Weird Women

Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Perkins Gilman, alongside works of writers who were the best sellers and critical favorites of their time - Marie Corelli, Ellen Glasgow, Charlotte Riddell - and lesser known authors who are deserving of contemporary recognition.

This translation, by an unknown hand, of D'Aurevilly's salacious miscellany, which consists of six novellas, was published in 1900 under the title Weird Women and is in the public domain. When the collection was first published in France in 1874, it caused up an uproar; it was declared a danger to public morality and the prosecutor issued orders for its seizure on the grounds of blasphemy and obscenity.

Come along for a ride with Always Eat The Weird Stuff, heavily inked flash fiction about finding yourself, even stuck in transit. From underground raves to solo travels and the eclectic streets and alleys of Melbourne, these tight prose chapters explore themes of risk taking, truth-seeking, love, and the quest for belonging.

Fifty-something librarian Shona is a proud former pupil of the Marcia Blaine School for Girls but has a deep loathing for The Prime of Miss Jean Brodie, which she thinks gives her alma mater a bad name. Impeccably educated and an accomplished martial artist, linguist and musician, Shona is selected by Marcia Blaine herself to travel back in time for a crucial mission involving Macbeth, the weird sisters and a black cat.

Step into a world where the boundaries between reality and enchantment blur, and the whispers of the forest hold ancient secrets. In "The Woman of the Wood," A. Merritt weaves a mesmerizing tale of a war-weary soldier, McKay, who seeks solace in a secluded inn nestled among the Vosges mountains. As he immerses himself in the tranquil embrace of the trees, he discovers that the forest is alive with more than just natural beauty--it harbors a mystical presence that calls out to him.