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How Dead Languages Work

Written by: Coulter H. George
Narrated by: James Cameron Stewart
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Publisher's Summary

This volume celebrates six such languages - Ancient Greek, Latin, Old English, Sanskrit, Old Irish, and Biblical Hebrew - by first introducing listeners to their most distinctive features, then showing how these linguistic traits play out in short excerpts from actual ancient texts. It explores, for instance, how Homer's Greek shows signs of oral composition, how Horace achieves striking poetic effects through interlaced word order in his Latin, and how the poet of Beowulf attains remarkable intensity of expression through the resources of Old English. But these are languages that have shared connections as well. Listeners will understand how the Sanskrit of the Rig Veda uses words that come from roots found also in English, how turns of phrase characteristic of the Hebrew Bible found their way into English, and that even as unusual a language as Old Irish still builds on common Indo-European linguistic patterns.

Very few people have the opportunity to learn these languages, and they can often seem mysterious and inaccessible: Drawing on a lucid and engaging writing style and with the aid of clear English translations throughout, this book aims to give all listeners, whether scholars, students, or interested novices, an aesthetic appreciation of just how rich and varied they are.

©2020 Coulter H. George (P)2021 Tantor

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The PIE in question is the Sanskrit language

The author knows a lot about the languages but he has got several things about Sanskrit wrong. To start with Sanskrit is not a dead language. It is still in use although not as much as it used to (blame the muslim invasions and the British colonialism). The author has no clue about the Sanskrit vowels. He wrongly claims that most Indians can’t pronounce the ऋ sound. On the plus side, he has talked about the richness of the Sanskrit language and its literature. Sanskrit is at least 12000 years old. That makes it the Proto-Indo European language.

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