Theatre Anthology

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

In this wide-ranging collection our authors look at every facet and detail of theatre life. From the worries and lives of the actors to what can happen when a theatre is the prime location on which the story depends, be it comedy, theft, the bizarre and even murder.

The Burglars' Club is the most exclusive of exclusive Gentleman's Clubs in Victorian London. To pay their dues, members must steal something very valuable and hard to get, and present it to the club at the following meeting (They return it afterwards, of course, if possible). Full of comedy, suspense, and mystery. The award-winning Colonial Radio Theatre on the Air brings these wonderful stories to life with a full cast, music, and sound effects.

Spanning centuries and continents, Mamet uses war and its players to explore, among other themes, redemption and forgiveness as they unfold in the context of conflict in the form of three novellas. Finely wrought, Mamet eloquently depicts the psychological brutality conflict raises in the landscape of the mind.

"Telling Tales of Civil Warriors" has been adapted and expanded from the Audie Award-winning production of The Civil War Tales of Ambrose Bierce and has been selected by AudioFile magazine as a recipient of it's prestigious Earphone Award.

Telling Tales of Civil Warriors was recorded by Joel Block at The Production Block Studios.

La nouvelle n'est pas seulement un roman court, c'est un genre littéraire en soi, obéissant à des règles propres. Tout l'intérêt de la nouvelle repose, en effet, sur l'art de la chute. Une chute qui se doit d'être imprévisible, et donc surprenante. Si dans la nouvelle le récit est tendu vers une fin que le lecteur, pris par le suspense, brûle de connaître, tout dans la narration est mis en œuvre pour détourner l'attention d'un dénouement qui, pour imprévisible qu'il soit, reste implacablement logique. Bon sang, mais c'est bien sûr !

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

With Nathaniel Hawthorn's "The Maypole of Merrymount", A Magical Reality Chautauqua Show records a pivotal incident in our earliest American history, with legend and lore casting significant light on our origins. Hawthorne's craft allows us to be present for the birth pangs of our wildly adventurous American enterprise.

With "Buckshot Cheney's Last Train Ride" and "A Mysterious Visit", a Magical Reality Chatauqua Show celebrates the comic genius of Americana's premier folk humorist. Mark Twain has been making us laugh for generations and, with "Buckshot Cheney's Last Train Ride" and the preposterous income tax insights of "A Mysterious Visit," American Listener's Theatre presents us with the greatest known antidote to the waves of fear that grip the nation: some belly shaking laughter at the expense of our tormentors.

'A Nice Price' & 'The Idyll of Miss Sarah Brown' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.