Body Horror

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. 

Full body transplants on sale here: the more you pay, the better the body. But can an expensive upgrade really fulfil the life-changing expectations of demoralised mortician Caroline McAleese? Caroline is desperate to be promoted to the sales team - but she's overweight and over 40, and in a world where attractiveness is prioritised ahead of intelligence, her prospects are slim. Then she hits the jackpot in the Citizens' Lottery, and gets the chance to trade up to the perfect new body: one that's young, lithe and beautiful.

Feel the breath-taking tingle of suspense. Share the captivating horror of the supernatural in these six complete stories presented by a masterful reader.

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important? 

The most terrifying thing that you can possibly imagine is your own body in the hands of a monster. Or worse, in the hands of another human being. In this definitive anthology of body horror selected by a World Horror Grandmaster, you'll find the unthinkable and the shocking: a couture designer preparing for an exquisitely grotesque runway show; a vengeful son seeking the parent who bred him as plasma donor; a celebrity-kink brothel that inflicts plastic surgery on sex workers; and organ-harvesting doctors who dissect a living man without anesthetic.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable.... 

A small-town librarian witnesses a murder at his local deli, and what had been routine sleep paralysis begins to transform into something far more disturbing. The trauma of holding a dying girl in his arms drives him out of his own body. The town he knows so well is suddenly revealed to him from a whole new perspective. Secrets are everywhere and demons fester behind closed doors. Worst of all, he discovers a serial killer who has been preying on the area for over a century, one capable of traveling with him through his dreams.

Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent one of the most vital subgenres of horror.

Violet Ambrose is grappling with two major issues: Jay Heaton and her morbid secret ability. While the 16-year-old is confused by her new feelings for her best friend since childhood, she is more disturbed by her "power" to sense dead bodies or at least those that have been murdered. Since she was a little girl, she has felt the echoes the dead leave behind in the world . . . and the imprints that attach to their killers.

The missing dead call to Violet. They want to be found.Violet can sense the echoes of those who've been murdered and the matching imprint that clings to their killers. Only those closest to her know what she is capable of, but when she discovers the body of a young boy she also draws the attention of the FBI, threatening her entire way of life. As Violet works to keep her morbid ability a secret, she unwittingly becomes the object of a dangerous obsession.

Laney Kilpatrick has been renting her vacation home to strangers. The invasion of privacy gives her panic attacks, but it’s the only way she can keep her beloved Hemlock Island, the only thing she owns after a pandemic-fueled divorce. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and now, terrified renters who've fled after finding blood and nail marks all over the guest room closet, as though someone tried to claw their way out...and failed.

A well-known and often told tale of murder and grave robbing in Victorian Edinburgh, supposedly in the interests of science. With the desecration of the bodies, a worthy comeuppance follows. 'The Body Snatcher' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Two student anatomists purchase the remains of humanity in the small hours of the morning. The shadowy men who bring the bodies seldom speak, and the suspicions of the students are never spoken aloud. Until one morning when the drapery is lifted from the face of a new acquisition, and one student recognizes it as the face of a dear friend, alive and well only yesterday.

The Body Artist begins with normality: breakfast between a married couple, Lauren and Rey, in their ramshackle rented house on the New England coast. Recording their delicate, intimate, half-complete thoughts and words, Don DeLillo proves himself a stunningly unsentimental observer of our idiosyncratic relationships. But after breakfast, Rey makes a decision that leaves Lauren utterly alone, or seems to.

This is a story from the The Body Snatcher and Other Stories collection.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

Quick, punchy, and unpredictable—the same goes for the novella as it does for its titular protagonist, Chuck Masters. Chuck thought he was the next big gift to cinema, but he has proven himself a raging disappointment to the craft and to his family. Chuck is finally ready to claim his glorious return to the spotlight … in the worst hotel imaginable. Ghosts! Frights! Craft services! Enter the world of the Royal Eugenia Hotel, and watch a Master at work. It might just be his last.

It’s Halloween, and Ruby is looking forward to a party at China Bayles’ house and a busy holiday weekend at her New Age shop, the Crystal Cave. But her holiday plans are interrupted when Jessica Nelson, a crime reporter at the Pecan Springs Enterprise, shows up with a hard-to-believe story about a serial killer who is targeting the terminally ill. Jessica claims that the killer’s calling card - a card picturing Azrael, the Angel of Death - comes from a deck Ruby once carried in her shop.

In the end, all that's left is an Echo. Before, Violet's morbid ability to sense the dead led her to uncover dark murders and long-buried secrets in her small town. Now that she's workingwith a special investigative team, Violet hopes she can help even more people - whether by saving a life or catching a killer. Although she's relieved to finally be honest about what she can do, her instant connection with her mysterious partner, Rafe, is both confusing and unsettling, and their unique bond creates tension with her boyfriend, Jay. When she discovers the body of a college student murdered by "the collector," Violet refuses to give upon the case.