Native Heritage

Alexandra Ziolkowska-Boehm's "Open Wounds: A Native American Heritage" was inspired by her great uncle, sculptor Korczak Ziolkowski,who in response to the Lakota Sioux Indian Chief Henry Standing Bear's request "tell my story in stone", decided to sculpt Sioux Chief Crazy Horse from a mountain in the Black Hills of South Dakota. Ziolkowska-Boehm explores the real story of Crazy Horse, as well as the real story of the American Indians. She discovers the incredible role Indians played in the World Wars, and she also learns that Indians and their languages and customs are unique to each tribe.

Examining the legacy of racial mixing in Indian Territory through the land and lives of two families, one of Cherokee Freedman descent and one of Muscogee Creek heritage, Darnella Davis' memoir writes a new chapter in the history of racial mixing on the frontier. It is the only book-length account of the intersections between the three races in Indian Territory and Oklahoma written from the perspective of a tribal person and a freedman.

The compelling account of how two heritages united in their struggle to gain freedom and equality in America. The first paths to freedom taken by runaway slaves led to Native American villages. There, black men and women found acceptance and friendship among our country's original inhabitants. Though they seldom appear in textbooks and movies, the children of Native and African American marriages helped shape the early days of the fur trade, added a new dimension to frontier diplomacy, and made a daring contribution to the fight for American liberty.

In this gripping, horror-laced debut, a young Cree woman’s dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home. "A mystery and a horror story about grief, but...

Unapologetically punk, the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art—in particular music—and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Acclaimed historians Robert M. Utley and Wilcomb E. Washburn examine both small battles and major wars - from the Native rebellion of 1492 to Crazy Horse and the Sioux War to the massacre at Wounded Knee.

Before the outsider, now Chief Heads Off, brought the Elk Dogs (horses) to the People, their strategy had always been to flee or hide from their mortal enemies, the Head Splitters. Now the People live in peace, but the young warriors long for war.

When North and South met in 1865 at Appomattox Court House to end the Civil War, the official terms of surrender weren’t written in the hand of Ulysses S. Grant, Robert E. Lee, or any white soldier. Instead, this momentous event was recorded by General Ely S. Parker, a member of the Seneca (Iroquois) tribe. At that time, Parker was not only the highest-ranking Native American in the Union Army but also the Grand Sachem, or chief representative, of the Haudenosaunee—the powerful Iroquois Confederacy.

Growing up impoverished and shuttled between different households, it seemed life was bound to take a certain path for Eddie Chuculate. Despite the challenges he faced, his upbringing was rich with love and bountiful lessons from his Creek and Cherokee heritage, deep-rooted traditions he embraced even as he learned to live within the culture of white, small-town America that dominated his migratory childhood.

As the armed conflicts between the English colonies in North America and the French settlements raged in the 1700s, a young Puritan girl, Eunice Williams, is kidnapped by Mohawk people and taken to Canada. She is adopted into a new family, a new culture, and a new set of traditions that will define her life. As Eunice spends her days learning the Mohawk language and the roles of women and girls in the community, she gains a deeper understanding of her Mohawk family.