Weird Women

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

This translation, by an unknown hand, of D'Aurevilly's salacious miscellany, which consists of six novellas, was published in 1900 under the title Weird Women and is in the public domain. When the collection was first published in France in 1874, it caused up an uproar; it was declared a danger to public morality and the prosecutor issued orders for its seizure on the grounds of blasphemy and obscenity.

Fifty-something librarian Shona is a proud former pupil of the Marcia Blaine School for Girls but has a deep loathing for The Prime of Miss Jean Brodie, which she thinks gives her alma mater a bad name. Impeccably educated and an accomplished martial artist, linguist and musician, Shona is selected by Marcia Blaine herself to travel back in time for a crucial mission involving Macbeth, the weird sisters and a black cat.

Mary Katherine Backstrom shares heartbreaking and hilarious stories of how God uses each "mess" in our lives to bring us closer to him. She shows us that it's okay to celebrate exactly where we are right now - holy hot mess and all.