Urban Fantasy Horror

The dead do not rest till they get what they want. You have arrived in the hills. In here, you are surrounded by dense, menacing forests, enveloped in a deadly silence... You never know what lurks here in the cold, dark night. Do not walk alone after sunset in the hills. A beautiful woman in white haunts the Lonely pathways, looking to enchant and ensnare men... All the people who died in accidents here... They say you hear their screams at night. And the deserted lodges sitting amidst lush greenery and calm streams...

Long lost to the public in out-of-print pulp magazines, dusty Victorian anthologies, and the pages of now defunct newspapers, these vintage vampire stories have truly proved immortal. Resurrected now for the year 2011, this is a stunning collection of nineteenth-century vampire stories by heavyweights such as Sabine Baring-Gould and Bram Stoker. These rare stories are arranged in chronological order from 1846 to 1913 and are compiled by two of the world's leading vampire anthologists and experts.

Someone is drugging the fairest of them all and hurting them in the dark corners of the forests around Port Mackenzie - shrouding the town in mystery and darkness. But nothing is as it seems. In the dark corners of the small town there is also a light, a cure to what ails the sick. But everything comes at a cost, a price that must be paid. Aimee James discovers that cost the moment she dies. She discovers there are worse things than dying. She finds herself cursed.

Strange things exist on the periphery of our existence, haunting us from the darkness looming beyond our firelight. Black magic, weird cults, and worse things loom in the shadows. The Children of Old Leech have been with us from time immemorial. And they love us.... Donald Miller, geologist and academic, has walked along the edge of a chasm for most of his nearly 80 years, leading a charmed life between endearing absent-mindedness and sanity-shattering realization. Now, all things must converge.

Who would suspect that the same mind that created the most famous literary detective of all time also took on the eternally popular genre of vampires? Sir Arthur Conan Doyle, a contemporary of Bram Stoker, gave us some fascinating works of vampire fiction. From the bloodsucking plant in "The American's Tale" to the bloodsucking wife in "The Adventure of the Sussex Vampire," he reveled in the horror created by creatures who survived on the blood of men and women.

What if the stories we read were true? What if somewhere along the line monsters created in fiction were really based upon lives torn apart by tragedy? Hanna doesn't know what's happening to her. She doesn't know why her father has just sacrificed his life for hers. She doesn't know who Aimee James is or why she must fear her. She doesn't know what the Roses are or why they're interested in her. She knows there is a dusty stack of journals that drag her into a world she can't comprehend.

A series of grisly murders rocks London. At each location, only a jumble of bones remains of the deceased, along with a bizarre sphere covered in strange symbols. The son of the latest victim seeks the help of Sherlock Holmes and his former partner, Dr. John Watson. They discover the common thread tying together the murders. Bizarre geometries, based on ancient schematics, enable otherworldly creatures to enter our dimension, seeking to wreak havoc and destruction.

One October morning, Laina gets the news that her brother has been shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it. As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence.

Vitus Adamson is falling apart. As a pre-deceased private investigator, he takes the prescription Atroxipine hourly to keep his undead body upright and functioning. Whenever he is injured, he seeks Niko, a bombshell mortician with bedroom eyes and a way with corpses, to piece him back together. Decomposition, however, is the least of his worries when two clients posing his most dangerous job yet appear at his door looking for their lost son.

The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.

What are you waiting for? NA paranormal fantasy at its best from international best seller Tara Brown. This is the series that started it all, and this is the book that lets you see behind the curtain. "Ari, this is Aimee James. She's different, like you." The old lady smiled brightly. "Until you get to know each other, I wouldn't go holding hands. Who knows what'll happen." Something powerful, dark, and dangerous lurks inside of young Ari. She's the queen of self-control and commitment until suddenly she isn't.

Reais, a fractured abyss ruled by thousands of contesting Demon Lords no stranger to chaos, happens to be the birth place of a new chaos, a new threat. Punished for disbelief in a mortal life, a soul curses Deities for its unfair imprisonment and psychological torture. Set free by witless demons, this soul sees an opportunity for vengeance.

The Grand Hotel is a horror novel by esteemed best-selling author Scott Kenemore ( Zombie, Ohio) that takes the reader on a thrilling ride through an interconnected series of stories narrated by the desk clerk and the residents of the hotel itself. And while it is not known whether or not the desk clerk is actually the devil incarnate, it is strange that so many visitors who come for a tour of the hotel have a way of never leaving.

It is 1890, and in the days before Christmas, Sherlock Holmes and Dr. John Watson are visited at Baker Street by a new client. Eve Allerthorpe, eldest daughter of a grand but somewhat eccentric Yorkshire-based dynasty, is greatly distressed, as she believes she is being haunted by a demonic Christmas spirit. Her late mother told her terrifying tales of the sinister Black Thurrick, and Eve is sure that she has seen the creature from her bedroom window. What is more, she has begun to receive mysterious parcels of birch twigs, the Black Thurrick’s calling card.

Since the 1970s, FantasticLand has been the theme park where "Fun is Guaranteed!" But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares.

The Earth is dying. Humanity - over-breeding, over-consuming - is destroying the very planet they call home. Multinational corporations despoil the environment, market genetically modified crops to control the food supply, and use their wealth and influence and private armies to crush anything, and anyone, that gets in the way of their profits. Nothing human can stop them. But something unhuman might. Once they did not fear the sun. Once they could breathe the air and sleep where they chose.

Step Fletcher, his pregnant wife DeAnne, and their three children move to Steuben, North Carolina, with high hopes. But Step's new job with a software company turns out to be a snake pit, and 8-year-old Stevie's school is worse. As Stevie retreats into himself, focusing more and more on a mysterious computer game and a growing troop of imaginary friends, the Fletchers' concern turns to terror.

Something strange is happening at the Orsk furniture superstore in Cleveland. Every morning, employees arrive to find broken Kjerring wardrobes, shattered Brooka glassware, and vandalized Liripip sofa beds—clearly someone, or something, is up to no good. To unravel the mystery, five young employees volunteer for a long dusk-till-dawn shift and encounter horrors that defy imagination.

In the beginning was the Oak, its hungry roots reaching deep into the earth, its gnarled limbs searching the distant heavens. Two hundred years ago, Obediah Magrute worshipped the Oak and died violently beneath it, feeding it with his blood and bone, shouting his chilling curse to the skies. Now, Laura and Mark Avery have come to the bustling little Vermont village.

These stories present electric messiahs, identity constructs, the Beatles, and even a nuclear Armageddon, which serve as comic foils for Lain's everyman characters. Here is an America where packets of Sea Monkeys arrive in the mail containing secret messages, and the girl next door can breathe underwater. With Last Week's Apocalypse, Douglas Lain arrives with a punch line and a warning.