sussman. What better way than poison! Distraught by her father’s death and convinced of her mother’s guilt, Edith Sussman plots to get the truth out of Angela using any means necessary. Charles Busch stars in the role he originated in this camp send-up where tongues aren’t the only thing dipped in acid.

Mark Ellis is likable and confident on stage, he has a decent amount of men-and-women-are-different material, and he’s quick on his feet when he interacts with the crowd. He even tosses in an occasional groaner that he can't help but laugh at when the reaction it gets is less-than-overwhelming (and deservedly so). But Ellis shines the most when he strays from the standard comedian’s fare and delves into his own unique territory.

A group of politically correct teachers are tasked with creating a Thanksgiving play for their students. They hire a Native American actor to lend authenticity to the proceedings. When it turns out she’s ethnically ambiguous the teachers are left to navigate the resulting pitfalls in this rich satire. Includes a conversation with playwright Larissa FastHorse.